我要浪漫主义音乐英文版介绍只要英文！！~

好吧，在这里我只能给你古典音乐，摇滚音乐的还有爵士的介绍了，希望你采纳啊！！很辛苦得我~~~

1摇滚乐

Rock music began in the United States in 1950’s, but it has influenced and in turn been shaped by a broad field of cultures and musical traditions, including gospel music, the blues, country-and-western music, classical music, folk music, electronic music, and the popular music of Asia, Africa, and Latin America In addition to its use as a broad designation, the term rock music commonly refers to music styles after 1959 predominantly influenced by white musicians

There is basic agreement that rock is a form of music with a strong beat, but it is difficult to be much more explicit The Collins Cobuild English Dictionary, based on a vast database of British usage, suggests that rock is a kind of music with simple tunes and a very strong beat that is played and sung, usually loudly, by a small group of people with electric guitars and drums, but there are so many exceptions to this description that it is practically useless

Other major rock-music styles include rock and roll, the first genre of the music; and rhythm-and-blues music (R&B), influenced mainly by black American musicians Each of these major genres encompasses a variety of substyles, such as heavy metal, punk, alternative, and grunge While innovations in rock music have often occurred in regional centers such as New York City; Kingston, Jamaica; and Liverpool, England, the influence of rock music is now felt worldwide

2古典乐

Classical music is probably more familiar than we might at first imagine Indeed, nowadays it is all around us, whether it be in restaurants, supermarkets, lifts, for advertising or as theme and incidental music on television A great deal of film music either directly uses or draws from the 'classical' tradition; a good example of the former might be '2001: Space Odyssey', and of the latter, the many scores John Williams has composed in recent years for such blockbusters as the Star Wars and Indiana Jones trilogies

In the vast and wide-ranging world of 'classical' music there is truly something there for everyone - pieces which once discovered represent the start of an exciting and irresistible journey which will provide a lifetime's listening pleasure For example, those who are particularly excited by hearing instrumentalists working at full stretch will thrill to the likes of Liszt and Paganini, or if something a little more reserved and self-contained is required, the chamber music of Haydn or Mozart would be a good starting point If a full symphony orchestra in overdrive is more to your taste then Tchaikovsky or Richard Strauss could well fit the bill, whereas those who have already warmed to Vivaldi's 'Four Seasons' might well try the music of some of the great Italian's contemporaries such as Handel, Johann Sebastian Bach or Domenico Scarlatti Whatever your tastes may be, there has never been a better time to start building a 'classical' music collection on CD

Any attempt to define what is meant literally by the term 'classical' music is fraught with difficulty How does one encapsulate in just a few words a musical tradition which encompasses such infinite varieties of style and expression, from the monastic intonings of Gregorian chant to the laid-back jazz inflections of Gershwin's Rhapsody in Blue, from the elegant poise of Mozart's Eine kleine Nachtmusik to the despairing, heightened emotionalism of Tchaikovsky's "Pathetique" Symphony One is treading on very dangerous ground indeed if one pre-supposes that it is simply 'superior' to other musical types such as popular, jazz, rock and the like, let alone the music of other cultures

In general 'popular' music may be as clear in expression as the longer examples of 'classical' music One important difference, however, lies in the logical connection that exists in 'classical ' music between the beginning and end, with the latter a logical extension and development of the former 'Popular' music, on the other hand, tends to present its material without development, the music ending when interest is exhausted

Sadly, whilst 'classical' music is socially undivisive in itself, it has unfortunately become associated in most people's minds with the intellectual elite Even now, and with certain honourable exceptions, the attending of a 'live' concert can be an intimidating (not to say costly) experience for the uninitiated, especially in that most jealously guarded of establishments, the opera house The wonderful thing about the technological age in which we live, and particularly the advent of the compact disc, is that we can bypass all irrelevant social and intellectual pretence, and enjoy in the comfort of our own home (often at far less cost) some of the finest music ever composed

With such a breathtaking variety of material available, it is an awesome task to know just where to begin your disc collection, and as a result expensive mistakes are often made as tempting looking purchases turn out to be something of a disappointment This is where the Naxos catalogue really comes into its own, and where it is hoped this guide will help prospective purchasers to make an informed choice about the kind of music they are likely to enjoy

The Naxos label provides a library of high quality performances of music by the great masters in modern digital sound; accompanied by authoritative and user-friendly booklet notes and at the lowest possible price There are already nearly 600 titles from which to choose, and with new releases emerging at the rate of about eight every month, even the enthusiastic collector is well and truly catered for With every historical period and genre covered, there is something in the Naxos catalogue for everyone, especially those who wish to build a truly representative collection of the central masterworks in the 'classical' tradition

3爵士

Born in America, jazz can be seen as a reflection of the cultural diversity and individualism of this country At its core are openness to all influences, and personal expression through improvisation Throughout its history, jazz has straddled the worlds of popular music and art music, and it has expanded to a point where its styles are so varied that one may sound completely unrelated to another First performed in bars, jazz can now be heard in clubs, concert halls, universities, and large festivals all over the world

The Birth of Jazz:

New Orleans, Louisiana around the turn of the 20th century was a melting pot of cultures A major port city, people from all over the world came together there, and as a result, musicians were exposed to a variety of music European classical music, American blues, and South American songs and rhythms came together to form what became known as jazz The origin of the word jazz is widely disputed, although it is thought to have originally been a sexual term

Louis Armstrong:

One thing that makes jazz music so unique is that it’s focus on improvisation Louis Armstrong, a trumpet player from New Orleans, is considered the father of modern jazz improvisation His trumpet solos were melodic and playful, and filled with energy that could only result from being composed on the spot A leader of several groups in the 1920s and 30s, Armstrong inspired countless others to make the music their own by developing a personal style of improvisation

Expansion:

Thanks to early records, the music of Armstrong and others in New Orleans could reach a broad radio audience The music’s popularity began to increase as did its sophistication, and major cultural centers around the country began to feature jazz bands Chicago, Kansas City, and New York had the most thriving music scenes in the 1940s, where dance halls were filled with fans that came to see large jazz ensembles This period is known as the Swing Era, referring to the lilting “swing” rhythms employed by the Big Bands

Bebop:

Big Bands gave musicians the opportunity to experiment with different approaches to improvisation While members of a Big Band, saxophonist Charlie Parker and trumpeter Dizzy Gillespie began to develop a highly virtuosic and harmonically advanced style known as "Bebop," an onomatopoeic reference to the rhythmic punches heard in the music Parker and Gillespie performed their music in small ensembles all over the country, and musicians flocked to hear the new direction jazz was taking The intellectual approach and technical facility of these pioneers of Bebop has set the standard for today’s jazz musicians

Jazz Today:

Jazz is a highly developed art form that continues to evolve and expand in numerous directions The music of each decade sounds fresh and distinct from the music that preceded it Since the days of bebop, the jazz scene has included avant-garde music, Latin jazz, jazz/rock fusion, and countless other styles Jazz today is so diverse and broad that there is something unique and interesting about every artist’s style

　《大浪漫主义》是twins演唱的歌曲，歌曲的歌词温馨甜蜜，让人感觉到爱情的美好和幸福，是一首让人感觉窝心的歌曲。下面就跟随我的步伐一起来了解一下twins《大浪漫主义》歌词的相关信息吧!

　twins歌曲《大浪漫主义》歌词

　today i dream

　you hold me in your arms

　and you touch my hair

　feel like really fall in love

　you kiss my hand

　my heart will start to dance

　男生 今天分赠女生

　颗颗朱古力也有颗心

　玫瑰 今天销量倍增

　因此手空空的我

　份外变得敏感

　还未牵情人的手

　一样是佳节

　未能二人共舞

　亦能万人大倒数

　罗蔓蒂克

　无谓急 急也急不到

　全城在庆祝

　同样都可感染到

　罗蔓蒂克

　无论我有没有谁的拥抱

　同样有权这天配给得到

　我未能参与

　能羡慕亦很好

　当别人的恋情

　洋溢的快乐为预告

　today i dream

　you hold me in your arms

　愿我下次不只替人开心

　有份拥吻

　无法 烛光之下晚餐

　组织单身好友逛沙滩

　无法 捉紧亲热臂弯

　都可拥抱玩具熊

　漫步那都市间

　人类那大气氛

　那些幸福的指数

　甜蜜到 甜蜜到

　让你都 让我都

　未爱先感觉到

　罗蔓蒂克

　无论我有没有谁的拥抱

　同样有权这天配给得到

　我未能参与

　能羡慕亦很好

　愿我喜欢的人

　其后的节日会赶到

　twins《大浪漫主义》歌词歌曲信息

　编曲：伍乐城

　作词：黄伟文

　收录专辑：《双生儿》(仅为首次收录的专辑，其它不列举)

　twins《大浪漫主义》歌词歌曲所属专辑

　专辑名称: 双生儿(首批贺年限量版) [EP+VCD]

　发行公司: 英皇娱乐(HK)

　版 号(NO): EEG1054

　出版时间: 2002-1-29

　语言: 粤语

新浪漫主义的音乐家，几乎都是过去“先锋派”的代表人物，如施托克豪森、潘德雷斯基、利盖蒂、贝里奥、诺诺（Luigi Nono，意大利作曲家，1924-1990）、亨策（Hans Werner Henze，德国作曲家，1926- ）等。

十九世纪初,欧洲文学艺术普遍形成了一种新的潮流、新的风格，就是的“浪漫主义”。它是一种“势如破竹的、反对权威、传统和古典式的运动，在18世纪后期到19世纪中期横扫西方文明。”（见《简明不列颠百科全书》中译本）

在文学史上，浪漫主义一般指1830—1850年代的创作，而音乐的浪漫主义稍晚于文学，并且延续的时间较长，可以说浪漫主义在音乐的领域里，基本上贯穿整个19世纪。我们说：浪漫主义不仅是一个创作方法和作品风格的问题，而更是一个内容复杂的世界观和艺术观的问题。

在音乐方面，浪漫主义的形成是在十九世纪二十年代。它的奠基者是奥地利作曲家舒伯特和德国作曲家韦伯。前者的创作是抒情歌曲、交响乐、室内乐等，后者则主要是一个浪漫主义的歌剧作曲家。

1830年的欧洲资产阶级革命，促使各国任命革命意志的奋发和民族意识的觉醒，形成了进步的浪漫主义思潮的高涨，出现了法国的柏辽兹、意大利的罗西尼、德国的舒曼、门德尔松和波兰的肖邦等作曲家。

浪漫主义音乐具有自己的一些风格特征。浪漫主义的艺术侧重感情，理性属于次要地位，对整个世界和现实生活的各种现象，都通过个人的主观感觉来表现。因此，抒情性、自传性和个人心理刻画就成为浪漫主义音乐的主要特征之一。它反映了纯主观的个人感情，但也有一定的社会典型性。

下面我将具体谈一下浪漫主义时期的主要特点：

对音响、音色的追求是浪漫主义音乐的一个突出特点。浪漫主义时期讲求音响的丰满、和谐、充实、舒适；而且要求色彩性强，无论乐器还是人声，都追求新的音色。到浪漫主义末期，管弦乐队的人数一般达到一百人；铜管、木管、打击乐得到了更充分的使用，铜管增加了长号、大号、圆号和小号的数量也有增加；木管增加了低音巴松、低音单簧管、英国管，而短笛成了固定的成员。乐队的中音区乐器得到扩充。此外，有时还使用三角铁、竖琴等色彩性乐器。这是的乐队音响辉煌、宏伟。声乐方面，丰富的歌剧创作提供了多样的音色，男高音得到了空前的发展。这时游乐各种不同的风格，如活泼轻快、热情洋溢、充满感情的法国风格，强有力的戏剧性的歌剧男高音风格，歌剧中英雄性的男高音风格，呜咽凄凉的意大利风格，圆润伤感的俄罗斯男高音风格等等。

旋律的重要地位在古典全盛时期就已经显示出来了，到浪漫主义时期更加突出。

旋律的歌唱性、抒情性成了十九世纪浪漫风格的重要特点。在贝多芬时期，器乐音乐的主题与艺术歌曲之间，有着明显的区别。但浪漫时期，情况不同了。舒伯特及其歌曲有着很大的影响力。他的歌曲作品通过一些流浪者、失恋者、梦幻者及孤独的、无依无靠的可怜人，以自我感受的方式，生客地反映了他对黑暗社会的感受和痛苦。其中以声乐套曲《美丽的磨房姑娘》和《冬之旅》最为典型。这些作品说明了当时在浪漫主义时期音乐歌曲创作的抒情性的典型特点。舒伯特的歌曲中旋律最有个性，也是他的作品最突出的地方，当然也是此时期的创作特点的一个体现。在风格上，他的歌曲旋律有浪漫主义的甜美和忧郁风格，如《流浪者》、〈你是安宁〉。这一点领导并体现了烂漫主义时期音乐作品在旋律上的一个特点。这种歌唱性的旋律贯穿了整个十九世纪，在大型交响乐和抒情钢琴小品，弦乐四重奏以及协奏曲等等各类体裁之中得以体现。

浪漫时期的旋律结构与古典时期有所不同。古典时期较多为平均、平衡、闭合，以进为主，若有隔音跳进或大跳，均要与其反向的级进进行相平衡，形成“拱型”结构，而浪漫风格的旋律则为了表情的需要。喜欢使用大跳音程，常常是六七度，甚至四个八度的大跳和许多增减音程的跳进。为了在乐曲中进行充分的展开，浪漫风格的主题旋律本身包含多种变化的可能性。后期浪漫主义音乐的动机继承了贝多芬的传统，具有动力性和对比性。其器乐作品的旋律带有交响性的紧张度。甚至在歌剧中也得以运用。另外，采用它的旋律经常采用或模仿民族舞蹈的曲调和民间音乐的特点，构成不规则的句法或大小调音节交替等。

在节奏方面较古典时期自由了一些。最常见的是交叉节奏的使用。快速不规则的音响与稳定节拍的结合，以及两个或更多节奏型的同时使用等，都是这个时期节奏的特点。

和声调性方面。浪漫主义时期音乐中，和声的发展和变化十分突出。许多浪漫作曲家恰是以其和声的独特而显示出个性的。这是为边县丰富多样的情感所决定的，也体现欧洲文化及思维的特点。

通过调性上、音区上、和声上、的色彩性变化来刻画音乐形象，刻画个人心理状态的发展，这种力求多方面地刻画一个音乐形象的表现手法，正是浪漫主义音乐的富有特征的表现手法之一。

古典时期不大使用不协和和弦，假使使用，也大多以功能的方式出现，如增强属主的紧张度，或在转调中使用。但浪漫主义作曲家却经常使用变化音及色彩和声。他们把不协和和弦提高到了协和的地位。浪漫主义时期还开始在三和弦的基础上，用三度叠置构成九和弦、十一和弦、十三和弦等。后期则采用多种方式写出持续和弦，造成乐曲更强渴望的、寻求解决的效果。

在调性上，浪漫主义广泛使用十二个调，同时小调的地位得到了显著的提高，提供了自由运用变化音的可能性，也使音乐具有了戏剧性。当时这个时期，仍然以主调为主，但复调也占重要位置，音乐有了和谐丰满、戏剧性强等特点

大家应该还没有忘记虾米音乐吧，热爱音乐，有其热爱摇滚乐的朋友应该都知道。虽然现在停止运营了，但是该平台的内容可以说是一部音乐百科全书了。将各种音乐类型换分的非常细致和专业，并且很全面。我找到了留存链接，把摇滚乐的分类截图放上来。而且每一种都有详细和专业的解释。

音乐风格分类是通过曲调、节奏、音色、力度、和声、织体和曲式等富有个性的结合方式进行分类，但主要的分类方式指的是曲调。其中摇滚乐最受欢迎。

摇滚乐的正式产生是在50年代中期，但是这个名词却在50年代初期就已出现。1951年，克利夫兰电台唱片节目主持人艾伦·弗里德从一首节奏布鲁斯歌曲《我们要去摇，我们要去滚》（We're Gonna Rock ，We're Gonna Roll）中创造出了”摇滚乐“（Rock n' Roll）这个名词。

1955年7月，《昼夜摇滚》在波普排行榜上获得第一名，标志着摇滚时代的到来。它的演唱者比尔·哈利，也因此成了青少年崇拜的第一个摇滚乐偶像。从此，摇滚乐开始风靡美国。

摇滚乐分为重金属、另类金属、独立摇滚、工业金属、后车库、前卫金属、黑色金属、哥特金属、朋克、蓝调摇滚、无政府主义朋克、英伦摇滚、凯尔特摇滚、华丽摇滚、复兴朋克、山地摇滚、艺术摇滚、迷幻摇滚、东方摇滚、说唱金属、硬金属、流行金属、武侠摇滚等诸多流派。

古典音乐广义上是指20世纪上半叶及以前的欧洲音乐，包括巴洛克时期（巴赫、亨德尔）、维也纳古典主义时期（莫扎特、贝多芬、海顿、维尔瓦第）、欧洲浪漫浪漫主义（肖邦、李斯特、舒伯特、勃拉姆斯、舒曼）、挪威和俄国等的民族乐派（格里格、柴可夫斯基）、印象派（德彪西、拉威尔）的音乐，括号中是每个时期的代表作曲家，狭义上指维也纳古典主义时期海顿、莫扎特、贝多芬三巨头创作的音乐。

摇滚音乐起于现代，属于很新的音乐模式，以美国的为主，热情奔放，演奏效果极佳，以美国的迈克尔杰克逊为代表。

注：激烈欢快的乐曲不一定是摇滚乐，一定要根据音乐的创作时期、作曲家、国籍等进行判断。