这是一种传统的艺术形式 英语

这是一种传统的艺术形式，英语是：This is a traditional art form

句子解释：

traditional 英[trəˈdɪʃənl] 美[trəˈdɪʃənəl]

adj 传统的; 口传的; 惯例的; 因袭的;

[例句]We're still a traditional school in a lot of ways

我们在很多方面仍是一所旧式学校。

art 英[ɑ:t] 美[ɑ:rt]

n 艺术; 艺术作品; （需要技术、工艺的） 行业; 文艺（包括绘画、雕塑、建筑、音乐、舞蹈、戏剧、文学等）;

vi thou art 即 you are,对一人讲话时用;

adj 艺术的; 艺术品的; （为） 艺术家的; 具有艺术性的;

[例句]Catherine the Great was a patron of the arts and sciences

叶卡捷琳娜大帝赞助过各种艺术创作和科学研究。

form 英[fɔ:m] 美[fɔ:rm]

n 表格; 方式; 形状，形式; 外形;

vt 形成; 构成; 组织; 塑造;

vi 形成，产生; 排队，整队;

[例句]He contracted a rare form of cancer

他得了一种罕见的癌症。

ead the passage and complete the chart below 阅读文章并完成下表。

MOVING FROM GENERAL TO SPECIFIC 从一般到具体

Beauty in Common Things 日常事物中的“美”

Each different part of China has its own special forms of traditional art 中国每一块地区都有自己特殊的传统艺术形式。

These usually try to show the things that are important in life such as love, beauty and family 这些艺术形式通常都是在表现生活中重要的方面，比如爱情、美和家庭。

The most common things, from paper to clay to bamboo, are turned into objects of beauty 最常见的东西,从纸到黏土再到竹子,都变成了美丽的艺术品。

According to Chinese history, sky lanterns were first used by Zhuge Kongming 根据中国的历史,孔明灯由诸葛孔明第一次使用。

He sent them out to ask for help when in trouble 当遇到麻烦时，他就放出孔明灯来求援。 Today, sky lanterns are used at festivals and other celebrations 今天,孔明灯用于节日和其他庆祝活动。

They are made of bamboo and covered with paper 孔明灯由竹子做成，并用纸糊上。

When the lanterns are lit, they slowly rise into the air like small hot-air balloons for all to see 当点亮时,灯会慢地上升到空中，像个小的热气球一样，所有人都可以看见。

扩展资料：

1、一般现在时：表示现在的状态、经常的或习惯性的动作、主语具备的性格和能力等。

2、过去进行时：表示过去某段时间或某一时刻正在发生或进行的行为或动作。

3、现在完成时：过去发生或已经完成的动作对现在造成的影响或结果，或从过去已经开始，持续到现在的动作或状态。

4、过去完成进行时：表示某个正在进行的动作或状态，持续到过去某个时刻，还未完成，一直持续到之后的当前才结 束。

问题一：举办艺术展览 用英语怎么说 hold art show

问题二：艺术展览会的英文怎么说 hold art show

问题三：去艺术馆看展览 用英文怎么说 an exhibition; an exposition; a display; a show; a showing

问题四：一定要来看这次艺术展用英语怎么说 that you'll attend

问题五：一定要来看这次艺术展用英语怎么说 Must look at the exhibition

问题六：一个艺术科学展览会用英语怎么说？ The art and science fair

问题七：我希望能能受理做社区艺术展览馆用来展示艺术家们的作品用英语怎么写 我希望能能受理做社区艺术展览馆用来展示艺术家们的作品

I hope to be able to accept the work of munity art exhibition hall to display the artists' works

问题八：中国艺术家当代作品展 英语怎么说 中国艺术家当代作品展

Contemporary Chinese Artists Exhibition

艺术家artist; craft an

当代the present age; the contemporary era

问题九：盈江的MM 社会秩序良好、人民安居乐业

美女清丽脱俗、风景秀美宜互

自治传统优良、民风淳朴友善

公路四通八达、交通枢纽集中

榕树遍布寨区、梁田相间得宜

美眉热情大方、乐意让我加Q

　　艺术是一个开放的、流动的体系,艺术的含义是变化的,没有固定不变的艺术规则。下面是我带来的关于艺术的英语 文章 阅读，欢迎大家阅读!

　　关于艺术的英语文章阅读篇一

　生活的艺术The art of living is to know when to hold fast and when to let goFor life is a paradox: it enjoins us to cling to its many gifts even while it ordains their eventual relinquishment The rabbis of old put it this way:”A man comes to this world with his fist clenched, but when he dies, his hand is open ”

　Surely we ought to hold fast to lift, for it is wondrous, and full of a beauty that breaks through every pore of God’s own earth We know that this is so,but all too often we recognize this truth only in our backward glance when we remember what was and then suddenly realize that it is no more

　We remember a beauty that faded, a love that waned But we remember with far greater pain that we did not see that beauty when it flowered, that we failed to respond with love when it was tendered

　Hold fast to life but not so fast that you cannot let go This is the second side of life’s coin, the opposite pole of its paradox: we must accept our losses, and learn how to let go

　译文：

　生活的艺术在于懂得什么时候追求，什么时候放弃。因为生活就是一个矛盾体：它要我们紧紧抓住它赐予我们的生命之礼，然后最终又让它们从我们手中跑掉。老先生们说：“人们紧握着拳头来到这个世界上，离开这个世界时却摊开了双手。”

　当然我们应该紧紧把握生活，因为它美妙得不可思议，充满了从上帝的每个毛孔里蹦出来的美。我们都清楚这一点，但我们常常只有在回首往事时才会想去过去，才会突然意识到过去永远地消逝了，才会承认这个道理。

　我们都记得美的褪去，爱的老去。但我们更痛苦地记得美正艳时，我们却没有发现，爱正浓时，我们却没有回应。

关于艺术的英语文章阅读篇二

　科学与艺术

　I beg leave to thank you for the extremely kind and apprieciative manner in which you have received the toast of scienceIt is the more grateful to me to hear that toast proposed in an assembly of this kind Because I have noticed of late years a great and growing tendency among those who were once jestingly said to have been born pre-scientific age to look upon science as an invading and aggressive force, which of it had find its own way, it would oust from the universe all other pursuits I think there are many persons wholook upon the new birth of our times as a sort of monster rising out of the sea of modern thought with thepurpose of devouring the Andromeda of artAnd now and then a Perseus, equipped with the shoes of swiftnessof the ready writer, and with the cap of invisibility of the editorial article,and it may be with the Medusa head of vituperation, shows herself ready to try conclusions with the scientific dragon Sir, I hope that Perseus should think better of it First, for the sake of his own, because the creature is hard of head,strong of jaw,for some time past has shown a great capacity for going over and through whatever comes in his way; and secondly, for the sake of justice, for I assure you, of my own personal knowledge if left alone, the creature is a very debonair and gentle monsterAs for the Andromeda of art, the creature has the tenderest respect for the lady, and desires nothing more than to see her happily settled and annually pruducing a flock of such charming children as those we see about us

　But putting parables aside, I am unable to understand how any one with a knowledge of mankind can imagine that the growth of science can threaten the development of art in any of its forms If I understand the matter of all, science and art are the obverse and reverse of the Nature's medal; the one expressing the external order of things, in terms of feeling, and the other in terms of thought When men no longer love norhate; when suffering causes no pity, and the tale of great deeds ceases to thrill when the lily of the field shall seem no longer more beautifully arrayed than the Solomon in all his glory, and the owe has vanished from the snow-capped peak and deep ravine, and indeed the science may have the world to itself, but itwill not be because the monster has devoured the art, but because one side of human nature is dead, and because men have lost half of their ancient and present attributes

　请允许我为你们如此友善和赞赏地为科学干杯而深表感谢。我尤其感激在这般友善的大会上来为科学祝酒。因为事实上近些年我确实发现有些戏称自己是在前科学时代出生的人，正在酝酿一股很强大而且日渐强大的倾向，将科学视为入侵和占领的势力，而且若假以时日，必将我们宇宙其他的事物驱逐出去。我想有很多人认为我们的时代是从现代头脑中爆发的怪物，目的就是要吞噬掉艺术的安德洛默达。时不时的，还有一位珀尔修斯，脚蹬写作快手之超速鞋，头戴社论文章之阴形帽，或许还安着充斥漫骂之词的“美杜沙之脑”威风凛凛，大有与科学之龙一比高下的气势。但是，各位绅士，我劝这位珀尔修斯先生三思而行。首先，为了他自己的安全着想，因为这怪物脑壳坚硬，口鄂强壮，从它过往的经历可以看出它所到之处，势如破竹，所向披靡，无人能拦，实不易对付。再者，为正义说句话，我可以向你们保证，以我愚见，只要放任不管，它还是一个温而文雅，无比绅士的怪物。至于艺术的安德洛默达，此怪物穷其所有的敬仰，别无他求，只希望看到她能够安居乐业，每年都能生一大群如我们所见的快乐迷人的小孩子。

　不过撇去那些比喻，我实在不能理解那些有一点人文知识的人为什么会担心科学的进步怎么就会威胁到艺术的发展。依我所见，科学和艺术实乃大自然这枚圣牌的正反两面，一个以情感的方式表达了事物的外在规律，而另外一个则是一理性的方式。当人类不再爱，也不再恨;当苦难不再引起怜悯;当壮举不再让人激动，当山野的百合花还比不上所罗门的荣光，当雪山之巅和万丈深渊不再博得敬畏，那么科学是真的统治了这个世界。但是那不是因为怪物吞噬了艺术，而是因为人性的另一面已经死亡，而是因为人类已经失去了他们从古到今的天性。

关于艺术的英语文章阅读篇三

　中国古代建筑艺术

　Chinese architecture is an independent art featuring wooden structures It consists of various roof molding, upturned eaves and wings, dougong with paintings, vermilion pillars and golden roofs, ornament gates and gardening All of these embody the maturity and artistic appeal of Chinese architecture 7000 years ago, mortise and tenon and tongue-and-groove were used in Hemudu The buildings of Banpo village had the division of antechamber and back rooms Great palaces were built in Shangyin period Bricks and tiles were used and the layout of Siheyuan emerged in the Western Zhou There are even building drawings in Spring and Autumn and the Warring States periods passed down

　中国建筑体系是以木结构为特色阳的建筑艺术。传统建筑叫种屋顶造型、飞檐翼角、斗拱彩画、朱柱金顶、内外装修门及园林景物等，充分体现出中国建筑艺术的纯熟和感染力。七千年前河姆渡 文化 中即有桦卵和企口做法。半坡村已有前堂后室之分。商殷时已出现高大宫室。西周时已使用砖瓦并有四合院布局。春秋战国时期更有建筑图传世。京邑台栅宫室内外梁柱、斗拱上均作装饰，墙壁上饰以壁画。

　In Qin and Han, wooden building tended to be mature gradually Complex buildings, like Epang Palace, were constructed Temples and pagodas developed rapidly in the period of Weijin and Southern and Northern dynasties Glass tiles used in Sui and Tang made the building more glorious The city construction in the period of Five dynasties and Song was booming Luxury restaurants and shops with lofts and railings were very beautiful Many palaces and private gardens built in Ming and Qing are reserved today, which are more magnificent and stately than that of the Song Dynasty

　秦汉时期木构建筑日趋成熟，建筑宏伟壮观，装饰丰富，舒展优美，出现了阿房宫等庞大的建筑组群。魏晋南北朝时期佛寺、佛塔迅速发展。隋唐时期建筑采用琉璃瓦，更是富丽堂皇。五代、两宋都市建筑兴22，商业繁荣，豪华的酒楼、商店各有飞阁栏槛，风格秀丽。明清时代的宫殿苑固和私家园林保存至今者尚多，建筑亦较宋代华丽繁琐、威严自在。

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