accent colour 强调色
advancing colour 前进色
amber 琥珀色(**)
amethyst 紫(水晶)色
antique brass 青古铜色
antique golden 古铜色
antique violet 古紫色
antique white 古董白
apricot 杏黄
aqua green 水绿色,浅绿色
aquamarine 碧绿色
aquamarine blue 蓝绿色
auburn 赤褐色
August green 深绿色
autumn mink 深咖啡色
azure 天蓝色
azure green 碧绿色
baby blue 淡蓝色
baby pink 浅粉红色
bark 树皮色
begin colour 自然色
beige 浅褐色,米白色,灰褐色
benzo blue 靛青色
berry 鲜红色,浆果红
biscuit 淡褐色
bisque 桔**
black 黑色
blue 蓝色
blue green 竹青色,青绿色
blueviolet 紫罗兰色
bluish 带蓝色的,浅蓝色
blush 淡红色
bone 骨色
bottle green 深绿色
brick red 青莲色
bronze 青铜色
brown 褐色,棕色,茶色
buff 浅**;暗**
burgundy 葡萄红;枣红色
burly wood 实木色
butter 油**
butter cup 深**
cadet blue 军蓝色,灰蓝色
calamineblue 淡蓝色
camel 驼色
camouflage 迷彩色
caramel 酱色
carmine 深红色,洋红色
carnation 粉红色,康乃馨
celery 菜绿色,芹菜
celeste 天蓝色
cerise 樱桃色
chalky 白垩的
chambray 有条纹或格子花纹的布
charcoal 炭色
charcoal gray 炭灰色
chartreuse 黄绿色
cherry 鲜红色,樱桃色
chestnut 栗色
chocolate 红褐色,赭石色,巧克力色
chost white 幽灵白
cinnamon 肉桂色
citrine 柠檬黄
citrus green 浅绿色
classic navy 蓝色
clay 泥土
clear 透明
cobalt 钴蓝色,深蓝色
cobalt blue 钴蓝色,艳蓝色
cochineal 胭脂红,洋红
cocoa 可可色,黄棕色
coffee 咖啡色
cold colour 冷色
colour combination 配色
colour matching 配色
colour mixing 调色
complementary colour 补色
contracting colour 收缩色
contrast color 衬色
copper 铜;红铜色
copper red 铜红色
coral 珊蝴色
coral haze 桔红色
cornflower blue 菊蓝色;浅蓝色
cornsilk 米绸色
cream 奶油色,米**,淡**
cream soda 棕色
crepe 透明
crimson 深红色
crystal cream 奶油白
crystaline 水晶色
cyan 青色,蓝绿色
daffod;daffadilly 水仙,鲜**
dark 深色
deep 深色
delicate color 娇色
denim 粗斜纹棉布,蓝牛仔布
dim gray 暗灰色
dodger blue 闪蓝色
dove 鸽子;乳白色
drab 土褐色
dry rose 浅紫色
dull silver 雾银
dun 焦茶色,暗褐色
ecru 本色的,淡褐色,米色
emerald 祖母绿
emerald green 鲜绿色,艳绿色
espresso 浓咖啡色
essential colour 基本色
expansive colour 膨胀色
fashion colour 流行色
firebrick 火砖色
flake white 铅白,片白
flax 亚麻布,淡**
fleshcolor 肉色
floral 花的,花似的
floral white 花白色
florid 鲜红色
forest green 森林绿
fuchsia 紫红色,粉玫色
full colour 彩色
fundamental colour 原色
fuscous 暗褐色,深色
garnet 深红色
geranium 原色红;天竺葵
gilt 青铜色
global brown 咖啡色
golden 金色,金**
goldenrod 金麒麟色
gray;grey 灰色,灰白
green 绿色
greenyellow 黄绿色
ground colour 底色
gunmetal 青铜色,黑镍色
havana 雪茄色
hazel 赤褐色
hepatic 猪肝色
honeydew 蜜色
hot pink 艳粉色,粉红色
hyacinth 紫蓝色
ice 冰色
iced coffee 冰咖色
incarnadine 肉色,粉红色
indigo 靛青色
inter colour 国际流行色
intermedium colour 中间色
ivory 乳白色,象牙色
jade 碧玉色,翡翠色
kelly 黄绿色,鲜绿色
khaki 黄褐色,卡其色
lavender 淡紫色,藕色
lavender blush 淡紫红
lawn green 草绿色
lemon 柠檬色
lemon chiffon 柠檬绸色
lias 淡紫色
light 浅的
light cyan 浅青色
lilac 淡紫色
lily blush 嫩粉色
lily orange 桔色
lily sky 粉蓝色
lime 淡黄绿色
lime green 橙绿色
linen 亚麻色
loden 深橄榄色;深绿色
lyons blue 蓝紫色
magenta 洋红
magenta 红紫色,洋红
maroon 栗色,褐红色
mauve 淡紫色,紫红
melon (各种的)瓜
metal colour 金属色
mint cream 薄荷色
misty gray 雾灰色
mistyrose 浅玫瑰色
mixtz 混色
moccasin 鹿皮色
modena 深紫色
moss green 苔绿色
multicolour 多种色彩
mustard 深**
natural 自然色
navajo white 纳瓦白
navy 深蓝色
navy blue 深蓝色,藏青色;海蓝
neutral colour 中间色
nickel 镍色
oatmeal 灰白色
off white 灰白色
oldlace 老白色
olive 橄榄绿
olive drab 草绿色;深绿褐色
olive green 橄榄绿,茶绿色
opaque 不透明
orange 橙色,桔**
orchid 淡紫色
oriental red 大红
oxblood 无光泽的深红色
oyster grey 米灰色
oyster white 乳白色
pale 淡的,苍白色
pale gold 金色
pale green 苍绿色
pale hay 干草色
pale oink kiss 浅粉红色
pale turquoise 苍绿色
pale violet red 苍紫罗兰色
palegoldenrod 苍麒麟色
pansy 紫罗兰色
pea green 淡绿色,青豆色
peach 桃红色
peacock blue 孔雀蓝
pearl grey 珠光灰
pearlied gold 珠光金色
periwinkle 花布
pewter 蜡白色,蓝灰色
pied 杂色
pink 粉红色
pistac 淡黄绿色
pith black 深黑色
plaid 格子布
plain colour 素色
platinum 白金色,铂金色
plum 杨李色
poloere 米**
poppy 深红色
powder blue 粉蓝色;浅灰蓝色
primary colour 原色
protective color 保护色
prussian blue 普鲁士蓝
puce 深褐色
punpkin 南瓜色
pure colour 纯色
pure silver 纯银
purple 紫色
purple bronze 紫铜色
putty 灰色
rainbow 彩虹
receding colour 后退色
red 红色
reddish 淡红
reddish yellow 浓黄
rice 大米色
rich(in) color 浓色
rose 玫瑰红
roseate 玫瑰色;深粉红色
rosybrown 褐玫瑰红
royal 蓝色
royal blue 品蓝,宝蓝色
rubine;ruby 宝石红
russet 赤褐色
rust 锈红色
rust brown 鼻烟色
saddle brown 重褐色
sallow 苍黄
salmon 鲜肉色,橙红
salmon pink 橙红色
sand 沙子色
sandal wood 原木色
sandy 淡茶色
sap green 暗绿色
sapphire 宝石蓝
scarlet 猩红色,鲜红色,绯色
seaform 海蓝色
seashell 海贝色
seaweed 海藻色
secondary color 混合色
semitransparent 半透明的
sepia 棕黑色
shade 颜色深浅
shocking pink 鲜粉红色,憬红色
sienna 赭色,红褐色
silver 银白色
similar colour 同类色
sky blue 天蓝色
slate blue 石蓝色
slate grey 灰石色,鼠灰色
smoke 深灰色
smoky grey 烟灰色,雾灰色
snowy white 雪白色
snuff 黄褐色,鼻烟色
soft color 嫩色
sorrel 红棕色
spring mint 春绿色,嫩绿色
steel blue 钢蓝色
stone 石头色,浅橄榄灰色
strom 雾灰色
suble moss 青绿色
sun light blue 天蓝色
sunking **
surface colour 表面色
tan 棕褐色,茶色
tangerine 橘**
tapestry red 咖啡色
taupe 褐色,灰褐色
tawny 黄褐色;茶色
tawny blush(pink) 粉红色
teal 水鸭色
thistle 蓟色
tiffany 石头纹王彩
timber born 骨色
toasted almond 沙色
tomato 西红柿色
tortoise 龟/玳瑁
translucence 半透明
transparent 透明
trend colour 流行色
tricolor 三色的
turq 湖水蓝
turquoise 宝石绿,青绿色
turquoise blue 土耳其玉色,翠蓝色
ultramarine 深蓝色,群青
umber 浓茶色
verdigris color 铜绿色
vermilion 橘红;朱砂红
violet 紫罗兰色,紫色
vivid turquoise 宝蓝
warm colour 暖色
wetsand 浅棕色
wheat 浅**
wheaten 灰白色
white 白色
whitesmoke 烟白色
wine 酒红色
winered 葡萄酒红
yellow **
yellowgreen 黄绿色
york yellow 蛋**
zone natural 浅棕色
颜色是通过眼、脑和我们的生活经验所产生的对光的视觉感受,我们肉眼所见到的光线,是由波长范围很窄的电磁波产生的,不同波长的电磁波表现为不同的颜色,对色彩的辨认是肉眼受到电磁波辐射能刺激后所引起的视觉神经感觉。
颜色具有三个特性,即色相,明度,和饱和度。颜色的三个特性及其相互关系可以用三度空间的颜色立体来说明。
蓝色(blue)光或颜料(作为颜料色中,使用青色代替蓝色)的三原色之一,这种颜色有很多种,有天蓝、湖蓝、宝蓝、粉蓝、冰蓝、碧蓝等等。欧洲为对国家之忠诚象征。天蓝色代表宁静、清新、自由,是很多人喜欢的颜色,天蓝色和粉红色一样,是安抚色,一看到就让人的心情感到放松;湖蓝色,海的颜色,代表忧郁、深邃、冷淡;宝蓝色即宝石蓝,最深也最亮的蓝色,也叫海军蓝,代表冷静、智慧等。
红色(red) 光或颜料的三原色之一,最强有力的色彩,热情、活泼、激情、喜庆的象征。容易鼓舞勇气,西方以此作为战争相关象征牺牲之意,东方则代表吉祥、乐观、 喜庆之意。有时会很刺眼,看到就让人有热血沸腾的感觉,但是看久了会让视觉产生巨大的压力。
橙色(orange)由红色和**组成。也可以叫橘色,代表时尚,青春,快乐,活力四射。炽烈之生命,太阳光为橙色。
绿色(green )光的三原色之一。很特别的颜色,它既不是冷色,也不是暖色,属于居中的颜色。代表清新,希望。代表安全、平静、舒适之感,在四季分明之地方,如见到春天之树木、有绿色的嫩叶,大自然的颜色。看了 使人有新生之感。
紫色(purple )由蓝色和红色组成,神秘,高贵,浪漫的象征。有淡紫色、深紫色、粉紫色和灰紫色。一般人喜欢淡紫色和粉紫色,有愉快之感。很少有人喜欢青紫色,不易产生美感。紫色大部分有恐怖感,灰紫色有灾难降临的感觉。
黑色(black )深沉,庄重,无情色,神秘之感,沉虑,极端的颜色。如和其他颜色相配合含有集中和重心感。
灰色(gray)高雅,简素,简朴。代表寂寞、冷淡、拜金主义,灰色使人有现实感。
粉红色/粉色(pink)由红色和白色组成。有很多的意义,可爱、温馨、娇嫩、青春、明快、美丽、恋爱等,是广大女性喜爱的颜色,深浅由淡粉色到中粉色再到艳粉色。这种颜色用途很广泛,经常为花朵、装饰品的颜色。
白色(white ) 明快,无瑕,冰雪。无情色,表纯洁之感,及轻松、愉悦,浓厚之白色会有壮大之感觉。还有一种特殊的颜色叫米白色,是在白色中泛着极浅的**,经常为衣服、鞋子的颜色。
**(yellow)颜料三原色之一,活泼的颜色,亮度最高,禁不起白色的冲淡。东方代表尊贵、优雅,西方以**为耻辱象征。
棕色(brown )代表健壮,与其它色不发生冲突。有耐劳、暗淡之感情。很难用水彩颜料调出来。
肉色(Meat color)即黄种人的肤色,由红色、白色、橙色组成,和粉红色很相似的颜色,这种颜色很少出现,在蜡笔中可以找到它。也有一种颜色叫肉粉色。
青色(Cyan)青色是中国特有的一种颜色,在中国古代社会中具有极其重要的意义。青色象征着坚强、希望、古朴和庄重,传统的器物和服饰常常采用青色。
褐色(brown)褐色,是处于红色和**之间的任何一种颜色。其特征含有适中的暗淡和适度的浅灰。褐色亦称棕色、赭色、咖啡色、啡色、茶色等,是由混合小量红色及绿色,橙色及蓝色,或**及紫色颜料构成的颜色。
1、唯将终夜长开眼,报答平生未展眉。
Only eyes s, more e half-year-old sound book absolutely, an inch aing more and more distant and endless
27、爱你是我的自由,想你是我的感觉,爱你想你我说了就是了,你要不要随便你。
Loving you is my freedom, thinking you are my feeling, loving you is what I said, do you want to do whatever you want
28、如果我们在结婚之后仍然能保持爱情的甜蜜,我们在地上也等于进入天堂。
If we can still keep the sweetness of love after marriage, we will enter heaven on earth
29、春蚕到死丝方尽,蜡炬成灰泪始乾。
Spring silkworm to the end of silk, wax torch grey tears began to dry
30、只愿君心似我心,定不负相思意。
I only wish that your heart resembles my heart and will never fail to love you
31、他生莫作有情痴,人间无地著相思。
He was born without affection and lovesickness
32、他生莫作有情痴,人间无地着相思。
He was born without affection and lovesickness
33、如花美眷,似水流年。回得了过去,回不了当初。
Like a beautiful family, like a flowing year Can go back to the past, can not go back to the original
34、男孩是水女孩是鱼。水不在乎鱼从哪来。鱼在乎水的清澈与否。
Boys are water girls are fish plains about the situation
43、男人对爱情的观点不是没有水准,而是没有标准。
Men's view of love is not that there is no standard, but that there is no standard
44、换我心,为你心,始知相忆深。
Change my heart, for your heart, first know and remember each other deeply
关于浪漫爱情的诗句
1、庄生晓梦迷蝴蝶,望帝春心托杜鹃。
2、死生契阔,与子同说,执子之手,与子偕老。
3、烟外柳丝湖外水,山眉澹碧月眉黄。
4、爱你是我的自由,想你是我的感觉,爱你想你我说了就是了,你要不要随便你。
5、千金纵买相如赋,脉脉此情谁诉。
6、能无意酬乌鹊,惟与蜘蛛乞巧丝。
7、当眼泪流下来,才知道,分开也是另一种明白。
8、今日云骈渡鹊桥,应非脉脉与迢迢。家人竟喜开妆镜,月下穿针拜九宵。
9、向日穿针易,临风整线难。
10、上一次微笑着入睡是什么时候?
11、众里寻他千百度,蓦然回首,那人却在,灯火阑珊处。
12、盈盈一水间,脉脉不得语。
13、不怕银钢深秀户,只愁风断清衣渡。
14、惜春长怕花开早,何况落红无数。
15、问世间情为何物?直教生死相许。
16、同心而离居,忧伤以终老。
17、年年乞与人间巧,不道人间巧已多。
18、纵然岁月流逝,但愿你我情深,天长地久,永恒不变莫让时间冲淡爱情的酒,莫让距离拉开思念的手。
19、昔我往矣,杨柳依依,今我来思,雨雪霏霏。
20、红的,像火一样燃烧。黄的,像金子一样坚贞。白的,像云朵一样纯洁。献给你,这束爱情的花,它摘自我的心田。
21、是他春带愁来,春归何处,却不解带将愁去。
22、未得渡清浅,相对遥相望。
23、爱逐微风戏彩蝶,你若莞尔群山漾。
24、只有梦魂能再遇,堪嗟梦不由人做。
25、你从黑暗中投到我身上的,明亮的眼光,像一丝微风,送一阵颤栗透过水波,又吹向朦胧的岸边。
26、今宵酒醒何处,杨柳岸,晓风残月。
27、两情若是久长时,又岂在朝朝暮暮。
28、上邪,我欲与君相知,长命无绝衰,山无棱,江水为竭,冬雷阵阵,夏雨雪,天地和,不敢与君绝。
29、此情无计可消除,才下眉头,却上心头。
30、相思似海深,旧事如天远。泪滴千千万万行,更使人、愁肠断。要见无因见,拚了终难拚。若是前生未有缘,待重结、来生愿。
31、爱情的路上,不仅有艳阳,更有风雨,一个人的力量也许太小,那就让我留你的思想,陪我抵挡环境的煎熬。爱情的美酒,我只有一杯,既然给了你,又怎忍心用空酒杯装上白开水去骗别人!
32、望夫处,江悠悠,化为石,不回头。山头日日风复雨,行人归来石应语。
33、爱你,我的脸颊往中挤;想你,我的下巴向下移。
34、此日六军同驻马,当时七夕笑牵牛。
35、美人卷珠帘,深坐颦蛾眉。但见泪痕湿,不知心恨谁。
36、山不在高,有你就行;水不在深,有你则灵。似是爱情,惟我不醒!
37、天街夜色凉如水,卧看牵牛织女星。
38、如花美眷,似水流年。回得了过去,回不了当初。
39、桑蚕不作茧,尽夜长悬丝。
40、人道海水深,不抵相思半。海水尚有涯,相思渺无畔。携琴上高楼,楼虚月华满。弹着相思曲,弦肠一时断。
41、唯将终夜长开眼,报答平生未展眉。
42、蒹葭采采,白露未已。所谓伊人,在水之泗。
43、山无陵,江水竭,冬雷震,夏之雪,天地合,乃敢与君绝。
44、你不再是一个观众,从我认识你的那一天开始;你不再无关紧要,当我爱上你之后,我只想对你说,我绝不放手!
45、无情不似多情苦,一寸还成千万缕。
46、莫言相见阔,天上日应殊。
47、梧桐树,三更雨,不道离情正苦。一叶叶,一声声,空阶滴到明。
48、人面不知何处去,桃花依旧笑春风。
49、等待,是一生最初的苍老。
50、我欲与君相知,无绝衰,山无陵,江水为竭,冬雷震震,夏雨雪,天地合,乃敢与君绝。
51、他生莫作有情痴,人间无地着相思。
52、男人对爱情的观点不是没有水准,而是没有标准。
53、天涯地角有穷时,只有相思无尽处。
54、如果我们在结婚之后仍然能保持爱情的甜蜜,我们在地上也等于进入天堂。
55、夜里,我是月亮,护送你进入梦乡。清晨,我是小溪,在你身旁欢畅的唱歌。为了你,我的爱燃烧更旺。
56、爱情不要等到年纪大了才考虑,早晨的歌声,到中午再听,就显得索然无味。
57、当宇宙快要绝对零度时,恒星的爆炸是支持的惟一力量。当我快要绝对零度时,你的爱是支持的惟一力量。
58、当我凝视到你的眼,当我听到你的声音,当我闻到你秀发上的淡淡清香,当我感受到我剧烈的心跳,我明白了:你是我今生的惟一!
59、命运把我俩撮合在一起,你身上有我,我身上有你,我与你亲密无间,情同心随一路相偕到底。
浪漫爱情诗句
1、一寸相思千万绪,人间没个安排处。
2、心似双丝网,中有千千结。
3、此情无计可消除,才下眉头,却上心头。
4、今夕何夕,见此良人。
5、一日不见兮,思之如狂。
6、无情不似多情苦,一寸还成千万缕。
7、男人对爱情的观点不是没有水准,而是没有标准。
8、一行写入相思传。
9、直道相思了无益,未妨惆怅是清狂。
10、还君明珠双泪垂,恨不相逢未嫁时。
11、酒入愁肠,化作相思泪。
12、落红不是无情物,化作春泥更护花。
13、此去经年,应是良辰好景虚设。便纵有,千种风情,更与何人说。
14、重叠泪痕缄锦字,人生只有情难死。
15、可怜无定河边骨,犹是春闺梦裏人。
16、天长路远魂飞苦,梦魂不到关山难。
17、相思相见知何日,此时此夜难为情。
18、玲珑骰子安红豆,入骨相思知不知。
19、平生不会相思,才会相思,便害相思。
20、山无陵,江水为竭,冬雷震震,夏雨雪,天地合,乃敢与君绝!
21、爱你,我的脸颊往中挤;想你,我的下巴向下移。
22、相恨不如潮有信,相思始觉海非深。
23、忆君心似西江水,日夜东流无歇时。
24、你走进我的世界,为我开出骄傲之花,为我结出希望之果。你弥合了我多少心灵的创伤,你带走了我几多惆怅。
25、深知身在情长在,怅望江头江水声。
26、春蚕到死丝方尽,蜡炬成灰泪始乾。
27、泪眼问花花不语,乱红飞过秋千去。
28、天不老,情难绝。心似双丝网,中有千千结。
29、相思本是无凭语,莫向花笺费泪行。
30、尊前拟把归期说,未语春容先惨咽。
31、结发为夫妻,恩爱两不疑。
32、深知身在情长在。
33、多情只有春庭月,犹为离人照落花。
34、离愁渐远渐无穷,迢迢不断如春水。
35、曾经沧海难为水,除却巫山不是云。
36、春心莫共花争发,一寸相思一寸灰。
37、窈窕淑女,君子好逑。
38、凄凉别后两应同,最是不胜清怨月明中。
39、同心而离居,忧伤以终老。
40、落花人独立,微雨燕双飞。
41、上邪,我欲与君相知,长命无绝衰,山无棱,江水为竭,冬雷阵阵,夏雨雪,天地和,不敢与君绝。
42、天涯地角有穷时,只有相思无尽处。
43、取次花丛懒回顾,半缘修道半缘君。
44、欲寄彩笺兼尺素,山长水阔知何处。
45、死生契阔,与子同说,执子之手,与子偕老。
46、枕前泪共阶前雨,隔个窗儿滴到明。
47、昔我往矣,杨柳依依,今我来思,雨雪霏霏。
48、换我心,为你心,始知相忆深。
49、红豆生南国,春来发几枝?愿君多采撷,此物最相思。
50、夜月一帘幽梦,春风十里柔情。
经典浪漫爱情诗句
1、郎骑竹马来,绕床弄青梅。李白《长干行》
2、惜分长怕君先去,直待醉时休。贺铸《眼儿媚萧萧江上荻花秋》
3、寒苦不忍言,为君奏丝桐。李白《怨歌行》
4、君怀良不开,贱妾当何依。曹植《明月上高楼》
5、鱼沈雁杳天涯路,始信人间别离苦。戴叔伦《相思曲》
6、相逢一醉是前缘,风雨散、飘然何处。苏轼《鹊桥仙七夕送陈令举》
7、今夕何夕,见此良人。佚名《诗经唐风绸缪》
8、怕相思,已相思,轮到相思没处辞,眉间露一丝。俞彦《长相思折花枝》
9、千金纵买相如赋,脉脉此情谁诉。辛弃疾《摸鱼》
10、在天愿作比翼鸟,在地愿为连理枝。白居易《长恨歌》
11、相思已是不曾闲,又那得、工夫咒你。蜀妓《鹊桥仙说盟说誓》
12、春蚕到死丝方尽,蜡炬成灰泪始乾。李商隐《无题》
13、十二楼中尽晓妆,望仙楼上望君王。薛逢《宫词》
14、寂寞深闺,柔肠一寸愁千缕。李清照《点绛唇闺思》
15、知君用心如日月,事夫誓拟同生死。张籍《节妇吟寄东平李司空师道》
16、相思相望不相亲,天为谁春。纳兰性德《画堂春一生一代一双人》
17、曾与美人桥上别,恨无消息到今朝。刘禹锡《杨柳枝》
18、衣带渐宽终不悔,为伊消得人憔悴。柳永《凤栖梧》
19、可怜无定河边骨,犹是春闺梦里人!陈陶《陇西行四首其二》
20、深知身在情长在,怅望江头江水声。李商隐《暮秋独游曲江》
21、天长地久有时尽,此恨绵绵无绝期。白居易《长恨歌》
22、今夜鄜州月,闺中只独看。杜甫《月夜》
23、琵琶弦上说相思。晏几道《临江仙梦后楼台高锁》
24、人面不知何处去,桃花依旧笑春风。崔护《题都城南庄》
25、相思了无益,悔当初相见。朱彝尊《忆少年飞花时节》
26、身无彩凤双飞翼,心有灵犀一点通。李商隐《无题》
27、死生契阔,与子成说。执子之手,与子偕老。佚名《诗经邶风击鼓》
28、鸳鸯俱是白头时,江南渭北三千里。贺铸《惜余春急雨收春》
29、为君持酒劝斜阳,且向花间留晚照。宋祁《玉楼春春景》
30、诚知此恨人人有,贫贱夫妻百事哀。元稹《遣悲怀三首其二》
31、当君怀归日,是妾断肠时。李白《春思》
32、平生不会相思,才会相思,便害相思。徐再思《折桂令》
33、别后不知君远近。欧阳修《玉楼春别后不知君远近》
34、尊前拟把归期说,未语春容先惨咽。欧阳修《玉楼春》
35、两情若是久长时,又岂在朝朝暮暮。秦观《鹊桥仙》
36、都缘自有离恨,故画作远山长。欧阳修《诉衷情眉意》
37、今日俸钱过十万,与君营奠复营斋。元稹《遣悲怀三首其一》
38、君宠益娇态,君怜无是非。王维《西施咏》
39、春心莫共花争发,一寸相思一寸灰!李商隐《无题飒飒东风细雨来》
40、月色入高楼,相思两处愁。秋瑾《菩萨蛮寄女伴》
41、月上柳梢头,人约黄昏后。欧阳修《生查子》
42、红豆生南国,春来发几枝。愿君多采撷,此物最相思。王维《相思》
43、执手相看泪眼,竟无语凝噎。柳永《雨霖铃》
44、相思树底说相思,思郎恨郎郎不知。梁启超《台湾竹枝词》
45、我住长江头,君住长江尾。李之仪《卜算子我住长江头》
46、曾经沧海难为水,除却巫山不是云。元稹《离思五首其四》
47、闺中**不知愁,春日凝妆上翠楼。王昌龄《闺怨》
48、只愿君心似我心,定不负相思意。李之仪《卜算子》
49、夫死战场子在腹,妾身虽存如昼烛。张籍《征妇怨》
50、新知遭薄俗,旧好隔良缘。李商隐《风雨》
51、若待得君来向此,花前对酒不忍触。苏轼《贺新郎夏景》
52、重叠泪痕缄锦字,人生只有情难死。文廷式《蝶恋花》
53、取次花丛懒回顾,半缘修道半缘君。元稹《离思五首其四》
54、耕夫召募爱楼船,春草青青万项田。张继《闾门即事》
55、看朱成碧思纷纷,憔悴支离为忆君。武则天《如意娘》
56、可怜闺里月,长在汉家营。沈佺期《杂诗三首其三》
57、自君之出矣,明镜暗不治。思君如流水,何有穷已时。徐干《室思》
58、奴为出来难,教君恣意怜。李煜《菩萨蛮花明月暗笼轻雾》
59、可怜无定河边骨,犹是春闺梦里人。陈陶《陇西行》
60、愿我如星君如月,夜夜流光相皎洁。范成大《车遥遥篇》
61、盈盈一水间,脉脉不得语。古诗十九首《迢迢牵牛星》
62、贱妾茕茕守空房,忧来思君不敢忘,不觉泪下沾衣裳。曹丕《燕歌行》
63、绮席象床寒玉枕,美人何处醉黄花。汪元量《望江南幽州九日》
64、相思只在:丁香枝上,豆蔻梢头。王雱《眼儿媚杨柳丝丝弄轻柔》
65、愿得一心人,白头不相离。卓文君《白头吟》
66、相见争如不见,有情何似无情。司马光《西江月》
67、落花人独立,微雨燕双飞。晏几道《临江仙二首其二》
68、他生莫作有情痴,人间无地着相思。况周颐《减字浣溪沙》
69、寂寂花时闭院门,美人相并立琼轩。朱庆馀《宫词》
70、生当复来归,死当长相思。苏武《留别妻》
71、同穴窅冥何所望,他生缘会更难期。元稹《遣悲怀三首其三》
72、问君何事轻离别,一年能几团圞月。纳兰性德《菩萨蛮问君何事轻离别》
73、上穷碧落下黄泉,两处茫茫皆不见。白居易《长恨歌》
74、清风明月苦相思,荡子从戎十载馀。王维《伊州歌》
75、人生自是有情痴,此恨不关风与月。欧阳修《玉楼春》
76、妆罢低声问夫婿,画眉深浅入时无。朱庆馀《近试上张籍水部》
77、名花倾国两相欢,长得君王带笑看。李白《清平调其三》
78、山远天高烟水寒,相思枫叶丹。李煜《长相思一重山》
79、一日不思量,也攒眉千度。柳永《昼夜乐》
80、入我相思门,知我相思苦,长相思兮长相忆,短相思兮无穷极。李白《三五七言》
古诗绝句就是这样经典,凝练,内心顿生无限的情怀。希望看到更多的的绝句和古诗吗,请欣赏 浪漫爱情的古诗 。
给你一篇sample writing吧
ON BECAUSE I COULD NOT STOP FOR DEATH
Abstract: Death and eternity are the major themes in most of Emily Dickinson's poems“ Because I could not stop for death”is one of her classic poems Through the analysis, this essay clarifies infinite conceptions by the dialectical relationship between reality and imagination, the known and the unknown And it tells what eternity in Dickson’s eyes is
Keywords: death, eternity, finite, infinite
Introduction
Emily Dickinson(1830-1886), the American best-known female poet ,was one of the foremost authors in American literature Emily Dickinson’s poems, as well as Walt Whitman's, were considered as a part of "American renaissance"; they were regarded as pioneers of imagism Both of them rejected custom and received wisdom and experimented with poetic style She however differs from Whitman in a variety of ways For one thing, Whitman seems to keep his eye on society at large; Dickinson explores the inner life of the individual Whereas Whitman is "national" in his outlook, Dickinson is "regional"
Emily Dickinson was born in Amherst, Massachusetts, on December 10,1830 She lived almost her entire life in the same town (much of it in the same house), traveled infrequently, never married, and in her last years never left the grounds of her family So she was called "vestal of Amherst" And yet despite this narrow —— some might say —— pathologically constricted-outward experience, she was an extremely intelligent, highly sensitive, and deeply passionate person who throughout her adult life wrote poems (add up to around 2000 ) that were startlingly original in both content and technique, poems that would profoundly influence several generations of American poets and that would win her a secure position as one of the greatest poets that America has ever produced
Dickinson's simply constructed yet intensely felt, acutely intellectual writings take as their subject issues vital to humanity: the agonies and ecstasies of love, sexuality, the unfathomable nature of death, the horrors of war, God and religious belief, the importance of humor, and musings on the significance of literature, music, and art
Emily Dickinson enjoys the King James Version of the Bible, as well as authors such as English WRTERS William Shakespeare, John Milton, Charles Dickens, Elizabeth Barrett Browning, George Eliot, and Thomas Carlyle Dickinson's early style shows the strong influence of William Shakespeare, Barrett Browning, Scottish poet Robert Browning, and English poets John Keats and George Herbert And Dickinson read Emerson appreciatively, who became a pervasive and, in a sense, formative influence over her As George F Whicher notes, "Her sole function was to test the Transcendentalist ethic in its application to the inner life"
1“death” in Emily Dickinson‘s poets
For as long as history has been recorded and probably for much longer, man has always been different idea of his own death Even those of us who have accepted death graciously, have at least in some way, —— feared, dreaded, or attempted to delay its arrival We have personified death——as an evildoer dressed in all black, its presence swoops down upon us and chokes the life from us as though it were some street murder with malicious intent But in reality, we know that death is not the chaotic grim reaper of fairy tales and mythology Rather than being a cruel and unfair prankster of evil, death is an unavoidable and natural part of life itself
Death and immorality is the major theme in the largest portion of Emily Dickinson's poetry Her preoccupation with these subjects amounted to an obsession so that about one third of her poems dwell on them Dickinson's many friends died before her, and the fact that death seemed to occur often in the Amherst of the time added to her gloomy meditation Dickinson's is not sheer depiction of death, but an emphatic one of relations between life and death, death and love, death and eternity Death is a must-be-crossed bridge She did not fear it, because the arrival in another world is only through the grave and the forgiveness from God is the only way to eternity
2 Analysis
Because I could Not Stop for Death
(1) Because I could not stop for Death,
(2) He kindly stopped for me;
(3) The carriage held but just ourselves
(4) And Immortality
(5) We slowly drove, he knew no haste,
(6) And I had put away
(7) My labor, and my leisure too,
(8) For his civility
(9) We passed the school where children played
(10) At wrestling in a ring;
(11) We passed the fields of gazing grain,
(12) We passed the setting sun
(13) We paused before a house that seemed
(14) A swelling of the ground;
(15) The roof was scarcely visible,
(16) The cornice but a mound
(17) Since then'tis centuries; but each
(18) Feels shorter than the day
(19) I first surmised the horses' heads
(20) Were toward eternity
"Because I Could Not Stop for Death" (J712) maintains a serene tone throughout In it, Emily Dickinson uses remembered images of the past to clarify infinite conceptions through the establishment of a dialectical relationship between reality and imagination, the known and the unknown By viewing this relationship holistically and hierarchically ordering the stages of life to include death and eternity, Dickinson suggests the interconnected and mutually determined nature of the finite and infinite
Death is indeed personified by Dickinson to a certain extent as an unavoidable conqueror who is hanging over us and around us, inescapable The first line tells us exactly what we're reading about There is no gradual build-up to the main point as is the case with the works of some other poets Instead, there is merely a progression of explanation Many years beyond the grave, the speaker portrays the placid process of her passing, in which Death is personified as he escorts Emily to the Carriage During her slow ride she realizes that the ride will last for all eternity
For eternity, the speaker recalls experiences that happened on earth centuries ago In her recollection, she attempts to identify the eternal world by its relationship to temporal standards, as she states that "Centuries" (17) in eternity are "shorter than the [earthly] day" (18) Likewise, by anthropomorphizing Death as a kind and civil gentleman, the speaker particularizes Death's characteristics with favorable connotations Similarly, the finite and infinite are amalgamated in the fourth stanza (112):
The Dews drew quivering and chill—— For only Gossamer, my Gown——My Tippett——only Tulle——(14-16)
In these lines the speaker's temporal existence, which allows her to quiver as she is chilled by the "Dew," merges with the spiritual universe, as the speaker is attired in a "Gown" and cape or "Tippet," made respectively of "Gossamer," a cobweb, and "Tulle," a kind of thin, open net-temporal coverings that suggest transparent, spiritual qualities
By recalling specific stages of life on earth, the speaker not only settles her temporal past but also views these happenings from a higher awareness, both literally and figuratively In a literal sense, for example, as the carriage gains altitude to make its heavenly approach, a house seems as "A Swelling of the Ground" (14) Exactly it refers to grave Figuratively the poem may symbolize the three stages of life: "School, where Children strove" (9) may represent childhood; "Fields of Gazing Grain" (11), maturity; and "Setting Sun" (12) old age Viewing the progression of these stages-life, to death, to eternity-as a continuum invests these isolated, often incomprehensible events with meaning From her eternal perspective, the speaker comprehends that life, like the "Horses Heads" (19), leads "toward Eternity" (20)
Through her boundless amalgamation and progressive ordering of the temporal world with the spiritual universe, Dickinson dialectically shapes meaning from the limitations of life, allowing the reader momentarily to glimpse a universe in which the seemingly distinct and discontinuous stages of existence are holistically implicated and purposed
3 Conclusion
No one can delay or prevent death Most people died unexpectedly, who are not ready to stop everything they have and want to do Their relatives and their friends also are not ready to accept it It seems that people only have finite time on earth Before death arrives, we should fulfill dreams without regrets and should love the ones surrounding us Emily Dickinson once wrote, after she came to know the life after death lies permanently in the beloved's memory, that the one who bestowed eternity on her she would send memory in return
红玫瑰的英文是 Red Rose,英音读音为 /rɛd rəʊz/,美音读音为 /rɛd roʊz/。
单词释义:Red Rose是指花名为红玫瑰的一种植物。Rose在英语中指的是蔷薇花。
词语用法:Red Rose是一个复合名词,red是形容词,用来修饰rose,表示红色的。单独使用rose也可表示蔷薇花或玫瑰花。
词组翻译:
1 Rose garden - 玫瑰花园
2 Rose petal - 玫瑰花瓣
3 Rose plant - 玫瑰植物
4 Rose bud - 玫瑰花蕾
5 Rose water - 玫瑰花水
6 A rose by any other name would smell as sweet - 名字不重要,主要看品质
7 come up roses - 万事如意
8 see through rose-colored glasses - 带有色眼镜看待事物
含义解释:红玫瑰是表示爱情、浪漫、热情、温馨和珍爱的象征,红色更强调其热烈和激情的含义。
语法详解:
1 Red Rose可以作为主语、宾语或者定语。
2 当Red Rose用作主语时,谓语动词通常为单数。
3 如果用rose作为主语,应该用单数的谓语动词。
4 当Red Rose用作定语时,通常位于名词前面。
具体用法举例:
1 He bought a bouquet of red roses for his girlfriend (他给女友买了一束红玫瑰。)
2 The room was filled with the fragrance of red roses (房间里弥漫着红玫瑰的香味。)
3 The dress was decorated with red rose embroidery (这件衣服上绣着红玫瑰。)
4 She pinned a red rose to her lapel (她别了一朵红玫瑰在胸口。)
5 The wedding decoration had bouquets of red roses on each table (婚礼的装饰上每个餐桌上都有一束红玫瑰。)
双语例句:
1 She has a red rose tattooed on her left arm (她的左臂上纹了一只红玫瑰。)
2 We decorated the cake with red rose petals (我们用红玫瑰花瓣装饰蛋糕。)
3 The company sent her a bouquet of red roses to congratulate her on her promotion (公司送她一束红玫瑰祝贺她晋升。)
4 She prefers the scent of red roses to that of other flowers (她喜欢红玫瑰的香气胜过其他花。)
5 The princess was overjoyed when the prince presented her with a box of red roses (王子送了公主一盒红玫瑰,让她非常开心。)
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