《荷马史诗》的教学课件

第一部：Themes

Themes are the fundamental and often universal ideas explored in a literary work

The Glory of War

One can make a strong argument that the Iliad seems to celebrate war Characters emerge as worthy or despicable based on their degree of competence and bravery in battle Paris, for example, doesn’t like to fight, and correspondingly receives the scorn of both his family and his lover Achilles, on the other hand, wins eternal glory by explicitly rejecting the option of a long, comfortable, uneventful life at home The text itself seems to support this means of judging character and extends it even to the gods The epic holds up warlike deities such as Athena for the reader’s admiration while it makes fun of gods who run from aggression, using the timidity of Aphrodite and Artemis to create a scene of comic relief To fight is to prove one’s honor and integrity, while to avoid warfare is to demonstrate laziness, ignoble fear, or misaligned priorities

To be sure, the Iliad doesn’t ignore the realities of war Men die gruesome deaths; women become slaves and concubines, estranged from their tearful fathers and mothers; a plague breaks out in the Achaean camp and decimates the army In the face of these horrors, even the mightiest warriors occasionally experience fear, and the poet tells us that both armies regret that the war ever began Though Achilles points out that all men, whether brave or cowardly, meet the same death in the end, the poem never asks the reader to question the legitimacy of the ongoing struggle Homer never implies that the fight constitutes a waste of time or human life Rather, he portrays each side as having a justifiable reason to fight and depicts warfare as a respectable and even glorious manner of settling the dispute

Military Glory over Family Life

A theme in the Iliad closely related to the glory of war is the predominance of military glory over family The text clearly admires the reciprocal bonds of deference and obligation that bind Homeric families together, but it respects much more highly the pursuit of kleos, the “glory” or “renown” that one wins in the eyes of others by performing great deeds Homer constantly forces his characters to choose between their loved ones and the quest for kleos, and the most heroic characters invariably choose the latter Andromache pleads with Hector not to risk orphaning his son, but Hector knows that fighting among the front ranks represents the only means of “winning my father great glory” Paris, on the other hand, chooses to spend time with Helen rather than fight in the war; accordingly, both the text and the other characters treat him with derision Achilles debates returning home to live in ease with his aging father, but he remains at Troy to win glory by killing Hector and avenging Patroclus The gravity of the decisions that Hector and Achilles make is emphasized by the fact that each knows his fate ahead of time The characters prize so highly the martial values of honor, noble bravery, and glory that they willingly sacrifice the chance to live a long life with those they love

The Impermanence of Human Life and Its Creations

Although the Iliad chronicles a very brief period in a very long war, it remains acutely conscious of the specific ends awaiting each of the people involved Troy is destined to fall, as Hector explains to his wife in Book 6 The text announces that Priam and all of his children will die—Hector dies even before the close of the poem Achilles will meet an early end as well, although not within the pages of the Iliad Homer constantly alludes to this event, especially toward the end of the epic, making clear that even the greatest of men cannot escape death Indeed, he suggests that the very greatest—the noblest and bravest—may yield to death sooner than others

Similarly, the Iliad recognizes, and repeatedly reminds its readers, that the creations of mortals have a mortality of their own The glory of men does not live on in their constructions, institutions, or cities The prophecy of Calchas, as well as Hector’s tender words with Andromache and the debates of the gods, constantly remind the reader that Troy’s lofty ramparts will fall But the Greek fortifications will not last much longer Though the Greeks erect their bulwarks only partway into the epic, Apollo and Poseidon plan their destruction as early as Book 12 The poem thus emphasizes the ephemeral nature of human beings and their world, suggesting that mortals should try to live their lives as honorably as possible, so that they will be remembered well For if mortals’ physical bodies and material creations cannot survive them, perhaps their words and deeds can Certainly the existence of Homer’s poem would attest to this notion

Motifs

Motifs are recurring structures, contrasts, or literary devices that can help to develop and inform the text’s major themes

Armor

One would naturally expect a martial epic to depict men in arms, but armor in the Iliad emerges as something more than merely a protective cover for a soldier’s body In fact, Homer often portrays a hero’s armor as having an aura of its own, separate from its wearer In one of the epic’s more tender scenes, Hector removes his helmet to keep its horsehair crest from frightening his son Astyanax When Patroclus wears Achilles’ armor to scare the Trojans and drive them from the ships, Apollo and Hector quickly see through the disguise Then, when a fight breaks out over Patroclus’s fallen body, the armor goes one way and the corpse another Hector dons the armor, but it ends up betraying him, as it were, in favor of its former owner Achilles’ knowledge of its vulnerabilities makes it easier for him to run Hector through with his sword By this point in the story, Achilles has a new set of armor, fashioned by the god Hephaestus, which also seems to have a life of its own While Achilles’ mortal body can be wounded—and indeed, the poem reminds us of Achilles’ impending death on many occasions—Homer describes the divine armor as virtually impervious to assault

Burial

While martial epics naturally touch upon the subject of burial, the Iliad lingers over it The burial of Hector is given particular attention, as it marks the melting of Achilles’ crucial rage The mighty Trojan receives a spectacular funeral that comes only after an equally spectacular fight over his corpse Patroclus’s burial also receives much attention in the text, as Homer devotes an entire book to the funeral and games in the warrior’s honor The poem also describes burials unconnected to particular characters, such as in Book 7, when both armies undertake a large-scale burial of their largely unnamed dead The Iliad’s interest in burial partly reflects the interests of ancient Greek culture as a whole, which stressed proper burial as a requirement for the soul’s peaceful rest However, it also reflects the grim outlook of the Iliad, its interest in the relentlessness of fate and the impermanence of human life

Fire

Fire emerges as a recurrent image in the Iliad, often associated with internal passions such as fury or rage, but also with their external manifestations Homer describes Achilles as “blazing” in Book 1 and compares the sparkle of his freshly donned armor to the sun Moreover, the poem often compares a hero’s charge or an onslaught of troops to a conflagration sweeping through a field But fire doesn’t appear just allegorically or metaphorically; it appears materially as well The Trojans light fires in Book 8 to watch the Achaean army and to prevent it from slipping away by night They constantly threaten the Achaean ships with fire and indeed succeed in torching one of them Thus, whether present literally or metaphorically, the frequency with which fire appears in the Iliad indicates the poem’s over-arching concern with instances of profound power and destruction

Symbols

Symbols are objects, characters, figures, or colors used to represent abstract ideas or concepts

The Achaean Ships

The Achaean ships symbolize the future of the Greek race They constitute the army’s only means of conveying itself home, whether in triumph or defeat Even if the Achaean army were to lose the war, the ships could bring back survivors; the ships’ destruction, however, would mean the annihilation—or automatic exile—of every last soldier Homer implies that some men shirked the war and stayed in Greece, while others, such as Peleus, were too old to fight However, to Homer’s original audience, the Achaean warriors at Troy represented more than a mere subpopulation of the Greek race Homer’s contemporaries believed that the heroes represented here actually lived historically, as real kings who ruled the various city-states of Greece in their earliest years Ancient audiences regarded them as playing definitive roles in the formation and development of Greece as they knew it The mass death of these leaders and role models would have meant the decimation of a civilization

The Shield of Achilles

The Iliad is an extremely compressed narrative Although it treats many of the themes of human experience, it does so within the scope of a few days out of a ten-year war The shield constitutes only a tiny part in this martial saga, a single piece of armor on a single man in one of the armies—yet it provides perspective on the entire war Depicting normal life in peacetime, it symbolizes the world beyond the battlefield, and implies that war constitutes only one aspect of existence Life as a whole, the shield reminds us, includes feasts and dances and marketplaces and crops being harvested Human beings may serve not only as warriors but also as artisans and laborers in the fields Not only do they work, they also play, as the shield depicts with its dancing children Interestingly, although Homer glorifies war and the life of the warrior throughout most of his epic, his depiction of everyday life as it appears on the shield comes across as equally noble, perhaps preferable

第二部：To be sure, the Iliad doesn’t ignore the realities of war Men die gruesome deaths; women become slaves and concubines, estranged from their tearful fathers and mothers; a plague breaks out in the Achaean camp and decimates the army In the face of these horrors, even the mightiest warriors occasionally experience fear, and the poet tells us that both armies regret that the war ever began Though Achilles points out that all men, whether brave or cowardly, meet the same death in the end, the poem never asks the reader to question the legitimacy of the ongoing struggle Homer never implies that the fight constitutes a waste of time or human life Rather, he portrays each side as having a justifiable reason to fight and depicts warfare as a respectable and even glorious manner of settling the dispute

Military Glory over Family Life

A theme in the Iliad closely related to the glory of war is the predominance of military glory over family The text clearly admires the reciprocal bonds of deference and obligation that bind Homeric families together, but it respects much more highly the pursuit of kleos, the “glory” or “renown” that one wins in the eyes of others by performing great deeds Homer constantly forces his characters to choose between their loved ones and the quest for kleos, and the most heroic characters invariably choose the latter Andromache pleads with Hector not to risk orphaning his son, but Hector knows that fighting among the front ranks represents the only means of “winning my father great glory” Paris, on the other hand, chooses to spend time with Helen rather than fight in the war; accordingly, both the text and the other characters treat him with derision Achilles debates returning home to live in ease with his aging father, but he remains at Troy to win glory by killing Hector and avenging Patroclus The gravity of the decisions that Hector and Achilles make is emphasized by the fact that each knows his fate ahead of time The characters prize so highly the martial values of honor, noble bravery, and glory that they willingly sacrifice the chance to live a long life with those they love

The Impermanence of Human Life and Its Creations

Although the Iliad chronicles a very brief period in a very long war, it remains acutely conscious of the specific ends awaiting each of the people involved Troy is destined to fall, as Hector explains to his wife in Book 6 The text announces that Priam and all of his children will die—Hector dies even before the close of the poem Achilles will meet an early end as well, although not within the pages of the Iliad Homer constantly alludes to this event, especially toward the end of the epic, making clear that even the greatest of men cannot escape death Indeed, he suggests that the very greatest—the noblest and bravest—may yield to death sooner than others

Similarly, the Iliad recognizes, and repeatedly reminds its readers, that the creations of mortals have a mortality of their own The glory of men does not live on in their constructions, institutions, or cities The prophecy of Calchas, as well as Hector’s tender words with Andromache and the debates of the gods, constantly remind the reader that Troy’s lofty ramparts will fall But the Greek fortifications will not last much longer Though the Greeks erect their bulwarks only partway into the epic, Apollo and Poseidon plan their destruction as early as Book 12 The poem thus emphasizes the ephemeral nature of human beings and their world, suggesting that mortals should try to live their lives as honorably as possible, so that they will be remembered well For if mortals’ physical bodies and material creations cannot survive them, perhaps their words and deeds can Certainly the existence of Homer’s poem would attest to this notion

Motifs

Motifs are recurring structures, contrasts, or literary devices that can help to develop and inform the text’s major themes

Armor

One would naturally expect a martial epic to depict men in arms, but armor in the Iliad emerges as something more than merely a protective cover for a soldier’s body In fact, Homer often portrays a hero’s armor as having an aura of its own, separate from its wearer In one of the epic’s more tender scenes, Hector removes his helmet to keep its horsehair crest from frightening his son Astyanax When Patroclus wears Achilles’ armor to scare the Trojans and drive them from the ships, Apollo and Hector quickly see through the disguise Then, when a fight breaks out over Patroclus’s fallen body, the armor goes one way and the corpse another Hector dons the armor, but it ends up betraying him, as it were, in favor of its former owner Achilles’ knowledge of its vulnerabilities makes it easier for him to run Hector through with his sword By this point in the story, Achilles has a new set of armor, fashioned by the god Hephaestus, which also seems to have a life of its own While Achilles’ mortal body can be wounded—and indeed, the poem reminds us of Achilles’ impending death on many occasions—Homer describes the divine armor as virtually impervious to assault

Burial

While martial epics naturally touch upon the subject of burial, the Iliad lingers over it The burial of Hector is given particular attention, as it marks the melting of Achilles’ crucial rage The mighty Trojan receives a spectacular funeral that comes only after an equally spectacular fight over his corpse Patroclus’s burial also receives much attention in the text, as Homer devotes an entire book to the funeral and games in the warrior’s honor The poem also describes burials unconnected to particular characters, such as in Book 7, when both armies undertake a large-scale burial of their largely unnamed dead The Iliad’s interest in burial partly reflects the interests of ancient Greek culture as a whole, which stressed proper burial as a requirement for the soul’s peaceful rest However, it also reflects the grim outlook of the Iliad, its interest in the relentlessness of fate and the impermanence of human life

Fire

Fire emerges as a recurrent image in the Iliad, often associated with internal passions such as fury or rage, but also with their external manifestations Homer describes Achilles as “blazing” in Book 1 and compares the sparkle of his freshly donned armor to the sun Moreover, the poem often compares a hero’s charge or an onslaught of troops to a conflagration sweeping through a field But fire doesn’t appear just allegorically or metaphorically; it appears materially as well The Trojans light fires in Book 8 to watch the Achaean army and to prevent it from slipping away by night They constantly threaten the Achaean ships with fire and indeed succeed in torching one of them Thus, whether present literally or metaphorically, the frequency with which fire appears in the Iliad indicates the poem’s over-arching concern with instances of profound power and destruction

Symbols

Symbols are objects, characters, figures, or colors used to represent abstract ideas or concepts

The Achaean Ships

The Achaean ships symbolize the future of the Greek race They constitute the army’s only means of conveying itself home, whether in triumph or defeat Even if the Achaean army were to lose the war, the ships could bring back survivors; the ships’ destruction, however, would mean the annihilation—or automatic exile—of every last soldier Homer implies that some men shirked the war and stayed in Greece, while others, such as Peleus, were too old to fight However, to Homer’s original audience, the Achaean warriors at Troy represented more than a mere subpopulation of the Greek race Homer’s contemporaries believed that the heroes represented here actually lived historically, as real kings who ruled the various city-states of Greece in their earliest years Ancient audiences regarded them as playing definitive roles in the formation and development of Greece as they knew it The mass death of these leaders and role models would have meant the decimation of a civilization

The Shield of Achilles

The Iliad is an extremely compressed narrative Although it treats many of the themes of human experience, it does so within the scope of a few days out of a ten-year war The shield constitutes only a tiny part in this martial saga, a single piece of armor on a single man in one of the armies—yet it provides perspective on the entire war Depicting normal life in peacetime, it symbolizes the world beyond the battlefield, and implies that war constitutes only one aspect of existence Life as a whole, the shield reminds us, includes feasts and dances and marketplaces and crops being harvested Human beings may serve not only as warriors but also as artisans and laborers in the fields Not only do they work, they also play, as the shield depicts with its dancing children Interestingly, although Homer glorifies war and the life of the warrior throughout most of his epic, his depiction of everyday life as it appears on the shield comes across as equally noble, perhaps preferable

Similarly, Odysseus knows that he is no match for the host of strapping young suitors in his palace, so he makes the most of his other strength—his wits Step by step, through disguises and deceptions, he arranges a situation in which he alone is armed and the suitors are locked in a room with him With this setup, Achilles’ superb talents as a warrior would enable him to accomplish what Odysseus does, but only Odysseus’s strategic planning can bring about such a sure victory Some of the tests in Odysseus’s long, wandering ordeal seem to mock reliance on strength alone No one can resist the Sirens’ song, for example, but Odysseus gets an earful of the lovely melody by having his crew tie him up Scylla and Chary

幽游白书 （FJ的出名作吧，没看的就快去看了。）

全金属狂潮（在日本轻小说N次名列前茅的改编动画，男主BH，女主某程度来说更加BH，一共有3季，总的来说是比较正剧的，但是第二季我笑到肚子抽筋囧）

命运待临夜 fate stay night（爱情是在日常生活中慢慢培养起来的，直到后来的至死不渝，为了所爱的人的尊严不顾一切也要守护的程度，有战斗，有看头，人物属于很典型的少女强悍型画风，不过结局有点让人遗憾，我气闷！）

遥远时空中（这个在日本的影响力颇深，遥久祭（类似于声优会）已经开了好多年了，穿越爱情类，结局是HE（happy end）不过最后那一对我是真的没有想到啊！帅哥多！）

AIR

KANON

CLANNAD

（同为KEY社三大神作。催泪三部曲，如果你郁闷了想发泄一下想哭的稀里哗啦最好看这个- -，爱情讲的很是缠绵，真的是那种"为你去死都可以，不要忘记我"的无悔爱情之类的。。可是大多悲剧，我是哭了好久的。。带有神幻色彩的爱情故事）

钢炼（没看过？朴姐姐的强大声优，也蛮搞笑，该沉重的时候又很沉重，动画出了新番，不过本人支持旧版，你没看过那叫可惜，特别是香格里拉的那个剧场版~完美落幕啊！）

秀逗魔导士（COST 林原惠女主 日本很火的一部魔导士题材动漫 挺搞笑 而且也很出名 战斗为主 剧情至上 搞笑为辅 不过画风有点老了吧 有多角恋的趋势 不过最后归一了）

闪灵二人组（动画也是中岛敦子的强大人设，不过略逊圣魔（圣魔超美型，剧情也还好，不过技集数少了），动画制作疏忽了- - 建议你去看漫画版更好）

通灵王（武井宏之作品，动画中国地区好评连连，灵异格斗题材，漫画日本的连载再开（听说的），本人认为是部好动画，看前面可能会比较乏味，不过也只是3、4集的问题，后面精彩!）

棋魂（竞技题材，小畑健大神（死亡笔记 傀儡师 左近 蓝龙等）的出名作吧貌似？完全没有让人看不下去的欲望，个人认为漫画比动画好）

热带雨林的爆笑生活（

如名，爆笑的动画，没有军曹那么无缠头，人设很可爱，女主超腹黑挺好，我记得貌似有30多集还是50多集我忘记了看了很久就是对集数印象不深）

全职猎人（鬼才FJ现在正火的漫画，就算是草稿也有N人追哦，动画是完结了的，好看！没看快去看~）

他和她的故事（1-26TV完结）

（校园类爱情的代表作，很出名，男女主很相亲相爱，为了自己的爱情而奋斗，故事也不沉闷，很有青春的味道，我很喜欢这部作品，结局HE，但是制作的不太好（只是结局），还是很值得一看。）

nana 世上的另一个我（矢泽爱作品，爱恨纠葛不清，虐心残体，看得人心痛，哭掉一大堆眼泪还是想往下栽，可以说是现在爱情类上继天是红河岸之后的一块里程碑了吧，动化完结，漫画还在挣扎） 都市/校园爱情

乱马（高桥阿姨（犬夜叉）的作品，爆笑题材，我只想说有很多集真的是很多集啊囧）

龙珠（超级经典~！4部完结，不过第四不是原创的，你可以无视掉。关于超级赛亚人也只到4阶段，第五阶段那是爱好者因为漫画太经典舍不得它完结然后画的同人囧）

史上最强弟子兼一（这个很老了吧，笑点可观，属于爆笑类的，最后那集真的是激动人心啊！！！男主属于无用系列正太成长上强大的青年吧囧，真的蛮有意思，我是最近才看完的现在让我看得下去的动画太少了）

噬魂师（强烈推荐！近期才完结的，我想你应该听过了，人气很高，宣传也很到位）

彩云国物语（中国古代为背景的后宫动画，帅哥很多，不过讲的是一个女强人的宫廷奋斗史，内容难免纠结 古代宫廷爱情故事不太喜欢后宫啊我囧）

不思议游戏（渡濑悠宇的作品，很出名，轰轰烈烈的神幻穿越爱情故事，人物性格鲜明，各个派别表现很到位，性格阴暗面也表现的很突出是难得的一部爱情经典，感情路线和战斗并驾齐驱，搞笑为辅比较长，没看可惜了。）

烈火之炎（格斗类穿插爱情，爱情描写最开始还是比较隐忍的，后来很温暖，其中红那一对的爱情故事很悲伤很无奈，安西信行的作品，跟幽游类似，火影题材，推荐，忘了几集了啊肯定上了26的反正）

浪客剑心（和月伸宏一鸣惊人的作品，因为这部作品成为日本动漫史上的标志性经典作，所以他的再鸣总是被人贬- -|| 虽然本人认为武装也不错。。可惜剑心是在是一个高度啊建议去看漫画，星霜篇那是原创的番外，你喜欢就当一回事，不喜欢就不要在意，剑心和熏一定要幸福啊！> <！我爱你们！）

玩偶游戏（1-134TV完结）

（小花美穗的作品，我还是推荐漫画，动画发展有段原创有点恼火，故事从小学开始，男女主的爱情随着他们的成长一点一滴渗透，然后成熟，动画总觉得剧情太拖了，漫画是一部经典之作！）

地狱少女（恩，很出名的灵异作品，说老实话是一部不错的作品，不过本人觉得集数太多看到后面我都想敷衍了事了我）

光速蒙面侠21（1-145TV完结）这个~~~体育竞技类，超级喜欢里面那个腹黑的角色~~太帅了~很有名哦~人设也不错

结界师（1-52TV完结）这个也很有名呢。。我正在看，前几集还好我还看得下去灵异妖怪类题材的作品吧没完结多久。

今天开始做魔王（穿越题材，3季加起来很长不过剧情越到后面越纠结有点BL向因为小说作者偏心孔拉德所以后面保保好可怜啊喂！让我有点想K人- -||）

Kiba牙（1-51TV完结）恩，这个也好~总觉得有点像数码宝贝，不过比数码强多了- -~

MAR魔法世界（1-102TV完结）说实话很有趣，也是安西信行的作品，就是画烈火的那个，好像是和月伸宏的徒弟啊（以前当过和月老师的助手。）

灌篮高手（好了，这个我不说了，太有名了，就算你没看过报纸杂志也给身边喜欢动漫的朋友唠叨晕了吧其实我到现在也没看完过这个囧）

机神咆哮（是一部像是魔法类又像是机器人战斗的故事，女主loli御姐心，很强势，结局HE，描写很细腻，但是不怎么出名，还是值得看的。。）

濑户的花嫁（1-26TV完结）

（很欢乐很搞笑很无奈很无缠头的爱情故事，前段时间是很有名的，人鱼有关，结局也HE，去看看吧。）

愿此刻永恒（1-14TV完结+Q版+SP1-3话）

（这个！绝对典型的韩剧式爱情，纠缠不休，虐心！男主我不太喜欢，太过不果断而伤害了2个女人，结局很感人，我佩服女1号！嘛……虽然男主和女2在一起了，我还是有点怨念，男主太没眼光，可能是我不喜欢背叛的原因而女2号某种程度上来说背叛了女1号吧。。）

天堂之吻（1-12tv完结）

（特别推荐！！很值得一看的爱情故事，经典！矢泽爱（nana）的作品！给人很浓郁的感觉，不多说，自己看！）

舞-hime（这个几部加起来也是很多集啊~不过我还是觉得第一季最好看，其他几部囧了又囧）

xxxHoLic盛夏夜之梦（这个好啊~灵异故事，clamp大婶的作品啊~侑子姐王道~！御姐万岁~！2季加起来还有剧场版都很火哦，忘记多少集了汗）

血战Blood+（1-50TV完结）我才买不久，看了一点介绍还好，关键是被一个漫迷姐姐天天在我耳朵旁边唠叨很好看哦很好看哦很好看哦很好看哦我被洗脑了所以你看着办吧

旋风管家（1-52TV完结）呃比较少女的作品了真是如果你喜欢<濑户的花嫁>你就喜欢这个本作品多次恶搞其他动漫，特别是魔法世界MAR我囧啊我怎么老是囧

阴阳大战记（1-52TV完结）是一部很好的召唤类动画作品，果然跟数码宝贝的程度就是不一样啊~哼哼~

Tsubasa翼年代记第一季（1-26TV完结+鸟笼国的公主+特别篇）+Tsubasa翼年代记第二季（1-26TV完结）

clamp大婶的我就不多说了，充满了浪漫幻想的故事。

最游记（如果不嫌弃剧情多而且沉重，你就看吧，体会到了动画想表达的内容，这真的是一部好作品，也多少有些搞笑因素在里面。）

金色琴弦（后宫戏，人设不错，现代风，没什么神幻成分但是还是神幻类）

樱兰高校男公关部（一堆帅哥- - 爆笑爱情类，很欢乐，情节也还行，画面质量很养眼，最后是HE。）

地上最强新娘—桃子（1-22 TV完结，也是欢乐爱情类，内容比较神幻搞笑，笑过之余不乏感动，细细品味，不难看见被喜剧掩埋的小而温暖的幸福。）

人鱼之森（1-13TV完结，高桥留美子（犬夜叉，爱情你也可以看这个）早期作品，怎么说呢，不离不弃的感情吧，永生不死的时间，你看着看着也就成了爱情了。）

交响情人梦I（1-23TV完结）

交响情人梦II~巴黎篇~（1-11TV完结）

（强力推荐，傻傻的女主角义无反顾的爱情故事，男主某种程度上算的上时唯我独尊的闷骚型，后知后觉，后来独占欲蛮强大的，尽管男主死不承认，进程有点慢，不过我看的下去很不容易。。。有点搞笑，很欢乐。）

最终兵器彼女（1-13TV完结+ova1-2话）

（伟大而又悲伤幸福的爱情故事，女主十分让人心疼，是一部经典的爱情剧，结局可说好也可说坏，总是我是哭了很久。。。。）

<恶作剧之吻>动画版，故事很好~就是当初大名鼎鼎的漫画一吻定情，进展比电视剧快很多所以比电视剧来的好看，剧中透着看似很淡看完后却浓郁得连心里都泛着甜的幸福，总之你不会后悔的！都市/校园爱情。 如果没有的话``不好意思

以下是今年四月新番

2009年4月2日

K-ON!

春天，是众新生决定学部的时候。田井中律的青梅竹马的秋山澪被她强行拉着打算一起进入轻音部。然而，学部中的部员已经全员毕业了，如果不能凑齐4位部员的话便要面临废部的危机。在琴吹紬加入轻音部后，最后还差一人，这时，误解了「轻音部」是以轻音乐（如口笛等）为主的乐器初学者・平泽唯也正式入部了……

2009年4月5日

天才麻将少女

天才麻将少女宫永咲虽然还是一位刚升入高中一年级的学生，但是便能以正负0分的方式打完牌局从而创下赫赫威名。故事二号女主角原村和则是在全国中学生麻将大赛个人组中夺得冠军的少女，两人因缘而聚到了麻将部，并以高中校际比赛的顶点为目标展开一番自摸放炮的故事。

2009年4月4日

神曲奏界POLYPHONICA crimson S

不仅人与精灵共存，同时精灵也拥有着力量，两者所生活的大陆——POLYPHONICA。人们依赖着精灵所带来的奇迹，精灵也以人类所奏的音乐为食量，在这个世界所有的物质以及一切地方发挥着她们的力量。精灵被音乐家所弹奏的音乐操控，发挥着力量。那些能弹奏特殊音乐的人们被称为“神曲乐士”，有着无尚的尊荣。平时虽然有着隐身的精灵们，但一部分有力量的精灵会以人类或者动物等姿态实体化，同时作为人类的“好朋友”融入社会生活中。

2009年4月9日

东之伊甸

2010年11月22日（星期一），日本各地被投下了10枚导弹，然而却出现了没有一人牺牲的局面，人们称此次事件为“愚蠢的星期一”，并很快地被人们所淡忘。事件过后3个月，前往美国进行毕业旅行的森美咲，在白宫前被卷入冲突事件，被一个日本人救下。那人名叫滝泽朗，他失去记忆，一丝不挂，手里握着手枪和被冲入82亿日元的电子货币的手机……。龙泽朗是什么人？谜一般的手机的实体是什么？龙泽朗失去的记忆又是什么？

2009年4月5日

夏之岚

故事讲述了利用暑期时间住在乡下祖父家中的八坂一，有一天在一家咖啡馆里遇到一名女高中生岚山小夜子。岚似乎拥有某种超能力，在岚的手触到八坂一的一瞬间，两人之间就像发生了电击一般。岚惊喜之下拉着一向外奔，到了后山时八坂一发现展现在眼前的风景并非是现代的日本……少年与少女的夏日怪谈从此展开！

2009年4月5日

豹头王传说

这是一部以豹头战士为主人公，描述了在架空的世界、架空的时代围绕在他身边各种人物的波澜壮阔的生死的大长篇小说。就好像是「三国志」一样，以国与国之间互相操纵的战争、阴谋、兴亡历史为背景，描述了生活在宫廷和城村各类人的野心、执念、友情、诀别、恋爱相互交织的景象。

2009年4月5日

天国少女

故事以如罗马假日般的邂逅——一个小国的王子流落到美国并与当地的一位女子相爱却不能在一起为开端、讲述了50多年后其孙女的爱情之路。

2009年4月5日

你好 安妮～Before Green Gables

在加拿大新斯科舍州的一个名叫柏林柏克镇里出生的红发少女安妮・夏利，在刚出生不久双亲便因病去世。成为孤儿的安妮被在夏利家干活的乔安娜・托马斯收养。托马斯家除了乔安娜以外，还有主人巴托，两个爱恶作剧的男孩子，一个婴儿和善良的姐姐爱丽。由于家庭收入微薄，所以过着贫苦的生活。年幼的安妮每天都早起帮忙做家务，无论何时都以独创的想象，来度过艰苦又快乐的每一天。

2009年3月26日、2009年6月5日

金色琴弦 ～second passo～

即使学院内部的音乐会已经结束，香穂子还是如往常般继续着小提琴的练习。 怀着想要缩小和其他参赛者的实力差距，以及想要拉小提琴的执念，香穂子专心致志地努力练习着。

偶然看到香穂子练琴的少年・卫藤桐却对她投来了冷嘲热讽。此外，更加使人震惊的是，下届理事长・吉罗晓彦的登场！震惊之余，香穂子的面前，谜样的转校生・加地葵出现——。

2009年4月6日

07-GHOST

千年之前，在这大地之上存在着两股强大势力。

其一是由“拉斐尔之瞳”神所守护的巴鲁斯布尔库帝国，

另一个则是被“米卡尔之瞳”神所守护的拉古斯王国。

10年前，拉古斯王国的守护神“菲尔罗恩”由于身体依然在沉睡之中，

因此由“潘多拉魔盒”所引起的战争导致拉古斯王国破灭。

2009年4月2日

Phantom～Requiem for the Phantom～

主人公是一名普通的日本少年，他在来美国洛杉矶的初中毕业旅游期间无意中卷入了一起黑社会的暗杀事件。幸运的是，由于被发现拥有杀手的天赋，他没有被杀人灭口，而是被消去记忆，并由组织中最强的少女杀手Ein训练成为了超乎常人的杀人机器Zwei。出道后，他的杀手生涯似乎很顺利，但很快他就被卷入了黑社会内部的血腥斗争之中。为了自己和所爱之人的未来，Zwei必须做出种种抉择。

2009年4月5日

游魂 -Kiss on my Deity-

故事舞台为苇原町的“创圣学院”，学院分为两个学部，一为明治时代以来的女校“创圣女学院”学部，俗称“完美”；二为近年创立的男女校“创圣一般学部”，俗称“细微”。前者是校风严肃的传统名门学校，后者是自由度高、理念革新的学校，两者几乎相反。而男主角泉户裕理则是属于一般学部，并且是八衢神社宫司泉户裕导的儿子，并有几乎如亲妹妹一样的小鸟游由美奈义妹……

2009年

大正棒球少女

故事发生在大正十四年七月。经营西餐店<铃川>的夫妇的独生女小梅，就读于东邦星华高等女子学校，十四岁。在这所良家子女就读的学院里，好朋友“大**”晶子某天突然说“我想请你和我一起打棒球！”。什么事都点头答应的小梅，招集了九个人，她们对如何使用道具、比赛规则一无所知。棒球女子能够胜过男子吗？大正时代的少女的奋斗故事即将展开！

2009年4月5日

香格里拉

为了防止地球温暖化，变为森林都市的东京，但，那并不是理想乡(香格里·拉)…

在「地球温暖化」的影响下近未来的「东京」变貌成为了热带都市！变为一片森林的东京里，特权市民住在塔状的积层都市阿托拉斯，平民惧怕着地上的暴风骤雨和在地基下沉的威胁下生活着。在危险丛林化的森林参与武装游击队的18岁主人公，北条国子，为了获得任何人都能幸福生活的未来，手持碳素纤维做的巨大回飞棒，正直地向将平民放置不管的进行一方性“森林化”的政府军发起挑战！

2009年4月5日

提亚拉之泪

曾经…有着黄金时代、白银时代、青铜时代。「青铜的时代」终结后的1200年。大陆上新兴的神圣帝国展开了势力，许多边远地区的土地连曾经的「神圣帝国」的领域都被吞并了。此时受到帝国进攻的「艾林岛」上，举行着利用歌鲁族的少女「莉安珑」作为祭品复活魔王「阿隆」的仪式。因为各种原因仪式本身看起来像是失败了，但最后魔王「阿隆」还是复活了…。

2009年4月2日

女皇之刃 流浪的战士

远离街道的荒野，到处都是白骨，周围是峭立的悬崖。与千变刺客梅罗娜对峙的长发面具少女，少女向梅罗娜肩头挥剑。身体被斩开的梅罗娜，血却一滴也没流，从容镇定的梅罗娜打落了少女的面具。梅罗娜问「啊！你，是谁？」少女报上名字。「我的名字叫蕾娜…高贵的战士蕾娜！」舍弃贵族身份，为试炼自身实力而出走的蕾娜。蕾娜遇到各种各样的美斗士，并且与他们战斗，世界很大，体会到很多前所未见的事情，而且，有着生存方式不同的姐姐、雷云之将・库罗德托的固执。她通过旅行，在伤痛下成长，决心参加“QUEEN'S BLADE”…QUEEN'S BLADE是在神的名义下选拔最强最美的女皇格斗大会。谁能登上无尚荣光的宝座呢，不进行场恶战就不见分晓。

2009年4月2日

BASQUASH

某宇宙深处的某银河，天空漂浮着月亮的行星阿斯达穆。拥有月亮的城市穆尼斯（mooneyes）科技高度发达，象征着阿斯达穆人的梦与希望。阿斯达穆人梦想着有一日能登上月球…在阿斯达穆，有一种被称为「Big Foot」的大型机械人可用作各种用途，对人们生活帮助很大。而今，世界各地的人们更热衷于驾驶竞技用Big Foot在竞技场进行一种名为BFB的体育比赛。

2009年4月1日

战国BASARA

时间是、群雄割据的战国时代——意欲称霸天下的将领们，在全国各地揭竿而起。甲斐的武田信宏、真田幸村，越后的上衫谦信，近江的浅井长政，安芸的毛利元就，土佐的长曾我部元亲，三河的德川家康……都想趁乱世一统天下。武将在乱世席卷全国，形成令人眼花缭乱的战国时代版图。在名将们贪得无厌的战斗中，天下已渐被第六天魔王、织田信长纳入手中。但是，北方有一以空服装束包裹全身独眼的年轻武将率领众多奇兵军团，扬名而来。这个男子就是奥州第一、独眼之龙伊达政宗。他誓要取信长首级，统一天下。接下来，序幕拉开啦！！

2009年4月3日

地下城与勇士 -阿拉德战记-

阿拉德历891年，阿拉德大陆“火山的诅咒之光”降临到整个大陆……主人公羽乱因为诅咒，一只手被鬼化了。然后，和偶然发现的剑，并且和被灵付体的鲁玖史一起，他上了解除诅咒的旅程。旅途中和各种各样的同伴相遇，开始了他们冒险故事……

2009年4月5日

四叶游戏

家里经营体育用品店的主人公・树多村光，与棒球用具店兼茶屋「三叶草」的月岛四姐妹是青梅竹马。顾家的长女・一叶，光最好的朋友・若叶，和光性格不合的三女・青叶，还有，活泼的四女・红叶。小学5年级的夏季，若叶与光约定好去夏祭。但是，在约定的时间来临之前，若叶却因为事故而去世。本来应该两人一起去的夏祭，现在只剩下光孤独的一个人……成为了高中生的光，以若叶最后的梦想「甲子园」为目标，作为星秀学院棒球部的王牌而奋斗着。然后，从青叶也作为选手加入棒球部的那一刻起，命运的齿轮开始转动了……

2009年3月30日

甜甜私房猫 第2期

描述一只黑灰斑纹的小猫跟丢母亲又找不到回家的路，在筋疲力尽累瘫之际巧遇一个跌倒的小男孩，从此由男孩一家暂时照顾。因男孩家为禁止饲养宠物的公寓，一家人还得费尽心机不让邻居发现小猫的存在，只是偏偏一直找不到饲主又和小猫日久生情。在经历某些事情后，一家人终于搬到新公寓展开全新的生活。

2009年4月7日

苍天航路

距今2000多年前，正是中国东汉末年，群雄割据的时期。为了平定天下，三位历史英雄诞生了，编草鞋出身的刘备，将军的后代孙权，宦官之子曹操。他们三个分别建立了自己的国家蜀、魏、吴。故事的主人公并不是刘备，而是被称为“乱世之奸雄”的曹操，他有着无人能及的人格魅力，正因如此，全剧以曹操的一生为主线。

2009年4月4日

极上!!超激人气委员长

这是一个讲述少女校园生活的故事，主角是一名奉行素食完美主义者的班级委员长北神未海，她一直把东条潮当作单恋对象，然而总是因为其他人事物的介入而无法顺利告白；另一方面，未海一边为自己该做的事情而竭尽全力，同时还能为别人提出近乎完美的提议、为其解决烦恼。

2009年4月4日

真魔神 突击！Z篇

为了得到从伽帕尼姆矿石采收的超级能源・光子力，企图征服世界的地狱博士开始攻击该光子力研究所。主人公兜甲儿搭乘超级机器人・魔神Z与其展开战斗。地狱博士的部下阿修罗男爵、伯罗肯伯爵操控从巴多斯岛挖掘出来的机械兽挡在了甲儿的面前，甲儿搭乘祖父・十蔵制作的用最强金属・超合金Z制作的魔神Z一同投身激战中。然而，这个战争隐藏着的是兜一族和Dr赫鲁的过去因缘、米克内文明・巴多斯岛之谜和魔神Z的秘密，谜团交错的故事即将拉开序幕……

2009年4月8日

天堂餐馆

在幼年时因为母亲的再婚被寄养在祖母那里的主人公・妮可蕾特。长大成人的她，为了告诉与母亲的再婚对象・餐馆「卡泽塔・德罗鲁索」的经理所有的事情真相而离开了乡下。这位餐馆经理并不知道他的妻子有一个女儿……这是一间工作人员基本都是美貌绅士的不可思议的人气餐馆，有服务员库拉乌多、路其阿诺、维特，酒侍吉吉，厨师弗里奥和特奥。在那里，客人都是为了绅士的他们而来餐馆的，平时连预约都十分困难。在这样的餐馆里，因为一个小小的契机妮可蕾特决意要在「卡泽塔・德罗鲁索」工作，并开始对一位绅士产生兴趣…

2009年4月2日

潘多拉之心

四大公爵家贝萨流士的下一任当家奥兹，在15岁的成人的仪式中，因忘却自身存在为罪名，被推进黑暗监狱阿嵬茨中。在狱中奥兹遇到了被称为“染血黑兔”的谜之少女爱丽丝，“我们不是同伙么？那么共同携手吧——”，奥兹同意并与之定立契约，成功逃出阿嵬茨。而故事也就此正式展开……回到现实世界的奥兹发现这是10年后的未来世界，为了寻找忘却自身存在的罪名与爱丽丝加入了潘朵拉组织。奥兹的罪名是什么？爱丽丝的目的是？命运的齿轮开始转动了——！

OVA全13卷

异世界的圣机师物语

故事的舞台在被称为「杰米娜」的异世界，杰米娜的国家之间一直征战不断。作为战争的主力兵器是古代遗迹发现巨人体所复制而成的「圣机人」，而由于操纵圣机人的圣机师的耐性问题，所以机师异界人居多。15岁的怔木剑士，被召唤到了异世界杰米娜……

2009年4月3日

旋风管家 第2期

畑健二郎连载于「周刊少年Sunday」上的人气漫画「旋风管家」，目前单行本1～14卷累计发行量已经超过800万本。改编自该作的TV动画，也以其独有的表现桥段引起动漫迷的普遍关注，成为横跨07～08年的风云作品。而作品中那大量的EG更是一再地考验观众们的“宅”度。早在去年3月播出最后一话之际制作方就宣告要推出第2期了，时隔一年，FANS期待已久的旋风管家终于回归啦！

2009年4月11日

初恋限定

河下水希在「草莓100%」完结后，于「周刊少年Jump」上连载的校园爱情喜剧漫画「初恋限定。」，作品是以各种各样女孩的初恋故事为背景而展开的小故事。

2009年4月2日

机巧魔神

趁着高中入学之机，开始了单身生活的主人公夏目智春。他是那种一眼看上去就觉得普通到没什么特色的高中生。但是呢，还是稍微有点和其他人不同之处。那就是，被青梅竹马的少女・水无神操绪的幽灵附体的事——。搬到了新的住所“鸣樱邸”，打算享受轻松快乐生活的智春。然而，他的愿望却被彻底击破了——一位叫作黑崎朱里的美女受哥哥所托前来交托一个手提箱，却被以巫女打扮登场的少女嵩月奏前来抢夺……而更重要的是，得到这个手提箱的人，有着去追寻“世界隐藏之真实”的责任。

2009年4月5日

钢之炼金术师

「钢之炼金术师」，将从2009年4月5日起、每周日17:00，以崭新的姿态重整回归到观众眼前！新系列将紧靠漫画剧情，以艾尔利克兄弟的羁绊为中心而展开的新故事，描述了炼金术、国家军事谋略，表现众多登场角色的行动和心境等，向大家展现不同于前作的崭新魅力！

2009年4月4日

战场女武神

时间是征历1935年。欧洲大陆已分裂为东西两个大国。为了争夺矿物资源・拉格那特展开势力斗争的君主专制国家「东欧帝国联合(通称・帝国)」和废除王政的共和国联邦国「大西洋联邦机构(通称・联邦)」，两国即将开战。战争蔓延到了武装中立的小国加利亚公国，在国境的小镇・布鲁鲁相遇的少女艾利西亚和青年维鲁金发誓「一定要回到故乡」，并决意加入义勇军的队列。这是个描写战火中错综的士兵们的各种想法和情感，将之间产生的新的友情和爱情作为主题而展开故事。隐藏在传说「达鲁库斯的灾难」的事实和被谜团包住的女武神的秘密是……

Marco Polo had been sojourned in China for 17 years, and he had ever traveled to North China, Northwest China, Southwest China and East China In 1289,after Bolgana (卜鲁罕),the wife of Argon (阿鲁汗) of Ilkhanate(伊利汗国) died, Argon (阿鲁汗) sent Oulatai(兀鲁)、Apusca(阿必失呵) and Coja(火者)as expresses to 元廷to propose Kubla(忽必烈) chose Cocacin(阔阔真) to be the Princess, and she was convoyed by the three expresses and Marco Polo and also 父叔They set out in the spring of 1291There were 14 big ships in all, and each had 4 masts and 12 sails They set out from Quanzhou City, via Sumatra, India and finally arrived in Persia(波斯) city Marco Polo was captured in 1298 in the war between Venice( 威尼斯) And Genoa(热那亚),and he dictated in prison what he saw and heard from the East, and that was written down by the writer named Rusti (Rusti was one of his fellow sufferers),and this was what we called <concerning the kingdoms and marvels of the East> or <Travels of Marco Polo> today In the middle ages, it was a book to introduce China and Middle Asia to the European, and it opened up an original field for intelligentsia of Europe And it owed much to the book that the European could find the new waterway later, besides, it is also an important history book to study history and geography of the Yuan Dynasty of China

In the <Travels of Marco Polo>,Polo gave great admiration to QuanZhou City He said,”5 days after we left Fuzhou City, we arrived in the grandiose and beautiful Chi Tong City in the evening There was a port along the seacoast, and it was famous for the many passing shios”And he also said that “Chi Tong was one of the biggest ports in the world, there were many merchants gathering here, and the goods were piled up like a mountain, which was unimaginable Every merchant had to pay tax at 10% of his investment amount, so, the Khan(大汗) got much money from here

Quanzhou City was in its golden age in Yuan Dynasty in the field of international trading and economy, which was shown in <Travel of Marco Polo>In that book, Polo said,” A large amount of foreign goods were delivered here, and then forwarded to different places all over China The amount of pepper delivered there was very considerable Yet pepper delivered to the Port Alexander for forwarding to the west was much less, maybe less than 1% of that to Quanzhou City, I am afraid ”He also said, ”everything you need in your daily life was supplied in that place ”Ceramic in Dehua Kilns (德化窑) was cheap as well as good8 Ceramic Mugs only cost a Venetian silver coin It is said that when Marco Polo went back to his country, he brought quite a few ceramic white wares from Dehua Kilns(德化窑) and ceramic pigment bowls Until today, in a museum of Italy, there is still a 德化家春岭窑的小花插 which was brought back by Marco Polo

Quanzhou City was one of the most important bases of manufacturing ships in Song Dynasty and Yuan Dynasty The ships they produced were advanced at that time in many aspects, such as consistence, stability, navigability, especially the safety equipments of the watertight division It said in <Travel of Marco Polo>, ” The Khan(大汗) gave orders to prepare 14 ships Each of them had 4 masts and could hoist 9 sails Among the 14 ships, there were at least 4 or 5 which could contain 250 or 260 sailor” What was said above was the important trait of ships of Quanzhou City

In <Travel of Marco Polo>, Polo also mentioned that people in Quanzhou City believed in Buddhism Buddhism is flourishing in Quanzhou City, and Quanzhou City had been famous with the name of “the Chinese South Buddhist kingdom”(未查到，自己乱译的) since Tang Dynasty Polo said, ”People were the fans” And he meant the Buddhists

Rock candy was first produced in China in Tang Dynasty, and the rock candy the Egyptian made had something to do with that in China In <Travel of Marco Polo>, Polo said, ”WuGan City(now is named YongChun City or YouXi City) was famous for the big production of rock candy, the rock candy would be delivered to Cambalec(汗八里，即今天的北京) after produced, and provided to the people in the Palace Before it became a part of the Khan’s territory, the local people didn’t know how to make quality sugar Their method was very crude, and after the sugar froze, it became dark grey paste After this city belonged to the Khan, it happened that some Babylonian came to the Palace They knew how to make quality sugar So, they were sent to this city and taught the local people the method of making sugar with the help of wood ashes” This showed that the Egyptian had done something to help improve the technology of making sugar in China They probably learned how to make rock candy and then brought the skill back to Egypt

Marco Polo gave his opinion about the Quanzhou people, “They were peaceful, enjoying coziness and liberty” This opinion was exact He also said, the tattoo technicians there were famous all over the world for their excellent techniques, and there were many Indians went there to get tattoos

松元环季

松元环季，曾是日本儿童演员，声优，歌手

1999年2月7日出生，神奈川县横滨市人。憧憬的演员是长泽雅美，宫崎葵，堀北真希。

2001年进入テアトルアカデミ_事务所（幼儿部）

2002年10月舞台剧『てるてる坊主の照子さん』艺能界出道

2007年因常规出演日剧《myfairboy》及特摄《假面骑士电王》受到瞩目

2010年从テアトルアカデミ_儿童部（波斯菊剧团）移籍至ATプロダクション

2010年年末因专心学业，艺能活动全部停止。

中文名：松元环季

外文名：まつもとたまきMatsumotoTamaki

国籍：日本

星座：水瓶座

血型：O型

身高：147cm（2010年数据）

体重：27kg（2010年数据）

出生地：神奈川县横滨市

出生日期：1999年2月7日

职业：演员，声优，歌手

经纪公司：テアトルアカデミ_（波斯菊剧团）

代表作品：恋爱星期天3rd，假面骑士电王，叛逆的鲁鲁修，惊栗都市2009

三围：655867（2010年数据）

特长：游泳，钢琴

家庭：爸爸，妈妈

作品

参演电视剧

2003

《变身特派员》第9话-奈美子（幼少）2004

《美少女战士真人版》第34话-水野亚美（幼少）

火曜サスペンス剧场六月の花嫁·伪りのドレス-新庄美佐子（幼少）

ほんとにあった怖い话第15回「潮_の梦」-山本あすか

大河剧新选组！第46·47·49话-近藤たま

2005

ハチロ_～母の诗、父の诗～第3话

《怪谈新耳袋》「ふたりぼっち」-上条真弓役

庆次郎_侧日记2第3话-おゆう

2006

《相棒》第四季第15话

《小早川伸木之恋》第5话-小早川妙子（幼少）

《顶级播音员》第1·4·8话-石场真由

介护エトワ_ル（9月18日、NHK）

2007

恋する日曜日第3シリ_ズ第8·9话「はじめての恋（前编·後编」主演中村_理香

《花样男子2》第11话-少女（花泽类给了她一把小提琴）

ドラマW真夜中のマ_チ-_川千_（幼少）

《求婚大作战》第1、3、6、8、10、11话-吉田礼（小学生时代）

《假面骑士电王》-小HANA（从33话出场，代替因身体不佳而退出

的百鸟百合子）

水曜ミステリ_9警视_·_豆コンビ4虚饰の塔·_かれたセレブ妻の秘密（10月10日、テレビ东京）

《点与线》-桑山明子

2008

《我最喜欢你》第3·6话-福原柚子（幼少）

《新科搜研之女》第4系列第1_5话-风丘亚矢

2009

《假面骑士KIVA》最终话（在婚礼式现场客串观众，来为片场的同事务所前辈小越勇辉加油）

《假面骑士Decade》第14·15话-小HANA

ドラマW都市_说セピア「アイスマン」ノンコ

新科搜研之女第5系列第4话-风丘亚矢

2010

大河剧龙马传-坂本春猪（少女时代）

参演**

2005

バ_スデ_·ウェディング-藤泽爱

2007

真由-心之星-竹中真由（幼少）

2008

假面骑士电王&KivaCLIMAX刑事-小HANA

20世纪少年第一章完结的开始-雪路（幼少）

再见了!假面骑士电王-最后的倒计时-小HANA

2009

20世纪少年第二章最后的希望-雪路（幼少）

超假面骑士电王&假面骑士decade:鬼岛战舰-小HANA

20世纪少年最终章我们的旗帜-雪路（幼少）

2010

假面骑士超电王三部曲-小HANA

2011

つるしびな-桃子（幼少）PS**拍摄时间是2010年，上映时间是其引退以后

CM

2004

セイカノ_トおしゃべら_と

セガトイズペットノ_ト3

KFCスノ_マンマグつきファミリ_パック二人の_り道篇

2005

日产自动车セレナThrees篇、CAMPFIRE篇、COWBOY篇

三菱电机雾ヶ峰南国_分篇

ライオンバファリンフル_ツゼリ_篇、くすり箱篇

KFCスノ_マンブランケットつきパックスノ_マンパパ篇

NTT东日本ポケモン_オン_フレッツ

2006

チュ_リッヒ

マイカル新生マイカル开幕大创业祭

2007

ENEOS地球のことを考えながらドライブ篇、自分のエネルギ_を自分でつくる家篇、工场と自然が仲良しのヒミツ篇、ガソリンがないと走れない车篇

エコちゃん役でイチロ_と共演。

2009

新子与千年魔法母娘编

TV动画配音

悲惨世界少女珂赛特第1·2·16·23·52话珂赛特（3岁时）&珂赛特的女儿

《CodeGeass反叛的鲁路修R2》天子（蒋丽华）

《地狱少女三鼎》第16话滋田加世

《香格里拉》第4·5·12话マジカルギ_ナ

2009年

クッキンアイドルアイ!マイ!まいん!第31回-アンジ_

_日かあさん第34话-かんなちゃん

剧场版

2007年

《多啦A梦与大雄的新魔界大冒险~7个魔法师~》-幼年的美夜子

《我与河童的暑假》上原瞳

2008年

多啦A梦与大雄绿巨人传-ジョ_ロの女の子

废弃之岛~遥与魔法之镜-コットン

2009年

新子与千年魔法-青木光子

カ_ルじいさんの空飞ぶ家-エリ_（少女时代）

2010年

青蛙军曹大**：究极军曹诞生！奇迹的时空岛！！（2010年2月27日公开、角川映画）-ラナ

欢迎来到宇宙展-西村伦子

游戏

アイテムゲッタ_～仆らの科学と魔法の_系～（2009年8月6日__、NDSゲ_ム）-レム·ファリ_ナ役

王牌机师异世纪传说R（2010年8月19日__）-天子

CD

コ_ドギアス反逆のルル_シュR2SoundEpisode2-天子役コ_ドギアス反逆のルル_シュキャラクタ_ソングベスト/「星夜」（天子（松元环季））

コ_ドギアス反逆のルル_シュR2SoundVarietyR18/「天子的宪法四条」（天子（松元环季））

シャングリ·ラOST2/「オレンジかんだら」（マジカルギ_ナ（松元环季））

レ·ミゼラブル少女コゼットキャラクタ_ソングCD「永远のリング」/「梦で会おうね～Memoire～」（ファンティ_ヌ（_原えみこ）&コゼット（松元环季））

剧场版超·_面ライダ_电王&ディケイドNEOジェネレ_ションズ鬼ヶ岛の_舰主题歌/「超ClimaxJump」（DEN-OALLSTARS）

超剧场版ケロロ军曹诞生!究极ケロロ奇迹の时空岛であります!!オ_プニングテ_マ/「メンドク星マ_チ」（高田纯次&松元环季）

てれびくんお年玉ふろく_面ライダ_电王スペシャルCDイマジンとあそぼう!（2008年2月号）-小hana

专辑

smallnature（2010年6月2日__、flyingDOG）

单曲

DVD

てれびくん全员サ_ビスビデオ『_面ライダ_电王ハイパ_バトルDVDうたっておどって大とっくん!』（2007年）-小hana

『コ_ドギアス反逆のルル_シュR2』第5_イラストドラマ（2008年）-天子

WEB电视

m-servestyle第74回（2009年9月1日）

创ったヒト（2010年6月12日）

广播

「そちたち」第2回（2009年6月4日更新、ZAKZAK）

「高田纯次·河合美智子の东京パラダイス」（2010年2月13日放送、文化放送）

「レコメン!」（2010年6月）

舞台

てるてる坊主の照子さん（2002年、帝国剧场）-冬子

汝、知り初めし逢魔が刻に（2010年、_冢ファクトリ_）-佐那

音乐PV

dayaftertomorrow「dearfriends」（在PV中穿白裙子跳舞的小朋友）

VP

HUSER-爱子役

代言

TOYOTA「ミニバンシリ_ズ'04パンフレット」

松下电器

杂志

ピュアピュアvol35

Prologvol31

「Audition」2009年9月号

「JUNON」2009年4月号

「特摄newtype」2009年7月号