《火影忍者》有忍术和幻术，有哪些公认的顶尖幻术高手？

《者之书》是《火影忍者》的设定集，作者也是本文。《忍耐之章》中人物不完全包括在内，部分忍者可能会被遗漏，因此对他们的数字存在争议。

根据《者之书》，只有四个确定的“幻想大师”，一起看看有什么忍者。

官方公认的幻想代价只有四个人，黄鼠狼名副其实，猴子的飞日令人惊讶。

五指浦区

首先要提名的自然是宇智波。在整个《火影忍者》中，他的魔术造诣是继停水后的第二次。停水的双眼“星神”真的是“没有道理”。

在《者之书》的设定资料中，宇智波区是和未来一样的“71分”忍者，其中“幻想10”决定了他的“幻想大师”称号。

虽然Uzippo是“魔术10”的忍者，但他比其他“魔术10”忍者强得多，特别是指魔术方面。《者之书》的单一数据中满分只有10分，因此，即使宇智波球的魔术造诣比其他人强得多，数字也只能是“魔术10”。

蛇丸

大蛇丸的魔术造诣经常被大部分人低估，主要是因为“宇智浦区对大蛇丸”的首场战斗。大蛇丸完全没有准备袭击猫鼬，结果瞬间被“车刀抗术”捆绑，被宇智波砍下一只手。

蛇丸在《者之书》的设定中也是“魔术10”的忍者，精通魔术和使用魔术的能力还不错。只是他选择了Uzimongus作为对象，低估了他的魔术造诣。

学霸只能考100分的原因是满分只有100分。这句话可以适用于宇智波人。蛇丸的上限是“幻10”。可能到20，30分钟为止，数据开放后，宇智波鼬还可以继续上涨。

除夕夜

夕阳红在以前的设定中是“木叶第一魔术师”，她和大蛇丸遇到了同样的问题。晨雾在回归故乡的一方，宇智波弹起夕阳红的幻术，夕阳红开始逐渐退场。

阿斯玛死后，夕阳红也刚好怀孕，她的真正魔术实力一直没有显现出来。

夕阳红在魔术中输给宇智波并不可耻，宇智波甚至称赞夕阳红。夕阳红在这次战斗中并不差。她瞬间想出了打破宇智波猫鼬魔法的方法，迅速躲避了黄鼠狼的攻击。

对刚忍的石夕红来说，这种争吵还是实力的表现。因为她的对手是宇智波。在《者之书》的数据中，除夕的瑞德也是“魔法10”的忍者。官方公认的幻想代价只有四个人，黄鼠狼名副其实，猴子的飞日令人惊讶。

猴年马月

猴子悲惨的出现令人意外，但在《者之书》的数据中，他也是“幻想10”忍者。

在大蛇丸对猴子飞的战斗中，天水柱之间利用“黑暗行法”使猴子飞的日子迷失了一段时间。在这个魔术中，猴子悲惨没能展现出“幻想10”的才能。大概率是因为年老或查克拉看到了底部。

在《阵之书》的设定中，猴子悲惨不仅掌握了数以千计的忍术，他也同样精通魔术。但是在实战中没有太多的展示，所以很意外。

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“呼麦”，又名“浩林·潮尔”，是蒙古族复音唱法潮尔（chor）的高超演唱形式，是一种“喉音”艺术。运用特殊的声音技巧，一人同时唱出两个声部，形成罕见的多声部形态。演唱者运用闭气技巧，使气息猛烈冲击声带，发出粗壮的气泡音，形成低音声部。在此基础上，巧妙调节口腔共鸣，强化和集中泛音，唱出透明清亮、带有金属声的高因声部，获得无比美妙的声音效果。

有关呼麦的产生，蒙古人有一奇特说法：古代先民在深山中活动，见河汊分流，瀑布飞泻，山鸣谷应，动人心魄，声闻数十里，便加以模仿，遂产生了呼麦。新疆阿尔泰山区的蒙古人中，至今尚有呼麦流传。呼麦的曲目，因受特殊演唱技巧的限制，不是特别丰富。大体说来有以下三种类型：一是咏唱美丽的自然风光，诸如《阿尔泰山颂》、《额布河流水》之类；二是表现和模拟野生动物的可爱形象，如《布谷鸟》、《黑走熊》之类，保留着山林狩猪文化时期的音乐遗存；三是赞美骏马和草原，如《四岁的海骝马》等。从其音乐风格来说，呼麦以短调音乐为主，但也能演唱些简短的长调歌曲，此类曲目并不多。从呼麦产生的传说，以及曲目的题材内容来看，“喉音”这一演唱形式，当是蒙古山林狩猎文化时期的产物

从发声原理来看，呼麦应看作是人声潮尔的特殊形态，是“浩林·潮尔”合唱艺术发展和升华的必然结果。如前所述，古代蒙古人参加战争，作战前均须高声歌唱潮尔合唱，狩猎成功后也会尽情宣泄，狂热歌舞。在排山倒海般的潮尔声浪中，自然产生出飘渺的泛音效果。显然，蒙古人试图将潮尔合唱艺术的基本要素，巧妙地移植到一人身上。经过长期探索，终于创造出这一奇特的声乐形式。呼麦的产生和发展，乃是蒙古音乐发展进步的产物，在声学规律的认识和掌握方面出现了质的飞跃。探求声音奥秘的道路上，蒙古人终于取得了突破性成就。相传早在13世纪蒙古草原盛行英雄史诗说唱艺术时就已十分盛行了，而据音乐学家们考证，我国诸多古籍中（包括《诗经》）记载的北方草原民族的一种歌唱艺术－－“啸”，就是“浩林·潮尔”的原始形态。如此，其历史至少可追溯到2300年以前。此推断如成立，将从人类复音音乐文化发源地这一基本部分改写《世界音乐史》。这并非玄说、臆断，仅从“潮尔”的蒙语发音与西方复音音乐的合唱、和声和弦诸多民族文字对比，即可窥见其内在联系。潮尔，蒙语准确发音为“chor”；而同其相关的欧洲诸国的和音、和弦、合唱、众赞歌等术语分别是chorus（英）、chord（法）、chor（德），其词根如此惊人的相同，绝非巧合。但迄今为止，中国音乐的历史，却从未记载有关中华民族自身的复音音乐起源。那么，究竟复音音乐是由西方传入中国，还是由中国阿尔泰地区（新疆）辐射到西方？事实是，“啸”－－潮尔（chor）已有2300多年历史，而西方复音音乐最早产生于11O0年前的9世纪。合唱、众赞歌的兴盛则已到了14－17世纪。可见，一向被视为无复音音乐的东方－－中国，实际来可能是西方欧洲复音音乐的母体和发源地。

正因如此，为当代蒙古民族继承并传播开来的“呼麦”艺术，不仅轰动国际乐坛也引起世界各国社会学、人类学、历史学、文化艺术学等专家学者的极大兴趣和普遍关注，更为民族音乐学家、声乐界专家学者高度重视。中国音乐家协会名誉主席、音乐理论界泰斗吕骥先生指出：“蒙古族就有一种一个人同时唱两个声部的歌曲，外人是想象不出来的，我们应该认真学习研究。”内蒙古音协名誉主席莫尔吉胡最近撰文云：“浩林潮尔音乐是人类最为古老的具有古代文物价值的音乐遗产，是活的音乐化石，是至今发掘发现的一切人种、民族的音乐遗产中最具有科学探索与认识价值的音乐遗产。”在继承和发展“呼麦”（浩林潮尔））这一蒙古族精美绝伦的文化遗产方面，内蒙古草原远远落后于阿尔泰山麓等其他蒙古族地区，如蒙古国已早把“呼麦”艺术列为“国宝”；俄罗斯图瓦共和国则视“呼麦”为“民族魂”；两国均已把“呼麦”艺术发掘、研究列入国家艺术重点学科，并引入蒙古族声乐教学体系之中。我国中央音乐学院也把“呼麦”艺术列为国家艺术学科重点课题－－《世界民族民间音乐》中的重要部分，并由原院党委书记、世界民族音乐学专家陈自明教授亲自牵头主持研究。

“呼麦”在内蒙古草原已绝迹了100多年，在新疆阿尔泰地区蒙古民族中，也濒临失传。所以，挽救和发掘并发展这一原本是中华民族的文化遗产，是当务之急，具有不可估量的现实意义和深远历史影响。内蒙古自治区是蒙古族人口最多的聚居地区，传承和弘场这一古老神奇而技艺高超蒙古民族声乐艺术，应是责无旁贷之事。

所幸，九十年代以来，内蒙古艺术界有志之士，已通过“请进来”、“走出去”等各种途径学习“呼麦”艺术，并提高较快。其中，斯琴比力格、张昭翔、吉日木图、宝力道、宝力达是佼佼者。他们从九十年代开始，活跃于国内外音乐舞台上（先后出访日本、澳大利亚），其中斯琴比力格曾被聘请到中央音乐讲学并做示范表演，他们的录音录像，多次在国内外各种形式的学术研讨会上播放。而早在80年代，我区有识学者莫尔吉

然后再给楼主一些世界各地呼麦歌手的视频！

Japan-Makigami Koichi http://khoomeicom/videos/koichimov

Khakassia Vyacheslav Kuchinov, Khakassia http://khoomeicom/videos/kuchinovmov

Evgenii Ulbugashev, Khakassia http://khoomeicom/videos/ulugsmmov

Mongolia Sandak Chaf, Mongolia http://khoomeicom/videos/chafmov

Tibet Drepung-Loseling Monks, Tibet http://khoomeicom/videos/monksmov

Taiwan Bunun Men's Choir http://khoomeicom/videos/posimov

Tuva Khoomei http://khoomeicom/videos/kokhoomeismmov

Kargyraa http://khoomeicom/videos/seveksmmov

Sygyt http://khoomeicom/videos/gennadismmov Borbangnadyr http://khoomeicom/videos/olegsmmov

Parade of the Throat-Singers http://khoomeicom/videos/parade95mov

André Mongush http://khoomeicom/videos/andremov

Gen-Dos Aka Gennadi Chamzyryn http://khoomeicom/videos/gendossmmov

Unnamed Singer http://khoomeicom/videos/unknown3mov

Mongun-ool Dambashti http://khoomeicom/videos/bayanmov

5-year old singer http://khoomeicom/videos/5boymov

Shonchalai Oorzhak http://khoomeicom/videos/shonchalaimov

Tumat Kara-ool http://khoomeicom/videos/tumatmov

Stanislav Iril, Tuva http://khoomeicom/videos/kargchampmov

Ensemble Sayanni, Tuva http://khoomeicom/videos/sayannimusicmov

不过记得观看前要下载一个QuickTime软件 不然看不了的！