电视剧 - 寃家宜结不宜解 有首英文插曲, 请问叫咩名呀?

TVB 电视剧 <寃家宜结不宜解> 首英文插曲叫 "The Color of The Night" 呀！ 喺 2004 年曾经出个一张名为 "TVB电视剧英文浪漫插曲" 的专辑，其中第 16 首便是了！以下是该张专辑的资料： 中文名称：TVB电视剧英文浪漫插曲 英文名称：TVB Series Romantic English Love Songs 发行时间：2004年 地区：中国香港 语言：英语 专辑曲目： 01 What can I do (宠物情缘) 02 Miss you finally (妙手仁心) 03 Paint my love (妙手仁心) 04 Only one (妙手仁心) 05 Dairy (烈火雄心) 06 Promise don’t e easy (创世纪) 07 Close to your heart (创世纪) 08 You tear out my heart (律政新人王) 09 I will be the one (十万吨情缘) 10 You’ll be my love (十万吨情缘) 11 When I need you (先生贵姓) 12 That’s why you go (壹号王庭) 13 Dreaming of you (壹号王庭) 14 Close to you (壹号王庭) 15 What will I do (壹号王庭) 16 The colour of the night (冤家宜结不宜解) 17 Uptown girl (当四叶草碰上剑尖时) 18 Shinning friends (当四叶草碰上剑尖时) 19 Big big world (刑事侦辑档案) 资料取自：boardverycd/t198808 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 另外，陈苑淇 2004 年推出的 唱片中亦载有这首歌，我想当时应该是陈苑淇主唱吧！但是外国歌手 Lauren Christy 都唱歌过o架！ 以下系该只唱片资料及 的歌词： 推出日期：2004年9月1日 唱片公司：环球音乐 语言：粤语 类型：流行 1　终于知道 (OT:Walk With You) 2　幸运水晶 3　任我行 4　触不到的恋人 5　腌眼 6　合久必婚 7　The Color Of The Night (电视剧"冤家宜结不宜解"歌曲) "The Color of The Night" 歌词 You and I moving in the dark Bodies close but souls apart Shadowed iles and secrets unrevealed I need to know the way you feel I'll give you everything I am And everything I want to be I'll put it in you hands If you could open up to me oh Can't we ever get beyond this wall Cause all I want is just once To see you in the light But you hide behind The color of the light I can't go on running from the past Love has torn away this mask And now like clouds Like rain I'm drowning and I blame it all on you I'm lost-god save me Repeat OOhOoh God save me OohOoh Everything I am and everything I want to be Can't we ever get beyond this wall Cause all I want is just once Forever and again I'm waiting for you I'm standing in the light But you hide behind The color of the night ooh Please e out from The color of the night 资料取自：musicsina/cgi-bin/mu/album/maincgiid=4781 希望帮到你啦！(^o^)

我爱你，我的爱人——泰戈尔

冰心译

我爱你，我的爱人。请饶恕我的爱。

像一只迷路的鸟，我被捉住了。

当我的心抖战的时候，它丢了围纱，变成赤裸。

用怜悯遮住它吧。爱人，请饶恕我的爱。

如果你不能爱我，爱人，请饶恕我的痛苦。

不要远远地斜视我。

我将偷偷地回到我的角落里去，在黑暗中坐着。

我将用双手掩起我赤裸的羞惭。

回过脸去吧，我的爱人，请饶恕我的痛苦。

如果你爱我，爱人，请饶恕我的快乐。

当我的心被快乐的洪水卷走的时候，不要笑我的

汹涌的退却。

当我坐在宝座上，用我暴虐的爱来统治你的时候，

当我像女神一样向你施恩的时候，饶恕我的骄傲

吧，爱人，也饶恕我的欢乐。

For English

I love you,belovedForgive me my love

Like a bird losing its way I caught

When my heart was shaken,it lost its veil and was nekedCover it with pity,beloved,and forgive me my love

If you cannot love me,beloved,forgive me my pain

Do not look askance at me from afar

I will steal back to my corner and sit in the dark

With both hands I will cover my naked shame

Turn your face from me,beloved,and forgive me my pain

you love me,beloved,forgive me my joy

When my heart is borne away by the flood of happiness,do not smile at my perilous abandonment

When I sit on my throne and rule you with my tyranny of love,when like a goddess I grant you my favor,bear with my pride,beloved,and forgive me my joy

(From Tagore's 《The-Gardener》)

给你发来微软百科的说明

Romanticism (literature)

I INTRODUCTION

Romanticism (literature), a movement in the literature of virtually every country of Europe, the United States, and Latin America that lasted from about 1750 to about 1870, characterized by reliance on the imagination and subjectivity of approach, freedom of thought and expression, and an idealization of nature The term romantic first appeared in 18th-century English and originally meant “romancelike”—that is, resembling the fanciful character of medieval romances

II ORIGINS AND INSPIRATION

By the late 18th century in France and Germany, literary taste began to turn from classical and neoclassical conventions (see Classic, Classical, and Classicism) Inspiration for the romantic approach initially came from two great shapers of thought, French philosopher Jean Jacques Rousseau and German writer Johann Wolfgang von Goethe

A The Romantic Spirit

Rousseau established the cult of the individual and championed the freedom of the human spirit; his famous announcement was “I felt before I thought” Goethe and his compatriots, philosopher and critic Johann Gottfried von Herder and historian Justus Möser, provided more formal precepts and collaborated on a group of essays entitled Von deutscher Art und Kunst (Of German Style and Art, 1773) In this work the authors extolled the romantic spirit as manifested in German folk songs, Gothic architecture, and the plays of English playwright William Shakespeare Goethe sought to imitate Shakespeare's free and untrammeled style in his Götz von Berlichingen (1773; translated 1799), a historical drama about a 16th-century robber knight The play, which justifies revolt against political authority, inaugurated the Sturm und Drang (storm and stress) movement, a forerunner of German romanticism Goethe's novel The Sorrows of Young Werther (1774; translated 1779) was also in this tradition One of the great influential documents of romanticism, this work exalts sentiment, even to the point of justifying committing suicide because of unrequited love The book set a tone and mood much copied by the romantics in their works and often in their personal lives: a fashionable tendency to frenzy, melancholy, world-weariness, and even self-destruction

B The Romantic Style

The preface to the second edition of Lyrical Ballads (1800), by English poets William Wordsworth and Samuel Taylor Coleridge was also of prime importance as a manifesto of literary romanticism Here, the two poets affirmed the importance of feeling and imagination to poetic creation and disclaimed conventional literary forms and subjects Thus, as romantic literature everywhere developed, imagination was praised over reason, emotions over logic, and intuition over science—making way for a vast body of literature of great sensibility and passion This literature emphasized a new flexibility of form adapted to varying content, encouraged the development of complex and fast-moving plots, and allowed mixed genres (tragicomedy and the mingling of the grotesque and the sublime) and freer style

No longer tolerated, for example, were the fixed classical conventions, such as the famous three unities (time, place, and action) of tragedy An increasing demand for spontaneity and lyricism—qualities that the adherents of romanticism found in folk poetry and in medieval romance—led to a rejection of regular meters, strict forms, and other conventions of the classical tradition In English poetry, for example, blank verse largely superseded the rhymed couplet that dominated 18th-century poetry The opening lines of the swashbuckling melodrama Hernani (1830; translated 1830), by the great French romantic writer Victor Hugo, are a departure from the conventional 18th-century rules of French versification; and in the preface to his drama Cromwell (1827; translated 1896), a famous critical document in its own right, Hugo not only defended his break from traditional dramatic structure but also justified the introduction of the grotesque into art In their choice of heroes, also, the romantic writers replaced the static universal types of classical 18th-century literature with more complex, idiosyncratic characters; and a great deal of drama, fiction, and poetry was devoted to a celebration of Rousseau's “common man”

III THE GREAT ROMANTIC THEMES

As the romantic movement spread from France and Germany to England and then to the rest of Europe and across to the western hemisphere, certain themes and moods, often intertwined, became the concern of almost all 19th-century writers

A Libertarianism

Many of the libertarian (see Libertarianism) and abolitionist movements of the late 18th and early 19th centuries were engendered by the romantic philosophy—the desire to be free of convention and tyranny, and the new emphasis on the rights and dignity of the individual Just as the insistence on rational, formal, and conventional subject matter that had typified neoclassicism was reversed, the authoritarian regimes that had encouraged and sustained neoclassicism in the arts were inevitably subjected to popular revolutions Political and social causes became dominant themes in romantic poetry and prose throughout the Western world, producing many vital human documents that are still pertinent The year 1848, in which Europe was wracked by political upheaval, marked the flood tide of romanticism in Italy, Austria, Germany, and France

In William Tell (1804; translated 1825), by German dramatist Friedrich von Schiller, an obscure medieval mountaineer becomes an immortal symbol of opposition to tyranny and foreign rule In the novel The Betrothed (1825-1827; translated 1834), by Italian writer Alessandro Manzoni, a peasant couple become instruments in the final crushing of feudalism in northern Italy Lord Byron and Percy Bysshe Shelley, who for some most typify the romantic poet (in their personal lives as well as in their work), wrote resoundingly in protest against social and political wrongs and in defense of the struggles for liberty in Italy and Greece Russian poet Aleksandr Sergeyevich Pushkin, whose admiration for the work of Byron is clearly manifested, attracted notoriety for his “Ode to Liberty” (1820); like many other romanticists, he was persecuted for political subversion

The general romantic dissatisfaction with the organization of society was often channeled into specific criticism of urban society La maison du berger (The Shepherd's Hut, 1844), by French poet Alfred Victor de Vigny, expresses the view that such an abode has more nobility than a palace Earlier, Rousseau had written that people were born free but that everywhere civilization put them in chains This feeling of oppression was frequently expressed in poetry—for example, in the work of English visionary William Blake, writing in the poem “Milton” (about 1804-1808) of the “dark Satanic mills” that were beginning to deface the English countryside; or in Wordsworth's long poem The Prelude (1850), which speaks of “ the close and overcrowded haunts/Of cities, where the human heart is sick”

B Nature

Basic to such sentiments was an interest central to the romantic movement: the concern with nature and natural surroundings Delight in unspoiled scenery and in the (presumably) innocent life of rural dwellers is perhaps first recognizable as a literary theme in such a work as “The Seasons” (1726-1730), by Scottish poet James Thomson The work is commonly cited as a formative influence on later English romantic poetry and on the nature tradition represented in English literature, most notably by Wordsworth Often combined with this feeling for rural life is a generalized romantic melancholy, a sense that change is imminent and that a way of life is being threatened Such intimations were early evinced in “Ode to Evening” (1747) by William Collins, “Elegy Written in a Country Churchyard” (1751) by Thomas Gray, and The Borough (1810) by George Crabbe The melancholic strain later developed as a separate theme, as in “Ode on Melancholy” (1820) by John Keats, or—in a different time and place—in the works of American writers: the novels and tales of Nathaniel Hawthorne, which probe the depths of human nature in puritanical New England, or the macabre tales and melancholy poetry of Edgar Allan Poe

In another vein in American literature, the romantic interest in untrammeled nature is found in such writers as Washington Irving, whose Sketch Book of Geoffrey Crayon, Gent (1819-1820), a collection of descriptive stories about the Hudson River valley, reflects the author's knowledge of European folktales as well as contemporary romantic poetry and the Gothic novel The Leather-Stocking Tales by James Fenimore Cooper celebrate the beauty of the American wilderness and the simple frontier life; in romantic fashion they also idealize the Native American as (in Rousseau's phrase) the “noble savage” By the middle of the 19th century the nature tradition was absorbed by American literary transcendentalism, chiefly expressed in the essays of Ralph Waldo Emerson and Henry David Thoreau

C The Lure of the Exotic

In the spirit of their new freedom, romantic writers in all cultures expanded their imaginary horizons spatially and chronologically They turned back to the Middle Ages (5th century to 15th century) for themes and settings and chose locales ranging from the awesome Hebrides of the Ossianic tradition, as in the work of Scottish poet James MacPherson (see Ossian and Ossianic Ballads), to the Asian setting of Xanadu evoked by Coleridge in his unfinished lyric “Kubla Khan” (1797) The compilation of old English and Scottish ballads by English poet Thomas Percy was a seminal work; his Reliques of Ancient English Poetry (1765) exerted a significant influence on the form and content of later romantic poetry The nostalgia for the Gothic past mingled with the tendency to the melancholic and produced a fondness for ruins, graveyards, and the supernatural as themes In English literature, representative works include Keats's “The Eve of St Agnes,” the Gothic novels of Matthew Gregory Lewis, and The Castle of Otranto (1764) by Horace Walpole The Lay of the Last Minstrel (1805), by Scottish writer Sir Walter Scott, and his historical novels, the Waverley series (1814-1825), combine these concerns: love of the picturesque, preoccupation with the heroic past, and delight in mystery and superstition

D The Supernatural

The trend toward the irrational and the supernatural was an important component of English and German romantic literature It was reinforced on the one hand by disillusion with 18th-century rationalism and on the other by the rediscovery of a body of older literature—folktales and ballads—collected by Percy and by German scholars Jacob and Wilhelm Karl Grimm (see Grimm Brothers) and Danish writer Hans Christian Andersen From such material comes, for example, the motif of the doppelgänger (German for “double”) Many romantic writers, especially in Germany, were fascinated with this concept, perhaps because of the general romantic concern with self-identity Poet Heinrich Heine wrote a lyric apocryphally titled “Der Doppelgänger” (1827; translated 1846); The Devil's Elixir (1815-1816; translated 1824), a short novel by E T A Hoffmann, is about a double; and Peter Schlemihl's Remarkable Story (1814; translated 1927), by Adelbert von Chamisso, the tale of a man who sells his shadow to the devil, can be considered a variation on the theme Later, Russian master Fyodor Mikhaylovich Dostoyevsky wrote his famous novel The Double (1846), an analysis of paranoia in a humble clerk

IV DECLINE OF THE TRADITION

By about the middle of the 19th century, romanticism began to give way to new literary movements: the Parnassians and the symbolist movement in poetry, and realism and naturalism in prose

See also American Literature: Poetry; American Literature: Prose; Brazilian Literature; Danish Literature; Dutch Literature; English Literature; French Literature; German Literature; Italian Literature; Latin American Literature; Polish Literature; Portuguese Literature; Russian Literature; Spanish Literature; Swedish Literature

Contributed By:

Robert J Clements

Microsoft ® Encarta ® Encyclopedia 2003 © 1993-2002 Microsoft Corporation All rights reserved

ROMANTICISM is a term loosely applied to literary and artistic movements of the late 18th and 19th cent

Characteristics of Romanticism

Resulting in part from the libertarian and egalitarian ideals of the French Revolution, the romantic movements had in common only a revolt against the prescribed rules of classicism The basic aims of romanticism were various: a return to nature and to belief in the goodness of humanity; the rediscovery of the artist as a supremely individual creator; the development of nationalistic pride; and the exaltation of the senses and emotions over reason and intellect In addition, romanticism was a philosophical revolt against rationalism

Romanticism in Literature

England

Although in literature romantic elements were known much earlier, as in the Elizabethan dramas, many critics now date English literary romanticism from the publication of Wordsworth and Coleridge's Lyrical Ballads (1798) In the preface to the second edition of that influential work (1800), Wordsworth stated his belief that poetry results from "the spontaneous overflow of powerful feelings," and pressed for the use of natural everyday diction in literary works Coleridge emphasized the importance of the poet's imagination and discounted adherence to arbitrary literary rules

Such English romantic poets as Byron, Shelley, Robert Burns, Keats, Robert Southey, and William Cowper often focused on the individual self, on the poet's personal reaction to life This emphasis can also be found in such prose works as the essays of Charles Lamb and William Hazlitt and in Thomas De Quincey's autobiographical Confessions of an English Opium Eater (1822) The interest of romantics in the medieval period as a time of mystery, adventure, and aspiration is evidenced in the Gothic romance and in the historical novels of Sir Walter Scott William Blake was probably the most singular of the English romantics His poems and paintings are radiant, imaginative, and heavily symbolic, indicating the spiritual reality underlying the physical reality

TRANSCENDENTALISM, American literary

in literature, philosophical and literary movement that flourished in New England from about 1836 to 1860 It originated among a small group of intellectuals who were reacting against the orthodoxy of Calvinism and the rationalism of the Unitarian Church, developing instead their own faith centering on the divinity of humanity and the natural world Transcendentalism derived some of its basic idealistic concepts from romantic German philosophy, notably that of Immanuel Kant, and from such English authors as Carlyle, Coleridge, and Wordsworth Its mystical aspects were partly influenced by Indian and Chinese religious teachings Although transcendentalism was never a rigorously systematic philosophy, it had some basic tenets that were generally shared by its adherents The beliefs that God is immanent in each person and in nature and that individual intuition is the highest source of knowledge led to an optimistic emphasis on individualism, self-reliance, and rejection of traditional authority

The ideas of transcendentalism were most eloquently expressed by Ralph Waldo Emerson in such essays as "Nature" (1836), "Self-Reliance," and "The Over-Soul" (both 1841), and by Henry David Thoreau in his book Walden (1854) The movement began with the occasional meetings of a group of friends in Boston and Concord to discuss philosophy, literature, and religion Originally calling themselves the Hedge Club (after one of the members), they were later dubbed the Transcendental Club by outsiders because of their discussion of Kant's "transcendental" ideas Besides Emerson and Thoreau, its most famous members, the club included F H Hedge, George Ripley, Bronson Alcott, Margaret Fuller, Theodore Parker, and others For several years much of their writing was published in The Dial (18404), a journal edited by Fuller and Emerson The cooperative community Brook Farm (18417) grew out of their ideas on social reform, which also found expression in their many individual actions against slavery Primarily a movement seeking a new spiritual and intellectual vitality, transcendentalism had a great impact on American literature, not only on the writings of the group's members, but on such diverse authors as Hawthorne, Melville, and Whitman

NATURALISM, in literature

an approach that proceeds from an analysis of reality in terms of natural forces, eg, heredity, environment, physical drives The chief literary theorist on naturalism was Émile Zola, who said in his essay Le Roman expérimental (1880) that the novelist should be like the scientist, examining dispassionately various phenomena in life and drawing indisputable conclusions The naturalists tended to concern themselves with the harsh, often sordid, aspects of life Notable naturalists include the Goncourt brothers, J K Huysmans, Maupassant, the English authors George Moore and George Gissing, and the American writers Theodore Dreiser, Frank Norris, Stephen Crane, James T Farrell, and James Jones In the drama, naturalism developed in the late 19th cent By stressing photographic detail in scene design, costume, and acting technique, it attempted to abolish the artificial theatricality prominent in 19th-century theater The movement was most closely associated with the Théâtre Libre (founded 1887) of André Antoine, with the Freie Bühne (founded 1889) of Otto Brahm, and with the Moscow Art Theatre (founded 1898) under the direction of Stanislavsky Notable naturalistic dramatists include Becque, Brieux, Hauptmann, and Gorky

1 简短唯美的英语句子有哪些

1、I tried to perfect to give up, is indeed very practical 我试过完美放弃，的确很踏实2、Event of a lightning bolt, I would mind a blank, hand, foot and weakness 遇上晴天霹雳，我也会头脑空白，手足无力。

3、Love to have a long fingertips 爱情能有多久 不过是弹指间的事4、Paper plane fly farther take away my heart 纸飞机飞的再远带不走我的心情5、coming days would be long After all do not grow, grey-haired来日方长、终究长不到白发苍苍6、Very need you, just like the dandelion need the breeze很需要你，就像蒲公英需要微风。7、Don't fear you forsake, just afraid of losing you不是怕你丢弃，只是怕失去你8、Life doesn't get easier, you just get stronger生活从未变得轻松，是你在一点一点变得坚强。

9、Why is this once, only once in without you为什么又是这样的曾经，只不过曾经里没有你。10、Sometimes goodbye is the only way有时候，除了说再见，无路可走。

11、Love, living things, is you let me know！爱情，扯淡的东西，是你让我懂得12、Feeble story, just making excuses苍白无力的述说，只是在狡辩而已13、Pale words who can see this person's bitter 苍白的文字有谁会看出这一个人的辛酸14、When it has is lost, brave to give up当拥有已经是失去，就勇敢的放弃15、Love is not looking for a person to live with but find a life he had no 爱情，不是找一个人一起生活，而是找一个没他就没生活的人16、If I was brave outcome is not different 如果当时我勇敢，结局是不是不一样17、you're here there is nothing i fear 你就在我身旁，以至我全无畏惧18、If does not love, why do not come loose如若不爱，何必不散。19、When it has is lost, brave to give up当拥有已经是失去，就勇敢的放弃20、I would like now to seriously indifferent room of wonderful我只想现在过得精彩，无所谓好坏。

1、简短的引证解释：指内容简单，言词不长。阿英 《高尔基和中国济难会》："我们的党即使有这一材料，也是不容易保存下来的，很可能只剩下我写的这几行简短的记录了。

" 杜鹏程 《在和平的日子里》第六章："现在你拟几个简短的报告，作为拟发而未发的报告底稿，保存起来。"2、唯美的解释：唯美的意思是追求绝对的美，但真正意义上的唯美并不存在于这个世界。

唯美提倡"为艺术而艺术"，强调超然于生活的纯粹美，追求形式完美和艺术技巧。通常，人们认为唯美主义和彼时发生在法国的象征主义或颓废主义运动同属一脉，是这场国际性文艺运动在英国的分支。

所谓"唯美主义"，就是以艺术的形式美作为绝对美的一种艺术主张。这里所说的"美"，是指脱离现实的技巧美。

3、英语：英语（English）属于印欧语系中日耳曼语族下的西日耳曼语支，由古代从欧洲大陆移民大不列颠岛的盎格鲁、撒克逊和朱特部落的日耳曼人所说的语言演变而来，并通过英国的殖民活动传播到世界各地。根据以英语作为母语的人数计算，英语是最多国家使用的官方语言，英语也是世界上最广泛的第二语言，也是欧盟，最多国际组织和英联邦国家的官方语言之一。

但仅拥有世界第三位的母语使用者，少于官话汉语和西班牙语。上两个世纪英国和美国在文化、经济、军事、政治和科学上的领先地位使得英语成为一种国际语言。

如今，许多国际场合都使用英语做为沟通媒介。英语也是与电脑联系最密切的语言，大多数编程语言都与英语有联系，而且随着网络的使用，使英文的使用更普及。

英语是联合国的工作语言之一。

2 英文句子唯美短词

Let life be beautiful like summer fiowers and death like autumn leaves

生如夏花之绚烂，死如秋叶之静美。

When you need to tell, I am here; When you need a warm hug, I will be here; When you need someone to wipe your tears of sadness, I will here 当你需要倾诉，我就在这里；当你需要一个温暖的拥抱，我就在这里；当你需要有人为你擦去伤心的泪水，我就在这里。

If we can only encounter each other rather than stay with each other, then I wish we had never encountered - 如果只是遇见，不能停留，不如不遇见。

If you weeped for the missing sunset,you would miss all the shining stars

如果你为着错过夕阳而哭泣，那么你就要错群星了

No one indebted for others,while many people don't know how to cherish others

没有谁对不起谁，只有谁不懂得珍惜谁

When love is not madness, it is not love

如果爱不疯狂就不是爱了。

3 唯美的英语小短句

) I love you not because of who you are, but because of who I am when I am with you

我爱你，不是因为你是一个怎样的人，而是因为我喜欢与你在一起时的感觉。

2) No man or woman is worth your tears, and the one who is, won't make you cry

没有人值得你流泪，值得让你这么做的人不会让你哭泣。

3) The worst way to miss someone is to be sitting right beside them knowing you can't have them

失去某人，最糟糕的莫过于，他近在身旁，却犹如远在天边。

4) Never frown, even when you are sad, because you never know who is falling in love with your smile

纵然伤心，也不要愁眉不展，因为你不知是谁会爱上你的笑容。

5) To the world you may be one person, but to one person you may be the world

对于世界而言，你是一个人；但是对于某个人，你是他的整个世界。

4 有哪些唯美、小清新的英文句子

1、No matter the ending is perfect or not, you cannot disappear from my world

译文：我的世界不允许你的消失，不管结局是否完美。

2、Love is a carefully designed lie

3、Promises are often like the butterfly, which disappear after beautiful hover

译文：承诺常常很像蝴蝶，美丽的飞盘旋然后不见。

4、Fading is true while flowering is past。

译文：凋谢是真实的 盛开只是一种过去。

5、Why I have never catched the happiness Whenever I want you ,I will be accompanyed by the memory of。

为什么幸福总是擦肩而过，偶尔想你的时候…就让…回忆来陪我。

6、Love ,promised between the fingers;Finger rift,twisted in the love

译文：爱情，在指缝间承诺；指缝，在爱情下交缠。

7、If you weeped for the missing sunset,you would miss all the shining stars

译文：如果你为着错过夕阳而哭泣，那么你就要错群星了 。

8、to feel the flame of dreaming and to feel the moment of dancing,when all the romance is far away,the eternity is always there

译文：感受梦的火焰，感觉飞舞瞬间，当一切浪漫遥远，永恒依然。

9、No one indebted for others,while many people don't know how to cherish others

译文：没有谁对不起谁，只有谁不懂得珍惜谁。

10、Eternity is not a distance but a decision

译文：永远不是一种距离，而是一种决定。

11、Dreaming in the memory is not as good as waiting for the paradise in the hell

译文：在回忆里继续梦幻不如在地狱里等待天堂。

12、Where there is great love, there are always miracles

译文：哪里有真爱存在，哪里就有奇迹。

13、Within you I lose myself, without you I find myself wanting to be lost again

译文：有了你，我迷失了自我。失去你，我多么希望自己再度迷失。

14、At the touch of love everyone becomes a poet

译文：每一个沐浴在爱河中的人都是诗人。

15、Look into my eyes - you will see what you mean to me

译文：看看我的眼睛，你会发现你对我而言意味着什么。

5 唯美的英文句子

原发布者：15809283726

Howeverlongthenight,thedawnwillbreak不管黑夜有多长，天亮总会到来。Bebetterthanyouwereyesterday今天要做得比昨天的那个我更好。IthinkImissyoulessandlessaseverydaygoesby我想随着一天天过去，我对你的思念也在一天天淡去。Complainingdoesn'tsolveanything抱怨不能解决任何问题。Sometimes,wearenotwaitingforsborsthWearewaitingtobechangedastimegoesby有时候，我们等的不是什么人，什么事，我们等的是时间，等时间，让自己改变。apple苹果；pear梨；apricot杏；peach桃；grape葡萄；banana香蕉；pineapple菠萝；plum李子；watermelon西瓜；orange橙；lemon柠檬；mango芒果；strawberry草莓；medlar枇杷，欧查果；mulberry桑椹；nectarine油桃；cherry樱桃；pomegranate石榴；fig无花果；tangerine柑子。CryingisallrightinitsownwayButyouhavetostopsoonerorlater,andthenyoustillhavetodecidewhattodo哭本身来说是没有什么错的。但是早晚你都要停止哭泣，然后决定该怎么办。Sleep'tilyou'rehungry,eat'tilyou'resleepy睡到被饿醒，吃到快睡着。EverygirlmaynotbequeentoherhusbandButsheisalwaysaprincesstoherfather可能不是每个女子都能成为某人的女王。但每个女子都永远是爸爸膝下的公主。LoveisliketwopersonsholdingelasticTheonewhoisunwill

6 唯美英文句子

1、Sometimes you need to look back, otherwise you will never know what you have lost in the way of forever searching偶尔要回头看看，否则永远都在追寻，而不知道自己失去了什么。

2、To lost in something you love is better than to win in something you hate宁可失败在你喜欢的事情上，也不要成功在你所憎恶的事情上。 3、When every love comes to the end, if you look back, you will find flowers and sorrows, but it's always beautiful每段爱情在走向终结时，倒带回去，一路上或花草鲜美，或落英缤纷，而最初总是倾心的。

4、Most of people are looking forward the crystal-like love—pure without any defect However the truth is most people are having the glass-like love许多人向往水晶般的爱情，晶莹剔透没有瑕疵。但更多人拥有的是玻璃般的爱情。

5、I know that love shall not be compared, but I still used to complaining what he is lack of我知道感情不能拿来比较，但无意中还是习惯抱怨他所缺少的。 6、The one you love also loves you This is a miracle And the god names this as falling in love with each other自己爱的人同时也爱着自己，这简直是一种奇迹，神明为这种奇迹取了一个名字，叫做恋爱。

7、Never frown, even when you are sad, because you never know who is falling in love with your smile纵然伤心，也不要愁眉不展，因为你不知是谁会爱上你的笑容。 8、Love is an impossible meetingFor example, I am a bird flying in sky, you are a leopard in forest We just fall in love accidentally缘分是不可能的相遇。

比如我是空中的鸟，你是林中的豹，只是我们碰巧相爱。 9、How it feels when you are loved by the one you love How could it be likeIf you want to answer it immediately, you shall know how happy you are被自己所爱的人深爱着是什么样的感觉呢？会是什么样子呢？想要立刻回答的人，你要知道自己是多么幸福。

10、When someone abandons you, it is him that gets lossbecause he lost someone who truly loves him but you just lost one who doesn't love you当你认为被抛弃的时候，受损失的其实是对方：因为他失去了一个真正喜欢他的人，而你只不过少了一个不喜欢你。 11、The so-called turning-around is that you not only miss the sun in day time but also the stars at night所谓的回头，只不过是丢掉了白天的太阳之后，又错过了夜晚的星星。

12、Just because someone doesn't love you the way you want them to,doesn't mean they don't love you with all they have爱你的人如果没有按你所希望的方式来爱你，那并不代表他们没有全心全意地爱你。 13、Good love makes you see the whole world from one personwhile bad love makes you abandon the whole world for one person好的爱情是你通过一个人看到整个世界，坏的爱情是你为了一个人舍弃世界。

14、Hope and trust is the tail of a lizard, which can reproduce even after being cut off希望和信任是蜥蜴的尾巴，即使被切断，但它们还会再长出来。 15、Sometimes, I just wonder, we are from different waters,although I admire your world, II get close to you有时候我会想，我们是不同水域的动物，虽然我很羡慕你那个世界的美丽，但是浅水区的我一走近，就会被深水淹死。

16、Why to ask so much when you are in loveThe mature never ask the past, the wise never ask the present and the open-minded never ask the future爱，又何必多问？成熟的人不问过去，聪明的人不问现在，豁达的人不问未来。 17、The key for happiness is not to find a perfect person, but find someone and build a perfect relationship with him幸福的关键不在与找到一个完美的人，而在找到一个人，然后和他一起努力建立一个完美的关系。

18、If you leave me, please don't comfort me ,because each sewing has to meet stinging pain离开我就别安慰我，要知道每一次缝补也会遭遇穿刺的痛。 19、The most special feeling of human is the one-sided love That's the unique You would never see a cat loving another cat in secret人类的感情最特别的就是单恋，那是绝无仅有的。

你绝不会看到一只猫，会偷偷地喜欢上另一只猫。 20、Do you think that the sourest feeling is to be jealous No, the sourest thing is that you have no rights to be jealous That's the sourest thing你以为最酸的感觉是吃醋吗？不是的，最酸溜溜的感觉是没权吃醋，根本就轮不到你吃醋，那才是。

21、The love world is big, which can hold hundreds of disappointments;the love world is small which is crowded even with three people inside原来爱情的世界很大，大到可以装下上百种委屈；原来爱情的世界很小，小到三个人就挤到窒息。

7 最让大家感动的“温馨唯美”的英文句子有哪些

1 泰戈尔，Let my love, like sunlight, surround you and yet give you illumined freedom让我的爱 如阳光 环绕著你并给予你闪亮的自由。

2 Friendship is friendship like gold, iron, more practice, more oxidation, finally turned into a wisp of smoke It is like gold, more practice, more pure, always flashing golden light友情是金子，友情不像铁，越练，越氧化，最后化成一缕轻烟。它像块金子，越练，越纯，永远闪烁着金色的光芒。

3 Heart there is a kind of worry, I do not know the distance you peace, happiness In the happy days, may our friendship long more new心灵深处总有那么一份牵挂，不知远方的你是否平安、快乐如昔。在欢乐的日子里，愿我们的友谊愈久愈新。

4 Plain time, plain story, but I do not know how much this rainy night should the lonely purple flash in your dreams平淡的时光，平淡的故事，只是不知这雨夜又该有多少紫色的落寞闪现于你的梦中。5 Friends in life is divided into three kinds: a lifetime, a cup, a quilt Happy, the friends know you; when the victim, you know人生朋友分三种：一辈子的，一杯子的，一被子的。

得意时，朋友们认识了你；落难时，你重新认识了朋友。人生得一知己足也，斯世当以同情视之。

一些浪漫的英语句子：1 想你，是一种美丽的忧伤的甜蜜的惆怅，心里面，却是一种用任何语言也无法表达的温馨。 It is graceful grief and sweet sadness to think of you, but in my heart, there is a kind of soft warmth that can't be expressed with any choice of words 2 不同的时间，不同的地点，不同的人群，相同的只有你和我；时间在变，空间在变，不变的只有对你无限的思念！ You and I remains the same in different time, at different places,among different people; time is changing, space is changing and everything is changing except my miss to you!3 Passionate love is a quenchless thirst热烈的爱情是不可抑制的渴望。

4 Love is blind爱情是盲目的5 Coffee is lonely without cups I am lonely without you没有杯子……咖啡是寂寞的……没有你……我是孤独的……6 每一天都为你心跳，每一刻都被你感动，每一秒都为你担心。有你的感觉真好。

My heart beats for you every day I am inspired by you every minute, and I worry about you every second It is wonderful to have you in my life7 The darkness is no darkness with thee有了你，黑暗不再是黑暗。8 We cease loving ourselves if no one loves us如果没有人爱我们，我们也就不会再爱自己了。

9 There is no remedy for love but to love more治疗爱的创伤唯有加倍地去爱。10 When love is not madness, it is not love如果爱不疯狂就不是爱了。

11 Love is like the moon, when it does not increase, it decreases爱情就像月亮，不增则减。12 The soul cannot live without love灵魂不能没有爱而存在。

13 Brief is life, but love is long生命虽短，爱却绵长。14 Who travels for love finds a thousand miles not longer than one在爱人眼里，一千里的旅程不过一里。

15 Love keeps the cold out better than a cloak爱比大衣更能驱走寒冷。16 Take away love, and our earth is a tomb没有了爱，地球便成了坟墓。

17 My heart is with you我的爱与你同在18 Love is an art of endless forgiveness, a tender look which becomes a habit 爱是一种无尽的宽恕，是一束缠绕在心头的温柔的目光。19 Absence is to love what wind is to fire It extinguishes the small, it kindles the great 离别对于爱情就像风对于火。

它扑灭了小的，助长了大的。20 I spent whole days thinking intensely about you…I ached when away我整天整天地想念着你……离开你，我便感到痛苦。

8 谁给我一些英文句子,要唯美,干净

1天之此端为天涯，海之彼端为海角。One end of heaven to the uttermost part of the heaven,the sensation of the sea for cape

2微笑向暖，安之若素。The warm smile,if the quality

3甜蜜的回忆，无法长期营养一个人。Sweet memory is not able to provide a person with nourishment for long

4谁能走到时间的前面，帮我看看未来的画面。Who can come to the front of the time, help me find the next screen

5微笑转瞬即逝，但有时候，微笑背后的记忆却能永远长存。A smile only takes a moment, but the memory behind that smile sometimes lasts forever

6回忆绑住了我们的时间，时间扯断了我们的回忆。Tied memories of our time, our memories of the time tearing

7不要哭！就说句“去你的”然后展颜一笑。Don't cry! Just say “fuck you” and smile

8一个真正的朋友会握着你的手，触动你的心。A true friend is the one who holds your hand and touches your heart

9如果你没有经历过别人所经历的事情，就不要去评判一个人的过去！Don't judge someone's past, when you haven't walked their journey

9 简短唯美的英语句子

"There are only two creatures," says a proverb, "who can surmount the pyramids-the eagle and the snail"

俗话说：“能登上金字塔的生物，只有两种------鹰和蜗牛。”

It only needs early cultivation to become a power

只需及早培养，记忆自会成为一种才能

If you fail, don't forget to learn your lesson

如果你失败了，千万别忘了汲取教训。

Behind every successful man, there is a woman And behind every unsuccessful man, there are two

每个成功男人的背后，都有一个女人。每个不成功男人的背后，都有两个

While there is life, there is hope（有生命就有希望/留得青山在，不怕没柴烧。）

The shortest answer is doing（最简单的回答就是干。）[想说流利的英语吗？那么现在就开口！心动不如嘴动。]

10 唯美英语句子

我的世界不允许你的消失，不管结局是否完美

No matter the ending is perfect or not, you cannot disappear from my world

爱情是一个精心设计的谎言

Love is a carefully designed lie

承诺常常很像蝴蝶，美丽的飞盘旋然后不见

Promises are often like the butterfly, which disappear after beautiful hover

凋谢是真实的 盛开只是一种过去

Fading is true while flowering is past

为什么幸福总是擦肩而过，偶尔想你的时候…就让…回忆来陪我

Why I have never catched the happiness Whenever I want you ,I will be accompanyed by the memory of。

爱情…在指缝间承诺 指缝…在爱情下交缠

Love ,promised between the fingers

Finger rift,twisted in the love

如果你为着错过夕阳而哭泣，那么你就要错群星了

If you weeped for the missing sunset,you would miss all the shining stars

感受梦的火焰，感觉飞舞瞬间，当一切浪漫遥远，永恒依然

to feel the flame of dreaming and to feel the moment of dancing,when all the romance is far away,the eternity is always there

没有谁对不起谁，只有谁不懂得珍惜谁

No one indebted for others,while many people don't know how to cherish others

永远不是一种距离，而是一种决定。

Eternity is not a distance but a decision

在回忆里继续梦幻不如在地狱里等待天堂

Dreaming in the memory is not as good as waiting for the paradise in the hell

Where there is great love, there are always miracles

哪里有真爱存在，哪里就有奇迹。

Love is like a butterfly It goes where it pleases and it pleases where it goes

爱情就像一只蝴蝶，它喜欢飞到哪里，就把欢乐带到哪里。

If I had a single flower for every time I think about you, I could walk forever in my garden

假如每次想起你我都会得到一朵鲜花，那么我将永远在花丛中徜徉。

american romanticism is one of the most important periods in the hisory of american literature

it was a rebellion against the objectivity of rationalismfor romantics,the feelings ,intuitions and emotions were more important than reason and common sense they emphasized individualism,placing the individual against thegroupthey affirmed the inner life of the self, and cherished strong interest in the past,the wild,the romotethe mysterious ans the strangethey stressed the element americanness in their works

it started with the publication of washington irving's the sketch bool and ended of american literatureit is also called the american renaissance

american romanticists include such literary figures as washington irvingralph waldo emersonhenry david thoreau,william cullenbryant,henry wordsworth longfellow,nathaniel hawthorne,edgar allen poe ,herman melville,walt whitman and some others

2]]in the field of literature ,the enlightement movement brought about a revival of interest in the old classical works

the tendency is known as neoclssicismthe neoclaaicists held that forms of literature wer to be modeled after the classical works of the ancient greek and roman weiters such as homer and virgil and those of the contemporary french ones

they believed that the artistic ideals should be order,logic,restrained emotion and accuracy,and that literature should be judged in terms of its service to humanity

bucongnidian

about british romanticism

in the mid-18th century,a new literary movement called romanticism came to europe and then to england

it was characterized by a strong protest against the bondage of neoclassicism,which emphasized reason,order and elegant witinstead,romanticism gave primary concern to passion,emotion,and natkural beautysin the history of literature ,romanticism is generally regarded as the thought that designatesa literary and philosophical theory which tends to see the individual as the very center of all life and all experience

the english romantic period is an age of poetry major romantic poets include blake ,wordsworth,coleridge,byron,shelley and keatsromanticism prevailed in england from 1798 to 1837