夏日度假美裙分享来啦！
FREEDOM旅侠——风格多样的一家店，款式也很多，都是我自己很喜欢的波西米亚风，棉麻、刺绣、民族风元素很多，喜欢这种风格的人一定会很爱。夏天的裙子多以碎花、棉麻为主，还是蛮上镜。无论是仙女风还是简约风，又或者是性感风格统统都有，看完之后可能你会挑花眼。
since then从那以后——一家大网红美裙店，质量相当不错。店里都是高颜值小裙裙，还超贴心细致，分了去海岛、去沙漠，还有去不同国家的不同裙子，场景都给你规划好了。印花风，民族风，风格种类多，还有很多配饰，可以一次性买齐出去玩的装备啦，价格在200左右，性价比也相当给力。
制造后花园——这家就比较知名了，也是有好多的仙女裙在售卖，也是萌猪个比比较喜欢的一家。是一个比较小众的品牌，里面的仙女裙穿在身上比较有质感，种类有比较多，仙女的、法式复古的、小黑裙……这些款也都有一些，还真的是一样都少不了，穿上后都会仙气十足。
simple retro官方店——这家则是主打浓浓的法式风情，碎花、丝绸、波点元素都会时不时地出现在衣服中，INS范儿的洋气。也有一些高级的海岛度假风，很多露背装，整体显得高级优雅！
NIUQINNI online shop——很早以前就关注的店铺，衣服的款式不多，但每个都非常精致，很复古优雅的设计，感觉每套都喜欢所以总是很难取舍。而且她家的这波款比较好搭配，随便买个上衣，或者下身，一不小心就是一套撞衫率为零的战袍。
弥古——原创度相当高的一家，最近上的这波新款裙子带有明显的中国风。对了她家还有几款日系改良的和服，比如说那条仙鹤连体裙裤，我都很喜欢。另外他家也特别适合微胖的仙女，裙子的设计不会过于性感暴露，哪怕是微胖的姑娘穿出来不会有压力。
PEACHCOLA桃可了——最近准备去海边旅行的妹子如果缺少一条好看的仙女裙，不妨就去她们家！她家的设计就非常适合穿去海边，很浪漫的感觉。价格很便宜，我头像穿的那条绿色连衣裙就是这家购入，质量很不错，款式是很不错的选择！
No matter the ending is perfect or not, you cannot disappear from my world
爱情是一个精心设计的谎言
Love is a carefully designed lie
承诺常常很像蝴蝶,美丽的飞盘旋然后不见
Promises are often like the butterfly, which disappear after beautiful hover
凋谢是真实的 盛开只是一种过去
Fading is true while flowering is past
为什么幸福总是擦肩而过,偶尔想你的时候…就让…回忆来陪我
Why I have never catched the happiness Whenever I want you ,I will be accompanyed by the memory of
爱情…在指缝间承诺 指缝…在爱情下交缠
Love ,promised between the fingers
Finger rift,twisted in the love
如果你为着错过夕阳而哭泣，那么你就要错群星了
If you weeped for the missing sunset,you would miss all the shining stars
感受梦的火焰，感觉飞舞瞬间，当一切浪漫遥远，永恒依然
to feel the flame of dreaming and to feel the moment of dancing,when all the romance is far away,the eternity is always there
__________________茹菓只遈遇见,吥能停畱,吥茹吥遇见/
If we can only encounter each other rather than stay with each other,then I wish we had never encountered
宁愿笑著流泪,嘢不哭著说后悔 心碎了,还需再补吗？
I would like weeping with the smile rather than repenting with the cry,when my heart is broken ,is it needed to fix
天空没有翅膀的痕迹，而鸟儿已飞过
There are no trails of the wings in the sky, while the birds has flied away
与你保持着一种暖昧的关系,怕自己会爱上你,怕你离开后,我会流泪
When keeping the ambiguity with you ,I fear I will fall in love with you, and I fear I will cry after your leaving
当香烟爱上(_火柴时,就注定受到伤害
When a cigarette falls in love with a match,it is destined to be hurt
噎兲发觉ャ除了爱ωǒ什嚒都未囿
I found one day that I had nothing except the love
人活着 总是要得罪一些人的 就要看那些人是否值得得罪
When alive ,we may probably offend some peopleHowever, we must think about whether they are deserved offended
谁捡走了我的玻璃鞋,寻找遗失的玻璃鞋
I am looking for the missing glass-shoes who has picked it up
命里哊时钟需哊 命里无时莫强求
You will have it if it belongs to you,whereas you don't kveth for it if it doesn't appear in your life
没有谁对不起谁,只有谁不懂得珍惜谁
No one indebted for others,while many people don't know how to cherish others
永远不是一种距离,而是一种决定。
Eternity is not a distance but a decision
在回忆里继续梦幻不如在地狱里等待天堂
Dreaming in the memory is not as good as waiting for the paradise in the hell
Where there is great love, there are always miracles
哪里有真爱存在，哪里就有奇迹。
Love is like a butterfly It goes where it pleases and it pleases where it goes
爱情就像一只蝴蝶，它喜欢飞到哪里，就把欢乐带到哪里。
If I had a single flower for every time I think about you, I could walk forever in my garden
假如每次想起你我都会得到一朵鲜花，那么我将永远在花丛中徜徉。
Within you I lose myself, without you I find myself wanting to be lost again
有了你，我迷失了自我。失去你，我多么希望自己再度迷失。
At the touch of love everyone becomes a poet
每一个沐浴在爱河中的人都是诗人。
Look into my eyes - you will see what you mean to me
看看我的眼睛，你会发现你对我而言意味着什么。
Distance makes the hearts grow fonder
距离使两颗心靠得更近。
I need him like I need the air to breathe
我需要他，正如我需要呼吸空气。
If equal affection cannot be, let the more loving be me
如果没有相等的爱，那就让我爱多一些吧。
Love is a vine that grows into our hearts
爱是长在我们心里的藤蔓。
If I know what love is, it is because of you
因为你，我懂得了爱。
Love is the greatest refreshment in life
爱情是生活最好的提神剂。
Love never dies
爱情永不死。
The darkness is no darkness with thee
有了你，黑暗不再是黑暗。
We cease loving ourselves if no one loves us
如果没有人爱我们，我们也就不会再爱自己了。
There is no remedy for love but to love more
治疗爱的创伤唯有加倍地去爱。
When love is not madness, it is not love
如果爱不疯狂就不是爱了。
A heart that loves is always young
有爱的心永远年轻。
Love is blind
爱情是盲目的。
Love is like the moon, when it does not increase, it decreases
爱情就像月亮，不增则减。
The soul cannot live without love
灵魂不能没有爱而存在。
Brief is life, but love is long
生命虽短，爱却绵长。
Who travels for love finds a thousand miles not longer than one
在爱人眼里，一千里的旅程不过一里。
Love keeps the cold out better than a cloak
爱比大衣更能驱走寒冷。
Take away love, and our earth is a tomb
没有了爱，地球便成了坟墓。
My heart is with you
我的爱与你同在。
I miss you so much already and I haven't even left yet!
尽管还不曾离开，我已对你朝思暮想！
I'll think of you every step of the way
我会想你，在漫漫长路的每一步。
Wherever you go, whatever you do, I will be right here waiting for you 无论你身在何处，无论你为何忙碌，我都会在此守候。
Passionate love is a quenchless thirst
热烈的爱情是不可抑制的渴望。
The most precious possession that ever comes to a man in this world is a woman's heart
在这个世界上，男人最珍贵的财产就是一个女人的心。
One word frees us of all the weight and pain in lifeThat word is love 有一个词可以让我们摆脱生活中所有的负担和痛苦，那就是"爱情"。
Every day without you is like a book without pages
没有你的日子就像一本没有书页的书。
Love is hard to get into, but harder to get out of
爱很难投入，但一旦投入，便更难走出。
Love is a light that never dims
爱是一盏永不昏暗的明灯。
May your love soar on the wings of a dove in flight
愿你的爱乘着飞翔的白鸽，展翅高飞。
She who has never loved, has never lived
人活着总要爱一回。
Life is the flower for which love is the honey
生命如花，爱情是蜜。
No words are necessary between two loving hearts
两颗相爱的心之间不需要言语。
Precious things are very few in this world That is the reason there is just one you
在这世上珍贵的东西总是罕有，所以这世上只有一个你。
You make my heart smile
我的心因你而笑。
The road to a lover's house is never long
通往爱人家里的路总不会漫长。
Why do the good girls, always want the bad boys
为何好女孩总喜欢坏男孩？
Being with you is like walking on a very clear morning
和你在一起就像在一个清爽的早晨漫步。
It is never too late to fall in love
爱永远不会嫌晚。
To the world you may be just one person To the person you may be the world
对于世界，你可能只是一个人，但对于某个人，你却是整个世界。
Where there is love, there are always wishes
哪里有爱，哪里就有希望。
You don't love a woman because she is beautiful, but she is beautiful because you love her
你不会因为美丽去爱一个女人，但她却会因为你的爱而变得美丽。
Love is something eternal; the aspect may change, but not the essence
爱是永恒的，外表可能改变，但本质永远不变。
Love is not a matter of counting the days It's making the days count
爱情不是数着日子过去，它让每个日子都变得有意义。
With the wonder of your love, the sun above always shines
拥有你美丽的爱情，太阳就永远明媚。
Love is a fabric that nature wove and fantasy embroidered
爱情是一方织巾，用自然编织，用幻想点缀。
First love is unforgettable all one's life
初恋是永生难忘的。
In the very smallest cot there is room enough for a loving pair
哪怕是最小的茅舍，对一对恋人来说都有足够的空间。
Love without end hath no end
情绵绵，爱无边。
Love's tongue is in the eyes
爱情的话语全在双眼之中。
In love folly is always sweet
恋爱中，干傻事总是让人感到十分美妙。
There is no hiding from lover's eyes
什么也瞒不过恋人的眼睛。
The only present love demands is love
爱所祈求的唯一礼物就是爱。
The heart that once truly loves never forgets
真挚恋爱过的心永不忘却。
Love warms more than a thousand fires
爱情的炽热胜过千万团的火。
Your smiling at me is my daily dose of magic
你嫣然的微笑是我每日享受到的魅力。
Your kiss still burns on my lips, everyday of mine is so beautiful
你的吻还在我的唇上发烫，从此我的日子变得如此美丽。
Love understands love; it needs no talk
相爱的心息息相通，无需用言语倾诉。
Love me little and love me long
不求情意绵绵，但求天长地久。
First impression of you is most lasting
对你最初的印象，久久难以忘怀。
When the words "I love you" were said by you for the first time, my world blossoms
第一次听到你对我说"我爱你"，我的世界一瞬间鲜花绽开。
Tell me you are mine I'll be yours through all the years, till the end of time
请告诉我你是我的。岁岁年年，我都属于你，永远永远。
Love is a fire which burns unseen
爱情是无形燃烧的火焰。
I feel happy at times we have had angry words but these have been kissed away
我们生气争执时，爱的双唇把它们吻得无影无踪，我的心也顿觉甜蜜。
You cannot appreciate happiness unless you have known sadness too
不知道什么是忧伤，就不会真正感激幸福。
But if the while I think on thee, dear friend, all losses are restored, and sorrows end
只要我一想起你，亲爱的人，所有的失落和遗憾烟消云散
burning - maria arredondo
passion is sweet
love makes weak
you said you cherished freedom so
you refuse to let it go
follow your fate
love and hate
never fail to seize the day
but dont give yourself away
oh when the night falls
and your all alone
in your deepest sleep what
are you dreaming of
my skin's still burning from your touch
oh i just can't get enough i
said i wouldn't ask for much
but your eyes are dangerous
oh the thought keep spinning in my head
can we drop this masquerade
i can't predict where it ends
if your the rock i'll crush against
trapped in a crowd
the music is loud
i said i love my freedom to
now i'm not sure i do
all eyes on you
rings so true
better quit while you're ahead
now i'm not so sure i am
oh when the night falls
and your all alone
in your deepest sleep what
are you dreaming of
my skin's still burning from your touch
oh i just can't get enough i
said i wouldn't ask for much
but your eyes are dangerous
oh the thought keep spinning in my head
can we drop this masquerade
i can't predict where it ends
if your the rock i'll crush against
my soul my heart
if you're near if you're far
my life my love
you can have it allooohaaaah
oh when the night falls
and your all alone
in your deepest sleep what
are you dreaming of
my skin's still burning from your touch
oh i just can't get enough i
said i wouldn't ask for much
but your eyes are dangerous
oh the thought keep spinning in my head
can we drop this masquerade
i can't predict where it ends
if your the rock i'll crush against
ooh, if your the rock i'll crush against
以下是中文歌词:
激情令人幸福
爱情令人脆弱
你曾说过自由至上
因此你不愿被束缚
命中注定
爱恨情仇
日夜追逐你的梦想
从未放弃
当夜幕降临
你孤身一人
在你沉睡之时
你梦见了什么
肌肤之亲 让我陶醉
我却无法满足
曾答应不再想你索取
然而 你的延伸摄人心魄
对你的思想挥之不去
我们可否坦诚相对
纵使结局无法预料
我仍旧甘愿飞蛾扑火
置身于茫茫人海之中
乐声嘈杂
我曾说过
我同样珍爱自由
现今却不置可否
视线被你占据
我已经看清一切
感情深入之时
却是分手之日
然而我却无法做到
我的灵魂 我的芳心
无论你近在咫尺或是远在天涯
我的生命 我的挚爱
请一并带走
强推:很好听的一首歌
《肖申克的救赎》，音乐中带来的希望和信仰
曾几何时，美剧《越狱》在中国红极一时，当时在网上也听说过《肖申克的救赎》是**版的《越狱》，或许当时是《越狱》太火，又或者因为我当时还没看过该片，但现在想想，觉得只怕说《越狱》是电视剧版的《肖申克的救赎》更合适。
在1994年奥斯卡颁奖典礼上，虽然《肖申克的救赎》最终败给了《阿甘正传》，但《肖申克的救赎》却已在很多人心中成为了经典，影片的故事结构已不必再多说，演员精湛的表演也已经被许多人所称赞，影片主题更是被无数影评人和观众讲的烂熟，但是这里，必须要提到的是影片的音乐。
虽然我喜欢音乐，但是我对音乐并不精通，我听不出一首曲子是用什么乐器所弹奏，更不用说一首歌曲跨了几个音阶什么的，但是音乐一旦放到了**中，它就已经成为**的一部分，很多时候**音乐的好坏会影响到一部影片的成功与否，因为音乐在**中的作用已经不仅仅是一个陪衬，很多时候演员演出来的故事未必好，甚至镜头的表述的剧情未必精彩，而用音乐来说出下面的故事却往往能达到一个好的效果，我们可以把之称之为“音乐叙事”。
在**中用音乐叙事已经是再常见不过的了，一些学者也已经看出了音乐和**中的必然联系，如今，随着**业的发展，影视原声也越来越让影迷们喜爱，我们发现，一部好的影片中，必然会有好的音乐。
所以，从第三届奥斯卡开始，设置了最佳音响效果的奖项，而到了第七届奥斯卡开始，最佳音乐的奖项也被独立了出来，由此可见，音乐已经成为**不可或缺的一部分。
上面说了那么多，影片《肖申克的救赎》虽然在第六十七届奥斯卡上没有获得任何荣誉，但想想，《阿甘正传》、《埃德伍德》、《狮子王》、《通俗小说》那么多优秀作品与之争锋，但最终依然能成为经典，除了影片主题、演员的表演，还要归功于音乐的功劳，影片中声乐与镜头的完美结合，早就了影片不朽的传奇。
影片从最一开始，就利用音乐和蒙太奇的效果来营造紧张的气氛，那首看似轻松欢快的音乐，却反衬出人物紧张的心理状态，随后而起的音乐则进一步起到了渲染氛围的作用。当然，这是音乐叙事中极为常见的用法，而当Andy入狱时那首听似悲壮的音乐，配合着监狱的镜头，显得那么沉重。在影片后面我们可以发现，监狱中的许多人已经被体制化，除了监狱他们不知道能做些什么，他们已经不再适应外面的生活，在监狱中，他们是快乐的，那是他们的家园，导演正是用这样的音乐来为之叹息，为之哀叹。
当然，这也算不上影片最为精彩的地方，尽管到Brooks出狱后的那段音乐煽情了一把，让人为老Brooks的遭遇感到惋惜和叹息，但是依然比不上影片第六十七分左右开始的Andy在狱警办公室播放莫扎特的《费加罗的婚礼》那段出彩，监狱，一个禁闭的空间，哪怕是当你在中学上课时校广播站播放这样一首欢快而激情的歌剧音乐时是怎样的心情？更何况是在监狱这样一个特殊的环境中，有人说“这个片段看似平静如水，但实则激情四射，杀伤力极强，最能使你两眼发热”，我绝对同意这样一个说法，看看Andy在播放这出歌剧时囚徒的反应和表情你就该知道，这样一首曲子对于生活在监狱中被许些体制化了的囚徒是怎样一种激励，而对于被基本体制化了的犯人来说又是怎样一种打击。这首《费加罗的婚礼》在这里不仅仅是一出歌剧，更是一种希望，当监狱长不断敲门让他关掉留声机的时候，Andy反而将声音开大，直到狱警破门而入，强行关闭了留声机。纵观整部影片，我们发现这就是Andy的性格，外面给的是压力，压力越大，Andy的希望就越大，而狱警强行关闭留声机，则是从侧面反映出狱警和监狱的作用就是断绝你的希望，如果说老Brooks是囚犯体制化的代表，那监狱就是一座把人体制化的牢笼，我们可以把之夸大到一座城市，甚至一个国家，而其统治者就是要把他们统治下人民的希望给摧毁和断绝，这样人民才能当一个顺民，他们的统治才更加长久。正如RED所说：“希望？我告诉你朋友，希望是很危险的东西，希望会让人疯狂，它在这没用。”
其实我很想说一句，导演很坏。什么意思？在影片第一百零九分钟左右，监狱长吹着口哨离开办公室，留下Andy一个人，接着Andy回到牢房，熄灯，在黑暗中摸出绳索以及RED凝重的表情，影片在这里使用了一段听似悲壮的音乐，加上背景环境音的雷电声，给人营造了一段Andy即将离去的感觉，这里说的离去并不是影片的结果，因为通过RED的旁白给人以Andy受不了压力而自杀的误解。前面我说过，Andy的性格是压力越大，希望越高，有希望的人，怎么会自杀呢？答案很快就被揭晓了，就在次日造成狱警照例查询人数的时候，发现Andy失踪了，既然影片的类型决定了Andy不可能羽化登仙，只能说明他是越狱了。是的，导演正是使了这么一个小小的坏，用了一段听似悲壮的音乐把影片过渡到了高潮的阶段，也通过这样一段音乐来表现了Andy逃走的决心。所谓“风萧萧兮易水寒，壮士一去兮不复还”，这是多么悲壮的诗句，却体现出了壮士们的决心，Andy也一样，也正是在这样一个悲壮的气氛中下定了决心。所以在后来Andy成功逃离出肖申克监狱的时候，那段激情令所有人感动，更让人意识到了希望的重要性，也成就了Andy这一生的传奇。
是的，有人说《肖申克的救赎》讲述的是生活，虽然在奥斯卡角逐时输给了讲述梦的《阿甘正传》，“生活比梦简单，但是生活远比梦残酷”。《肖申克的救赎》是一个传奇，更是一部经典，不仅仅是因为“生活远比梦残酷”的主题，不仅仅是编剧巧妙的设计了故事，我想，音乐的运用也该是传奇和经典的一个重要因素。
给你发来微软百科的说明
Romanticism (literature)
I INTRODUCTION
Romanticism (literature), a movement in the literature of virtually every country of Europe, the United States, and Latin America that lasted from about 1750 to about 1870, characterized by reliance on the imagination and subjectivity of approach, freedom of thought and expression, and an idealization of nature The term romantic first appeared in 18th-century English and originally meant “romancelike”—that is, resembling the fanciful character of medieval romances
II ORIGINS AND INSPIRATION
By the late 18th century in France and Germany, literary taste began to turn from classical and neoclassical conventions (see Classic, Classical, and Classicism) Inspiration for the romantic approach initially came from two great shapers of thought, French philosopher Jean Jacques Rousseau and German writer Johann Wolfgang von Goethe
A The Romantic Spirit
Rousseau established the cult of the individual and championed the freedom of the human spirit; his famous announcement was “I felt before I thought” Goethe and his compatriots, philosopher and critic Johann Gottfried von Herder and historian Justus Möser, provided more formal precepts and collaborated on a group of essays entitled Von deutscher Art und Kunst (Of German Style and Art, 1773) In this work the authors extolled the romantic spirit as manifested in German folk songs, Gothic architecture, and the plays of English playwright William Shakespeare Goethe sought to imitate Shakespeare's free and untrammeled style in his Götz von Berlichingen (1773; translated 1799), a historical drama about a 16th-century robber knight The play, which justifies revolt against political authority, inaugurated the Sturm und Drang (storm and stress) movement, a forerunner of German romanticism Goethe's novel The Sorrows of Young Werther (1774; translated 1779) was also in this tradition One of the great influential documents of romanticism, this work exalts sentiment, even to the point of justifying committing suicide because of unrequited love The book set a tone and mood much copied by the romantics in their works and often in their personal lives: a fashionable tendency to frenzy, melancholy, world-weariness, and even self-destruction
B The Romantic Style
The preface to the second edition of Lyrical Ballads (1800), by English poets William Wordsworth and Samuel Taylor Coleridge was also of prime importance as a manifesto of literary romanticism Here, the two poets affirmed the importance of feeling and imagination to poetic creation and disclaimed conventional literary forms and subjects Thus, as romantic literature everywhere developed, imagination was praised over reason, emotions over logic, and intuition over science—making way for a vast body of literature of great sensibility and passion This literature emphasized a new flexibility of form adapted to varying content, encouraged the development of complex and fast-moving plots, and allowed mixed genres (tragicomedy and the mingling of the grotesque and the sublime) and freer style
No longer tolerated, for example, were the fixed classical conventions, such as the famous three unities (time, place, and action) of tragedy An increasing demand for spontaneity and lyricism—qualities that the adherents of romanticism found in folk poetry and in medieval romance—led to a rejection of regular meters, strict forms, and other conventions of the classical tradition In English poetry, for example, blank verse largely superseded the rhymed couplet that dominated 18th-century poetry The opening lines of the swashbuckling melodrama Hernani (1830; translated 1830), by the great French romantic writer Victor Hugo, are a departure from the conventional 18th-century rules of French versification; and in the preface to his drama Cromwell (1827; translated 1896), a famous critical document in its own right, Hugo not only defended his break from traditional dramatic structure but also justified the introduction of the grotesque into art In their choice of heroes, also, the romantic writers replaced the static universal types of classical 18th-century literature with more complex, idiosyncratic characters; and a great deal of drama, fiction, and poetry was devoted to a celebration of Rousseau's “common man”
III THE GREAT ROMANTIC THEMES
As the romantic movement spread from France and Germany to England and then to the rest of Europe and across to the western hemisphere, certain themes and moods, often intertwined, became the concern of almost all 19th-century writers
A Libertarianism
Many of the libertarian (see Libertarianism) and abolitionist movements of the late 18th and early 19th centuries were engendered by the romantic philosophy—the desire to be free of convention and tyranny, and the new emphasis on the rights and dignity of the individual Just as the insistence on rational, formal, and conventional subject matter that had typified neoclassicism was reversed, the authoritarian regimes that had encouraged and sustained neoclassicism in the arts were inevitably subjected to popular revolutions Political and social causes became dominant themes in romantic poetry and prose throughout the Western world, producing many vital human documents that are still pertinent The year 1848, in which Europe was wracked by political upheaval, marked the flood tide of romanticism in Italy, Austria, Germany, and France
In William Tell (1804; translated 1825), by German dramatist Friedrich von Schiller, an obscure medieval mountaineer becomes an immortal symbol of opposition to tyranny and foreign rule In the novel The Betrothed (1825-1827; translated 1834), by Italian writer Alessandro Manzoni, a peasant couple become instruments in the final crushing of feudalism in northern Italy Lord Byron and Percy Bysshe Shelley, who for some most typify the romantic poet (in their personal lives as well as in their work), wrote resoundingly in protest against social and political wrongs and in defense of the struggles for liberty in Italy and Greece Russian poet Aleksandr Sergeyevich Pushkin, whose admiration for the work of Byron is clearly manifested, attracted notoriety for his “Ode to Liberty” (1820); like many other romanticists, he was persecuted for political subversion
The general romantic dissatisfaction with the organization of society was often channeled into specific criticism of urban society La maison du berger (The Shepherd's Hut, 1844), by French poet Alfred Victor de Vigny, expresses the view that such an abode has more nobility than a palace Earlier, Rousseau had written that people were born free but that everywhere civilization put them in chains This feeling of oppression was frequently expressed in poetry—for example, in the work of English visionary William Blake, writing in the poem “Milton” (about 1804-1808) of the “dark Satanic mills” that were beginning to deface the English countryside; or in Wordsworth's long poem The Prelude (1850), which speaks of “ the close and overcrowded haunts/Of cities, where the human heart is sick”
B Nature
Basic to such sentiments was an interest central to the romantic movement: the concern with nature and natural surroundings Delight in unspoiled scenery and in the (presumably) innocent life of rural dwellers is perhaps first recognizable as a literary theme in such a work as “The Seasons” (1726-1730), by Scottish poet James Thomson The work is commonly cited as a formative influence on later English romantic poetry and on the nature tradition represented in English literature, most notably by Wordsworth Often combined with this feeling for rural life is a generalized romantic melancholy, a sense that change is imminent and that a way of life is being threatened Such intimations were early evinced in “Ode to Evening” (1747) by William Collins, “Elegy Written in a Country Churchyard” (1751) by Thomas Gray, and The Borough (1810) by George Crabbe The melancholic strain later developed as a separate theme, as in “Ode on Melancholy” (1820) by John Keats, or—in a different time and place—in the works of American writers: the novels and tales of Nathaniel Hawthorne, which probe the depths of human nature in puritanical New England, or the macabre tales and melancholy poetry of Edgar Allan Poe
In another vein in American literature, the romantic interest in untrammeled nature is found in such writers as Washington Irving, whose Sketch Book of Geoffrey Crayon, Gent (1819-1820), a collection of descriptive stories about the Hudson River valley, reflects the author's knowledge of European folktales as well as contemporary romantic poetry and the Gothic novel The Leather-Stocking Tales by James Fenimore Cooper celebrate the beauty of the American wilderness and the simple frontier life; in romantic fashion they also idealize the Native American as (in Rousseau's phrase) the “noble savage” By the middle of the 19th century the nature tradition was absorbed by American literary transcendentalism, chiefly expressed in the essays of Ralph Waldo Emerson and Henry David Thoreau
C The Lure of the Exotic
In the spirit of their new freedom, romantic writers in all cultures expanded their imaginary horizons spatially and chronologically They turned back to the Middle Ages (5th century to 15th century) for themes and settings and chose locales ranging from the awesome Hebrides of the Ossianic tradition, as in the work of Scottish poet James MacPherson (see Ossian and Ossianic Ballads), to the Asian setting of Xanadu evoked by Coleridge in his unfinished lyric “Kubla Khan” (1797) The compilation of old English and Scottish ballads by English poet Thomas Percy was a seminal work; his Reliques of Ancient English Poetry (1765) exerted a significant influence on the form and content of later romantic poetry The nostalgia for the Gothic past mingled with the tendency to the melancholic and produced a fondness for ruins, graveyards, and the supernatural as themes In English literature, representative works include Keats's “The Eve of St Agnes,” the Gothic novels of Matthew Gregory Lewis, and The Castle of Otranto (1764) by Horace Walpole The Lay of the Last Minstrel (1805), by Scottish writer Sir Walter Scott, and his historical novels, the Waverley series (1814-1825), combine these concerns: love of the picturesque, preoccupation with the heroic past, and delight in mystery and superstition
D The Supernatural
The trend toward the irrational and the supernatural was an important component of English and German romantic literature It was reinforced on the one hand by disillusion with 18th-century rationalism and on the other by the rediscovery of a body of older literature—folktales and ballads—collected by Percy and by German scholars Jacob and Wilhelm Karl Grimm (see Grimm Brothers) and Danish writer Hans Christian Andersen From such material comes, for example, the motif of the doppelgänger (German for “double”) Many romantic writers, especially in Germany, were fascinated with this concept, perhaps because of the general romantic concern with self-identity Poet Heinrich Heine wrote a lyric apocryphally titled “Der Doppelgänger” (1827; translated 1846); The Devil's Elixir (1815-1816; translated 1824), a short novel by E T A Hoffmann, is about a double; and Peter Schlemihl's Remarkable Story (1814; translated 1927), by Adelbert von Chamisso, the tale of a man who sells his shadow to the devil, can be considered a variation on the theme Later, Russian master Fyodor Mikhaylovich Dostoyevsky wrote his famous novel The Double (1846), an analysis of paranoia in a humble clerk
IV DECLINE OF THE TRADITION
By about the middle of the 19th century, romanticism began to give way to new literary movements: the Parnassians and the symbolist movement in poetry, and realism and naturalism in prose
See also American Literature: Poetry; American Literature: Prose; Brazilian Literature; Danish Literature; Dutch Literature; English Literature; French Literature; German Literature; Italian Literature; Latin American Literature; Polish Literature; Portuguese Literature; Russian Literature; Spanish Literature; Swedish Literature
Contributed By:
Robert J Clements
Microsoft ® Encarta ® Encyclopedia 2003 © 1993-2002 Microsoft Corporation All rights reserved
趁着每个月的情人节,对心爱的人说上几句浪漫的话、暧昧的话吧,让你与心爱的人一同拥抱情人节,拥抱地久天长的爱恋。下文是为大家精选的适合情人节的浪漫歌曲，一起哼起来吧!
适合情人节的浪漫歌曲1歌曲1：《hallo goodbye》-the pancakes
就像歌里唱的，爱情不是绳索，不能拿爱情来捆绑一个人。有时候只是想要有个人听着自己说话，那个人，比情人少一点，比知己多一点，可以洒脱地say hallo & goodbye。
潇洒歌词：
just stay where you are
don’t come close don’t go too far
when we meet again
only memories will remain
《hallo goodbye》-the pancakes
歌曲2：《on the night like this》-mocca
还是mocca，坠入爱河的歌词很腻。甜蜜的夜晚，浪漫的情人，爱情如此奇异，总让人有说不完的话，献不完的宝。那个什么，都说爱情激发想象力嘛。
甜蜜歌词：
cause when you’re around
i can fall in love every day
《on the night like this》-mocca
歌曲3：《南方》-达达乐队
初恋总是美好的，然而时光流逝，带走很多曾经的美好，怎么抓也抓不住。多年以后，她还好吗只是，相见不如相念，相念不如相忘，大概就是这样的心情了。
感怀歌词：
时间过得飞快 转眼这些已成回忆
每天都有新的问题 不知何时又会再忆起
《南方》-达达乐队
歌曲4：《way back into love》-k歌情人**主题曲
被爱情伤过的男女，也许曾失去希望，在灰暗的角落里独自守着伤口，郁郁寡欢。但真正的爱情始终都在等着，打开心门，那个爱你的人不会很远了。受过伤的人更能明白如何去爱。
深情歌词：
all i want to do is find a way back into love
and if i open my heart again
i guess i’m hoping you’ll be there for me in the end
and if you help me to start again
you know that i’ll be there for you in the end
《way back into love》-k歌情人**主题曲
歌曲5：《solo》-kate havnevik
相信大家都经历过暗恋，不管是青涩的学生时代，还是成年后有爱不开口。思念那个人的'时候，多想能靠近他搭上几句话，这时候单身独处的自由是多么不需要和浪费啊。
闷骚歌词：
what i mean is i’m missing you now
this freedom is wasted on me
《solo》-kate havnevik音乐知识
歌曲6：《i remember》-mocca
像是翻开了一本小女生的日记，感受到一笔一笔用心记下的甜蜜。记得你偷偷瞥我的眼神，记得我们一起看到的流星。。记得很多很多彼此的分享。亲密的友情和懵懂的爱情，多么纯美。
纯情歌词：
i remember all the things that we shared, and the promise we made, just you and i
i remember all the laughter we shared, all the wishes we made, upon the roof at dawn
and the way you smile at me
yes i remember
适合情人节的浪漫歌曲21祝你平安
2最爱的人伤我最深
3心要让你听见
4爱在深秋
5羞答答的玫瑰静悄悄地开
6让我一次爱个够
7亲亲我的宝贝
8选择
9茶山情歌
10七情六欲
11只要你过得比我好
12爱就爱了
13别哭我最爱的人
14哭砂
15再见
16如果没有你
17像风一样自由
18明明白白我的心
19领悟
20爱不爱我
适合情人节的浪漫歌曲31爱相随
2胆小鬼
3太傻
4风继续吹
5对面的女孩看过来
6星光依旧灿烂
7一千零一夜
8但愿人长久
9天天看到你
10千古绝唱
11最美
12流星雨 《流星花园》电视剧插曲
13如果云知道
14沉默是金
15江湖笑 《神雕侠侣》电视剧片尾曲
16青苹果乐园
17三月里的小雨
18鸭子
19珍惜
20难忘今宵
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