一、在描写对象上:
浪漫主义文学强调歌颂人的本能感情和内心主观感受,而现实主义文学侧重再现和剖析社会现实。
二、在表现手法上:
浪漫主义文学大多采用夸张手法,富于幻想和传奇色彩,而现实主义文学对社会现实进行无情揭露和强烈批判。
三、在思想内容上:
浪漫主义文学抨击封建专制,鞭挞人世间的丑、恶和黑暗,对欧洲社会弊端给予辛辣的讽刺和揭露;它深入发掘人类的感情世界,歌颂人世间的美、善和光明,歌颂民主自由,尽情抒发作者的爱国情感,热情洋溢地鼓励人们为争取自由和理想而抗争。
现实主义文学从不同的侧面真实地反映当时的社会生活和社会状况,对现存的社会弊端和社会秩序进行无情揭露和强烈批判,同时塑造出诸多的英雄人物和正面人物形象,表达了他们对真爱和正义最终必定战胜邪恶的坚定信心,充满了战斗力,激励着人们为改造现实社会和争取自由幸福而进行不屈的斗争。
To put it simply, is a neoclassical model of ancient Greece and Rome for the content of the unity of beauty and formal beauty In the classical, where the objects described in the basic wisdom is pretty strong Romanticism and realism are the same strain Romanticism of the word, such as the origin of the first floor said the Roman The basic meaning of the word is impossible to tell a story This constitutes a form of content is greater than For example, Notre Dame's Quasimodo, I personally think that Zhuangzi write those strangely shaped body of the Romantic Road are also the image Romantic realism in relation to content and form of the unity in reality It is different from the classical description of the object can be ugly, as long as is true Zola to become a reality there, and can be used to write n pages of a woman's buttocks Seeking to achieve the effect of painting and even anatomymodernism is
浪漫主义是文艺的基本创作方法之一,与现实主义同为文学艺术上的两大主要思潮。作为创作方法,浪漫主义在反映客观现实上侧重从主观内心世界出发,抒发对理想世界的热烈追求,常用热情奔放的语言、瑰丽的想象和夸张的手法来塑造形象。浪漫主义的创作倾向由来已久,早在人类的文学艺术处于口头创作时期,一些作品就不同程度地带有浪漫主义的因素和特色。但这时的浪漫主义既未形成思潮,又不是自觉为人们掌握的创作方法。
Romantism is one of fundamental literature and art formula for creation, with actualism and for that literature and art is upper two big main trends of thought Put particular emphasis on the secondary subjective self's inner world as formula for creation , romantism on reflecting objective reality starting off, enthusiasm expressing to the ideal world runs after, come to mold an image language overflowing with enthusiasm , magnificent imagination and exaggerated gimmick in common use The romantism creation inclination is as old as the hills, as far back as human being's literature and art is in an oral creating a period, a little work the zone factor and characteristic having romantism right away to varying degrees Now that but romantism at this time not having formed a trend of thought, formula for creation being not that conscientious conduct grasps
Realism:
1) concern for fact or reality and rejection of the impractical and visionary
2) a a doctrine that universals exist outside the mind;spcif: the conception that an abstract term names an independent and unitary reality
b a theory that objects of sense perception or cognition exist independently of the mind
3) the theory or practice of fidelity in art and literature to nature or to real life and to accurate representation without idealization
omantici is a movement prevailing the 19th centure in Weasterm World in literature,art music and philosophy beginning as a reaction and protest against the bondage of rules and customs of neo-classici It was marked and is always marked by a story reaction It returned to nature and plain humanity for materialItbrought about a renewed interest in medieval literatureIt was also marked by sympathy for poor people and thus a deep understanding toward mon peopleIt was a movement expression of indivdual orignality and different poets realized their varietyA dream of golden age is established against stern realities Imagination is the key point
超现实主义是美国文学的
transcendentali ;Emerson said "What is popular called transcendentali among us is ideali "relies on the intuition and the conscrience sponsored in American cheifly by Emerso ,it became a literary movement as well as philosophic conseption
natureli is a literary trend prevailing in the second half of the 19th century in Europe,especially France and GermanyNaturali is an attempt to achieve fidelity to nature by rejecting idealized protrayals of licesIn literature,it can be further defined as a technique of objective view of man or a mood with frankness and accuracyAccording to naturalists writes,man is shaped by hehedity and environment,over which they cannot controlThey tend to show "true-to-life'description without selectionThey show man'struggling for survival
一、浪漫主义文学的基本特征
1、强烈的主观色彩,偏爱表现主观思想,注重抒发个人的感受和体验重主观,轻客观和重自我表现,轻客观模仿。
2、喜欢描写和歌颂大自然。作者们喜欢将自己的理解人物置身于纯朴宁静的大自然中,衬托现实社会的丑恶及自身理解的美好。
3、重视中世纪民间文学想象比较丰富、感情真挚、表达自由、语言朴素自然。
4、注重艺术效果:异国青岛情调、对比、夸张、人物形象的超凡性。
二、现实主义文学的基本特征
1、注重对生活的观察、体验,力求使艺术描写在外观上、细节上符合实际生活的形态、面貌和逻辑。
2、注重典型化方法的运用,力求在艺术描写中,通过细节的真实表现生活的本质,规律。
3、作家一般不在作品中直抒感情,作品的思想倾向较为隐蔽。
三、浪漫主义文学与现实主义文学的差异主要表现在基本特征和表现形态两方面。
1、浪漫主义文学的基本特征和主要表现形态:强烈的主观色彩,主观性是其最本质的特征,注重抒发个人感受与体验,表现主观思想,注重内心世界的描写,轻客观模仿,重自我表现。喜欢描写和歌颂大自然,用淳朴宁静的大自然对比衬托现实世界的丑恶及自身理解的美好。
浪漫派作家表达对现实不满的方式往往偏重于对理想的追求,把现实和理想对立起来,着重描写他们所追求的美好理想生活和艺术典型。想象丰富、情感真挚、表达自由、语言朴素自然。
2、现实主义文学的基本特征和主要表现形态:以客观真实的现实生活为描写对象,注重对生活的观察体验,力求使艺术描写在外观、细节上符合实际生活的形态、面貌和逻辑,因此成为一种时代的记录。
作家一般不在作品中直抒感情,作品的倾向性较为隐蔽,注重典型化方法的运用,力求在描写中通过细节的真实来表现生活的本质和规律。
作家表达对现实不满的方式表现为充分揭露和批判这个社会,探索导致罪恶的本质根源。在表现方式上具有“写实性”,主要体现为“真实性”和“客观性”描写。
扩展资料:
浪漫主义代表:莱辛、歌德、席勒、雨果
1、莱辛与艺术理论著作《拉奥孔》《汉堡剧评》,《萨拉·萨姆逊**》,喜剧《年轻的学者》,悲剧《唉米利亚迦洛蒂》,《智者纳坦》。德国启蒙运动时期的代表人物,也是德国民族主义戏剧的奠基者。德国第一位职业作家。1767年,她以文艺批评家的身份,建造了汉堡国家民族剧院。
2、歌德与《浮士德》,《铁手骑士葛兹·冯·贝利欣根》,《伊菲革涅亚在陶洛斯》,《艾格蒙特》《托考多·塔索》/小说《少年维特之烦恼》。
歌德在斯特拉斯堡求学时,结识了很多那里的“狂飙诗人”,积极参加反抗封建,谋求民族发展和个性解放的“狂飙运动”。后来借助文学之笔《铁手骑士·冯·贝利欣根》获得成功,成为狂飙运动领袖。后结识席勒,进行长达十年的艺术合作。
3、席勒和《阴谋与爱情》《强盗》《唐·卡洛斯》《华伦斯坦》《奥尔良姑娘》《威廉·退尔》。《强盗》是其20岁是创作的作品,奠定了席勒在德国戏剧史上的重要地位。它是一曲显示着狂飙突进式的浪漫主义精神的慷慨悲歌。
席勒的创作,深受康德唯心主义哲学的影响,他注重戏剧的审美教育作用,认为通过美育可以以实现社会改造。与歌德一起创办了《时代》杂志,一起领导魏玛剧院,创造了文人相惜的一段佳话。
4、雨果与《欧那尼》《逍遥王》《吕伊·布拉斯》。19世纪浪漫主义戏剧代表人物,法国著名文学家。著5目韵文剧《克伦威尔》,其作长篇序言《克伦威尔序》,成为法国浪漫主义戏剧理论的重要文献。
—浪漫主义文学
—现实主义文学
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